The Moving Instant at The BeatNiq Review, February 4 and 5, 2011

Grunge met jazz, jazz rock, bebop and gospel when the The Moving Instant, took to the stage at The BeatNiq Jazz and Social Club on Friday, February 4, 2011. They performed a number of original compositions and standards.

The group, comprised of Jason Graham, Stefano Valdo and Gavin Sorochan looked at home on stage at The BeatNiq Jazz and Social Club when they performed. The jazz fusion trio welcomed guest musician Steve Fletcher on keyboards.

Grunge, Bebop and Mindblowing Licks in the First Set

“Track 1”, written by Jason Graham is a jazz rock number that was reminiscent of some classic Santana songs. While Graham's solo on electric guitar was edgy and very rock influenced, Steve Fletcher's hummingbird-like solo contained elements of bebop.

“I'm a product of the grunge era,” admitted Graham before playing another original work called “Facelift”. He confessed to the audience that he grew up listening to the Stone Temple Pilots and other influential grunge bands. “Facelift” was the group's tribute to the Stone Temple Pilots.

“Crisis at Christmas” is a number written by bassist Stefano Valdo, who performed on a fretless bass. This was one of the few slow numbers on the programme. The melancholy timbre gradually built up momentum.

Gavin Sorochan's drum solo was riveting. The driving beat metamorphosed into equally driving rolls and complex rhythms. Just as mesmerizing was Sorochan's expressiveness at his instrument.

The group wrapped up the first set with a John Scofield number, “Filibuster”. Also featured in the first set was another Jason Graham number, “Nothing Crass”.

Funky Grooves, Gospel and Standards Mark the Second Set

The Moving Instant launched the second set with a cover tune called “Crash Course”. Graham's guitar solo weaved at a moderate pace before gathering steam. Valdo, who switched to a fretted electric bass, played a funk-influenced solo. The guitars comped with a rock groove throughout Sorochan's drum solo.

“BFD” was written by Graham and Valdo. This began with a driving drum riff before the other instrumentalists joined in. This number evoked images of video game fight scenes its the aggressive, funk rhythms. Steve Fletcher demonstrated his versatility by switching from a funk groove to a gospel-influenced one in the blink of an eye.

The group ended their show with a John Coltrane classic, “Giant Steps”. “Fast” doesn't begin to describe this number. The tempo and rapidly changing harmonies make this number a challenging one to play (but so much fun to hear). Graham, Sorochan, Valdo and Fletcher did not miss a beat during their rapidly flowing lines. Even at that fast tempo, each musician was able to play some very punchy rhythms.

Also performed in the second set were “Blue in Green” by Miles Davis, “Big Jewel” by Stefano Valdo and “You're Only Young Once” by Jason Graham. For an encore, The Moving Instant played another Miles Davis classic, “All Blues”.

All four musicians demonstrated technical virtuosity, confidence and love for their art. They were evenly matched. For the most part, the balance was good, although there were times that it was hard to hear the keyboard and bass over the drums.

The most frustrating element to the evening was the lack of audience etiquette. At times, it was difficult to hear the bass and keyboards simply because several members of the audience were talking loudly throughout the performances.

Just as disturbing was the small amount of applause after technically demanding solos played with aplomb. There is a difference between background music and performance music. The Moving Instant played the latter, which should have generated more applause than was given.

The Moving Instant Plays the BeatNiq

The Moving Instant is a jazz fusion trio made up of Jason Graham, Stefano Valdo and Gavin Sorochan. The group was formed in 2009. Joining them for this performance was Steve Fletcher on keyboard. All musicians are based in Calgary, Alberta and perform in a number of groups, including the Allistair Elliot Band and the Tricia Edwards Quartet.

Jazz fusion trio The Moving Instant played to a lively crowd at The BeatNiq in Calgary, Alberta on February 4 & 5, 2011. Jason Graham (guitar), Stefano Valdo (bass) and Gavin Sorochan (drums), along with special guest Steve Fletcher (keyboards) delivered technically demanding and impressive solos.

Originally published on Suite101.com on February 7, 2011. Updated August 7, 2013. Please note that the BeatNiq has closed since the original  publication of this article. The venue has since re-opened as The Wine-Ohs.

