The Moving Instant at The BeatNiq Review, February 4 and 5, 2011

Grunge met jazz, jazz rock, bebop and gospel when the The Moving Instant, took to the stage at The BeatNiq Jazz and Social Club on Friday, February 4, 2011. They performed a number of original compositions and standards.

The group, comprised of Jason Graham, Stefano Valdo and Gavin Sorochan looked at home on stage at The BeatNiq Jazz and Social Club when they performed. The jazz fusion trio welcomed guest musician Steve Fletcher on keyboards.

Grunge, Bebop and Mindblowing Licks in the First Set

“Track 1”, written by Jason Graham is a jazz rock number that was reminiscent of some classic Santana songs. While Graham's solo on electric guitar was edgy and very rock influenced, Steve Fletcher's hummingbird-like solo contained elements of bebop.

“I'm a product of the grunge era,” admitted Graham before playing another original work called “Facelift”. He confessed to the audience that he grew up listening to the Stone Temple Pilots and other influential grunge bands. “Facelift” was the group's tribute to the Stone Temple Pilots.

“Crisis at Christmas” is a number written by bassist Stefano Valdo, who performed on a fretless bass. This was one of the few slow numbers on the programme. The melancholy timbre gradually built up momentum.

Gavin Sorochan's drum solo was riveting. The driving beat metamorphosed into equally driving rolls and complex rhythms. Just as mesmerizing was Sorochan's expressiveness at his instrument.

The group wrapped up the first set with a John Scofield number, “Filibuster”. Also featured in the first set was another Jason Graham number, “Nothing Crass”.

Funky Grooves, Gospel and Standards Mark the Second Set

The Moving Instant launched the second set with a cover tune called “Crash Course”. Graham's guitar solo weaved at a moderate pace before gathering steam. Valdo, who switched to a fretted electric bass, played a funk-influenced solo. The guitars comped with a rock groove throughout Sorochan's drum solo.

“BFD” was written by Graham and Valdo. This began with a driving drum riff before the other instrumentalists joined in. This number evoked images of video game fight scenes its the aggressive, funk rhythms. Steve Fletcher demonstrated his versatility by switching from a funk groove to a gospel-influenced one in the blink of an eye.

The group ended their show with a John Coltrane classic, “Giant Steps”. “Fast” doesn't begin to describe this number. The tempo and rapidly changing harmonies make this number a challenging one to play (but so much fun to hear). Graham, Sorochan, Valdo and Fletcher did not miss a beat during their rapidly flowing lines. Even at that fast tempo, each musician was able to play some very punchy rhythms.

Also performed in the second set were “Blue in Green” by Miles Davis, “Big Jewel” by Stefano Valdo and “You're Only Young Once” by Jason Graham. For an encore, The Moving Instant played another Miles Davis classic, “All Blues”.

All four musicians demonstrated technical virtuosity, confidence and love for their art. They were evenly matched. For the most part, the balance was good, although there were times that it was hard to hear the keyboard and bass over the drums.

The most frustrating element to the evening was the lack of audience etiquette. At times, it was difficult to hear the bass and keyboards simply because several members of the audience were talking loudly throughout the performances.

Just as disturbing was the small amount of applause after technically demanding solos played with aplomb. There is a difference between background music and performance music. The Moving Instant played the latter, which should have generated more applause than was given.

The Moving Instant Plays the BeatNiq

The Moving Instant is a jazz fusion trio made up of Jason Graham, Stefano Valdo and Gavin Sorochan. The group was formed in 2009. Joining them for this performance was Steve Fletcher on keyboard. All musicians are based in Calgary, Alberta and perform in a number of groups, including the Allistair Elliot Band and the Tricia Edwards Quartet.

Jazz fusion trio The Moving Instant played to a lively crowd at The BeatNiq in Calgary, Alberta on February 4 & 5, 2011. Jason Graham (guitar), Stefano Valdo (bass) and Gavin Sorochan (drums), along with special guest Steve Fletcher (keyboards) delivered technically demanding and impressive solos.

Originally published on Suite101.com on February 7, 2011. Updated August 7, 2013. Please note that the BeatNiq has closed since the original  publication of this article. The venue has since re-opened as The Wine-Ohs.

Earth, Wind & Fire Tribute by The Runaway Five Review

It was standing room only at The BeatNiq in Calgary when The Runaway Five and vocalist Jocelyn Alice performed on Friday, December 30, 2011. They presented a tribute to the American rhythm and blues, soul jazz and funk band Earth, Wind & Fire.

Grammy Winner and Hall of Fame Inductee Earth Wind & Fire

Founded by Maurice White of Chicago in the 1970's, Earth, Wind and Fire (EWF) is a group that has endured the test of time. Incorporating African rhythms, soul jazz, gospel and funk, EWF has played a major role in shaping