Calgary Jazz Orchestra A Perfectly Frank Christmas 2011 Review

The Calgary Jazz Orchestra performed a sold-out concert at River Park Church in Calgary, Alberta on Sunday, December 18, 2011. From “White Christmas” to “Long Way to Go”, the CJO presented a wide range of big band jazz, Frank Sinatra classics and Christmas favourites.

The CJO trombone section played a selection of Christmas carols while the audience found seats. Extra seats soon had to be added.

Opening Act William Aberhart Jazz Ensemble Performed Big Band Hits

William Aberhart High School Jazz Ensemble kicked things off with “Idiom 59 – Part II” (Duke Ellington), an upbeat swing number. It was followed by an arrangement of “All of Me” (Gerry Marks and Seymour Simons) a lively number, which Frank Sinatra has recorded.

William Aberhart High School of Calgary is directed by Kevin Wilms. The Jazz Ensemble performs in concerts, competitions and festivals throughout Alberta.

Swing, Call and Response and Impressive Jazz Solos in CJO's Opening Set

Members of the Calgary Jazz Orchestra walked on-stage confidently and in relaxed spirits, sporting festive red ties. The notable exception was the rhythm section, who wore black ties.

The first number was a cheerful arrangement of Sergei Prokofiev's “Troika”. The original theme featured pianist Egor Ukoloff flying across the keys before the music changed to a medium swing. This featured lively exchanges between different sections of the jazz orchestra. Solos were ably performed by Jeremy Brown, Al Muirhead and Sarah Matheson before the music returned to the traditional theme.

An arrangement of “The Grinch” (James Horner) followed. The dreamy opening showcased the piano, flutes and clarinets. The trumpets and saxophones took over, building the excitement until the Grinch theme appeared, played on the baritone sax. This slow swing number featured solos by Muirhead, Matheson and Shane Statz.

Crowd favourite Hazel Proctor sang “Please Come Home for Christmas” (Charles Brown). Wearing a sparkling floral jacket, Proctor dazzled the audience with her soulfulness and wide vocal range. Ukoloff's solo featured numerous runs and tremolos, while Brown's solo mirrored Proctor's earthiness.

Another gem was “Long Way to Go”. Composed by CJO director Johnny Summers, this rousing gospel song was commissioned by the United Way several years ago but was never used. Summers truly shone in this vocal number, delivering the powerful lyrics with a high dose of emotion and skill. Equally moving and impressive solos were performed by Ukoloff, Brown and Rich Harding.

Five more songs were performed in the first set. The CJO played arrangements of “Luck be a Lady” (Frank Loesser), “Just the Way You Look” (Jerome Kern and Dorothy Fields), “Ave Maria” (Franz Schubert), “One for My Baby” (Johnny Mercer) and “I Been Lonely” (Johnny Summers).

Sleigh Ride, White Christmas and Louis Armstrong in CJO's Second Set

The Calgary Jazz Orchestra opened with “I Pray on Christmas” (Harry Connick Jr.). This lively gospel song featured Johnny Summers on vocals, Hazel Proctor singing off-stage and rhythmic clapping by CJO members and the audience.

Throughout the evening, Summers asked the audience about their Christmas Wish List and Christmas traditions. Selected responses garnered free concert tickets to an upcoming CJO performance or a jazz CD.

The audience was also polled on favourite Christmas songs. Sinatra classic, “Have Yourself a Merry Little Christmas” was selected and CJO musicians gamely played while Summers led the sing-a-long. This impromptu addition featured a beautiful solo by Al Muirhead.

Greg Baker surprised new listeners and delighted CJO regulars with his imitation of Louis Armstrong. Exchanging places with Summers, Baker sang “What a Wonderful World” (Bob Thiele and George David Weiss) .

The final number was “I'll Be Home for Christmas” (Kim Gannon and Walter Kent). This medium swing number gave each CJO member a chance in the spotlight. Every musician who could move walked to the front of the stage and played a solo when his or her name was announced.

Five more Christmas classics were also performed, including “Sleigh Ride”, “White Christmas” and “Oh Holy Night”. Sinatra standards, such as “Fly Me to the Moon” and “All of Nothing at All” were also featured.

After the last note died away, the audience quickly rose to give the CJO an enthusiastic standing ovation. The jazz ensemble responded by performing “Come By Me” by Harry Connick Jr. for an encore.

The skilled and playful banter – both musically and verbally – made this year's “A Perfectly Frank Christmas” a delightful concert. For instance, a lick played on the piano would later show up in a saxophone solo. Many of the solos drew cheers and whistles from the audience.

About the Calgary Jazz Orchestra

The Calgary Jazz Orchestra was founded by Johnny Summers in 2004. Gerry Hebert, Rich Harding, Jeremy Brown, Shane Statz and Sarah Matheson performed on saxophone, flute and/or clarinet. The trumpet section included Johnny Summers, Kim Beachum, Gordon Wilhelm, Al Muirhead and André Wickenheiser. Brian Walley, Tim Embree, Nathan Gingrich and Greg Robertson performed on trombone. The rhythm section included Egor Ukoloff (piano), Kodi Hutchinson (bass) and Greg Baker (drums).

Arrangements by Johnny Summers, Greg Baker, Billy Byers and Paul Ashwell were used. Summers and Baker also sang in several numbers.

Jazz lovers will have three more opportunities to hear the Calgary Jazz Orchestra in the 2011/12 season. On January 23, 2012, the CJO and the UofC Jazz Ensemble will perform with Grammy winner Maria Schneider. Billie Holliday and Chet Baker music will be performed on February 12, 2012 and finally, blues tunes and numbers written by CJO members are on tap for May 6, 2012. Earlier in the year, the CJO presented a concert featuring swing, Latin and Cuban music.

The Calgary Jazz Orchestra performed to a full house on Sunday, December 18, 2011 at River Park Church in Calgary. This exciting jazz concert featured big band music, Frank Sinatra hits and jazzy Christmas classics that had the entire audience clapping, singing and cheering.

Originally published December 21, 2011 on Suite101. Updated August 7, 2013.

Earth, Wind & Fire Tribute by The Runaway Five Review

It was standing room only at The BeatNiq in Calgary when The Runaway Five and vocalist Jocelyn Alice performed on Friday, December 30, 2011. They presented a tribute to the American rhythm and blues, soul jazz and funk band Earth, Wind & Fire.

Grammy Winner and Hall of Fame Inductee Earth Wind & Fire

Founded by Maurice White of Chicago in the 1970's, Earth, Wind and Fire (EWF) is a group that has endured the test of time. Incorporating African rhythms, soul jazz, gospel and funk, EWF has played a major role in shaping R&B and pop music.

Earth, Wind and Fire has won numerous awards through the years. The group has earned Grammys and AMA Awards and nominations from 1975 all the way up to 2005. In 2000, EWF was inducted into the Rock And Roll Hall Of Fame.

That's The Way of the World and More Soul Jazz in The Runaway Five's Opening Set

The stage looked very cozy when vocalist Jocelyn Alice and 12 of the members from The Runaway Five stepped on-stage at The BeatNiq. The first set featured hits from Earth Wind and Fire's That's the Way of the World (1975) and The Best of Earth, Wind & Fire, Vol. 1 (1978) albums.

The group got the crowd fired up with “Got to Get You Into My Life.” This Beatles classic featured catchy and rhythmic solos by Oliver Miguel (tenor sax), Brett McDonald (alto sax) and Carl Lundgren (trombone).

The pace slowed down with “Reasons”. Brett McDonald performed a passionate solo on soprano sax against the soulful undertones played by Sarah Matheson on bari sax.

“Sing a Song” was a cheerful number which featured a virtuosic and rhythmic solo by Brendan Swanson on piano. Brett McDonald's solo on sax was extremely melodic and covered a wide range.

“I don't even need to tell you what it is,” said band leader Brendan McElroy when setting up the final song of the set. When the horns played the opening notes of “September”, everyone in the room excitedly exclaimed, “Oh!” before bopping to the music.

Throughout the first set, people continued to walk in, attempting in vain to find a seat. Other numbers performed in the first set included “Shining Star”, “Jupiter” “That's the Way of the World”.

“Boogie Wonderland”, “Fantasy” and More R&B and Funk Hits at the Earth, Wind and Fire Tribute

The Runaway Five and Jocelyn Alice opened the second set with “In the Stone”. This funky number showcased the baritone sax and soprano sax.

After some prodding from the band, members of the audience stood up and began to dance while “Boogie Wonderland” was played. This number was one of several that demonstrated how tight the group's playing was. Synchronization was excellent throughout the tricky rhythmic passages.

Things slowed down with the popular ballad “After the Love Has Gone”. This featured a beautiful opening by André Wickenheiser on flugelhorn and a great dialogue between Oliver Miguel and Brett McDonald. Jocelyn Alice also shone in this number, showing off her wide range and her earthy, sultry tone.

The final song was “Fantasy” from EWF's 1978 album, All n' All. This featured a soulful melody on soprano sax. As the final note died away, the audience quickly rose to its feet to give The Runaway Five and Jocelyn Alice a standing ovation.

Other songs played in the set included “Let's Groove”, “Mighty Mighty” and a piece by Brett McDonald dubbed "Horn Break". For an encore, they reprised “Shining Star”.

At the request of The BeatNiq management, the group reprised two more numbers, “In the Stone” and “Sing a Song”. The musicians really cut loose with some rapid-fire, rhythmic and mind-blowing solos. The saxophone solos explored the entire range of the instrument, while the piano and percussion solos featured a great deal of syncopation and complex African-Latin rhythms.

About the Video Game Jazz Group, The Runaway Five

Founded by Brendan McElroy, the Runaway Five performs jazz music arrangements of classic video games, including Super Mario Bros., Final Fantasy and Zelda. In 2008 and 2009, the group performed at Massey Hall in Toronto during the Video Games Live tour.

The Earth Wind and Fire tribute featured André Wickenheiser (trumpet/flugelhorn), Leanne Paisley (trumpet/flugelhorn), Carl Lundgren (trombone), Brett McDonald (alto sax/flute), Oliver Miguel (tenor sax), Sarah Matheson (baritone sax/bass clarinet), Brendan McElroy (bass), Carl Janzen (guitar), Spencer Chenye (drums) and Luis Tovar (Tabera percussion). Guest artist Jocelyn Alice is a Calgary-based singer/songwriter.

The Runaway Five is based in Calgary and Toronto. Arrangements are written by Brendan McElroy, Brendan Swanson, Brett McDonald and Alex Goodman.

There were just a couple of glitches to an otherwise stellar performance (audio feedback and balance issues between the vocals and instruments at times). The arrangements were catchy, with punchy rhythms. The group gelled together very well, while the solos contained funky melodies and rhythm that kept the audience tapping and clapping throughout.

The Runaway Five and vocalist Jocelyn Alice performed a sold-out performance on Friday, December 30, 2011 at The BeatNiq Jazz & Social Club. They performed a tribute to the legendary R&B, soul jazz and funk band Earth, Wind & Fire, playing a selection of the band's greatest hits, including “Shining Star” and “September”.

Originally published on Suite101 on January 3, 2012. All rights reserved by Rhona-Mae Arca.

Calgary Jazz Orchestra's 2013 Pop! Concert Review

The Calgary Jazz Orchestra wrapped up its 2012/13 season on Sunday, May 5, 2013 at Riverpark Church. Pop! featured big band jazz arrangements of pop and rock classics, as well as two world premieres.

Directed by Judy Wishloff, Churchill's Blue Jazz Band opened for the CJO by performing two numbers. The jazz band first performed A Blues for Dave by Doug Beach, which featured trombone and guitar solos.

Mike Tomaro's arrangement of I Mean You (Thelonious Monk) opened with an upbeat piano solo. It showcased the trombone, trumpet, soprano sax, piano and drums.

The Beatles, Jesus Jones and the World Premiere of Calgary Suite at the CJO

The first half of the programme featured big band arrangements and compositions by Greg Baker, while the second half showcased Johnny Summers' arrangements. Jammin' (Bob Marley) began brightly in the trumpets, while the saxophones painted a groovin' night scene. The trombones cruised steadily towards the solos. Jammin' featured solos by Gerry Hebert on alto saxophone, Dave Reid on trombone and André Wickenheiser on trumpet.

The CJO presented the world premiere performance of Greg Baker's Calgary Suite ("Ten Days in July", "Rockies" and "Waiting for the Chinook"). Due to time constraints, "Rockies" was omitted.

Ten Days in July" conjured up sound pictures of Cowtown. The trombones played a recurring accented hoedown-eque motif. The saxophones and trumpets circled around like a chuckwagon race.

The solos maintained the festive mood. Johnny Summers' trumpet danced and bounced like carnival lights and bells. In contrast, Shane Statz's tenor sax looped around like a sheepdog herding sheep. Egor Ukoloff (piano) and Greg steadily built up the intensity, punctuated by shots from the band. Sarah Matheson's bari sax solo spun like the Tornado ride, while Gerry's solo rang out like casino slot machines.

"Waiting for the Chinook" began as a ballad, later becoming bright swing. The varied layers were a delight to listen to, for example, flugelhorns with trombones and muted trumpets with piano. It featured solos by Rich Harding on alto sax, Egor, Kodi, Shane, Paul Ashwell on trombone and Greg on drums. There was a lovely dialogue between Johnny on the flugelhorn and Dean Yeats on trombone.

The CJO performed two more numbers in the first set. There was an easy swing version of Right Here Right Now (Mike Edwards) and a medium swing arrangement of Help (John Lennon & Paul McCartney).

CJO Premieres The Wonderment Suiteby Johnny Summers

CJO Director Johnny Summers recounted a conversation he had with a patron during intermission. She inquired about what the band plays and the arrangements. Johnny responded by describing the elements of music as a musician's palette of colours, which is used to paint a picture musically, while the form of the piece provides a road map to follow. Jazz musicians must stay within the confines of the form while improvising.

Johnny Summers' The Wonderment Suite was premiered in the second set. Each movement captured a mood: "Awakening", "Stability", "Thrill", "Confidence", "Adventure", "Sweetness" and "Wonderment". The final number was cut from the programme due to time constraints.

"Awakening" eased the audience in, opening with a sleepy melody on soprano sax by Gerry Hebert, while the trombones played sustained tones. The rest of the sections joined in one by one. It featured solos by Gerry, as well as Gordon Wilhelm on trumpet.

"Thrill" opened with a tremendous amount of energy. Like a child searching for hidden Christmas presents before Christmas, the solos captured a building sense of excitement and the thrill of discovery using meandering lines and playful rhythms. It featured solos by Sean Craig on tenor sax and Paul on euphonium, along with Egor and Sarah. There were chatty tenor sax exchanges between Shane and Sean.

The trombone section oozed with "Confidence", with a swaggering recurring motif and later, by taking over the stage. Shane's solo featured driving lines that traversed up and down the musical road. Meanwhile, members of the trombone section provided comic relief by standing and sitting like Whac-a-Moles because one of them rose up to play early.

Brian Walley's trombone solo soared and leaped playfully, while Johnny's trumpet spun and shot out a brilliant spray of notes.

The music faded away, at which point, the trombone section stood up one by one, delighting everyone onstage and in the house with a cutting contest. Who could play the slowest? Lowest? Loudest?

Adele's Skyfall closed the second set. This gritty ballad opened with a unison chord that waxed and waned into the night. Then the piano came in, joined by the bass, trombones, clarinets and flugelhorns. Johnny successfully handled that challenging, disjunct vocal melody.

The CJO also performed Michael Jackson's The Way You Make Me Feel, a crowd favourite from a couple of seasons back. For an encore, the band played Johnny Cash's Folsom Blues. Everyone went all out for their final solo of the season. Of special note, André's soft solo whispered and fluttered like a hummingbird. The audience was rapt with attention. Folsom Blues brought the house down and the audience to its feet for the second time that night.

For more information about the Calgary Jazz Orchestra's upcoming summer jazz concert, young jazz musician's competition and to buy 2013/14 concert season tickets, please visit the CJO's website.

The Calgary Jazz Orchestra entertained and delighted with its Pop! Concert in Calgary, Alberta on May 5, 2013. The jazz group was successful at painting a vivid soundscape colourful playing. This jazz concert was a fabulous way to end the 2012/13 concert season.

Video Game Jazz Music at The Runaway Five's First All Ages Show

Driving, funky jazz versions of video game music were on tap when The Runaway Five performed in concert in Calgary, Alberta at the National Musical Centre Saturday, April 6, 2013. It was the jazz group's first "all ages" show.

This concert featured Johnny Summers on trumpet and flugelhorn, Shane Statz on tenor sax, Sheldon Zandboer on piano, Brendan McElroy on bass and Karl Schwonik on drums. It was the group's first performance in a quintet configuration.

Jazz Arrangements of Classic Video Game Themes Played by the Runaway Five

The quintet opened the first half with two songs from the SNES game Earthbound (AKA "MOTHER 1+2"):"Sound Stone" and "Threed". This particular arrangement of the "Sound Stone" melody was quite lively, complete with stride piano. It featured solos by Shane, Johnny and and Sheldon.

In contrast, "Threed" was a laid back bossa nova. One of the neat moments in this arrangement was the transition between the flugelhorn and tenor sax solos. There was a lovely dialogue between the two instruments, which weaved and bobbed like someone floating aimlessly in the pool or ocean. I could have sworn I heard a "quote" from "Rainy Days and Mondays" by The Carpenters for a fraction of a second.

Next game on the set list was SimCity 3000, which is known for its jazz and new age soundtrack. "Updown Town" was a toe-tapping medium upswing. The trumpet solo began in the lower registered with shots that gradually led the listeners higher and higher. This was followed by an extremely chromatic piano solo, complete with rapid-fire blues riffs and shakes. After a very catchy vamp, the tenor sax solo gradually built up higher and higher, like a skyscraper.

"Into the Darkness" from Final Fantasy IVwas a lazy jazz waltz. The ensemble played upon the rhythmic ostinato from the introduction, working it into their solos. The flugelhorn solo was soft and mournful. In contrast, the tenor sax rose and fell like waves. The piano solo had punchy riffs and crunchy chords, while the bass solo played upon the theme, leading the audience deeper and deeper, lower and lower into blackness.

Another highlight from the first set was "Love Song" from BioWare's Dragon Age. This slow jazz waltz featured a beautiful duet between the flugelhorn and tenor sax. The sax solo began simply, who lush long tones, but the rhythm grew in complexity, building the tension. In contrast, the piano solo featured tender chords that rose and fell like a sigh. It too gradually grew in intensity with crunchier harmonies. The gradual deconstruction of the theme was a neat effect, just before leading the audience back to the head.

Three more video game themes were performed in the first set. "Buy Something Will Ya" (Earthbound) was a moderate swing number. "Zelda's Lullaby" (Zelda), which showcased the flugelhorn and piano. The Runaway Five closed the first set with the "Overworld Theme" from Super Mario Bros 2.

Soul Jazz, Ragtime and Swing Video Game Music in The Runaway Five's All Ages Concert

The Runaway Five did their best to make the audience forget the miserable weather outside with "Koopa Troopa Beach" from Super Mario Kart 64. Was I the only one pretending to drive my Mario Kart around the beach during the performance? I hope not.

The tenor sax solo was wavy, with splashes up into the higher register. The  flugelhorn solo kept the mood high and bright, not just with playing in the higher register, but with the introduction of a different rhythm. The piano took that rhythm and changed it even more. When the head returned to lead us back to the finish line, it was a nostalgic moment.

Another highlight from the second half of the show was "Muscle Soul" from Battlefield Bad Company 2 Vietnam (Hill 137). This isn't a game I'd normally play, so hearing this theme was my introduction to the music of Anders Lewen.

This number opened with the bass and drums vamping on that opening riff until one by one, the rest of the company stepped in. The trumpet solo traversed a wide range, like a unit marching to their next mission. The sax solo was as soulful as the original recording. The piano solo had a little Motown, a little funk and a hint of disco.

The Runaway Five closed the show with "Air Platform - The Athletic Rag" from Super Mario World. The quintet had fun playing around with the two main themes from this classic video game. The trumpet solo used the A theme as a springboard to new riffs.

The tenor sax took the last rhythms played by the trumpet and then improvised on the B theme, then back to the A theme before tossing it to the piano, where we heard a chromatic treatment of the B theme, complete with zippy runs. The drum solo was playful, exploring different rhythmic and timbre combinations.

Three more VG themes were featured in the second set, including the "Figaro Castle Theme" from Final Fantasy III (VI), "Green Hill Zone" from Sonic the Hedgehog 2 opened with the drums and music from Street Fighter.

About The Runaway Five

Founded by Brendan McElroy, the Runaway Five performs jazz music arrangements of classic video games, including Super Mario Bros., Final Fantasy and Zelda. In 2008 and 2009, the group performed at Massey Hall in Toronto during the Video Games Live tour. The ensemble members change, increasing or decreasing depending upon the needs of the show.

The Runaway Five performed an intimate concert open to all ages on Saturday, April 6, 2013 at the National Music Centre. The interplay between the musicians was a delight to hear, while the themes left the audience feeling nostalgic about games past and present.

If you missed the show, you can check out some of group's earlier performances on their Youtube Channel. The Runaway Five will perform later this year. Details to follow.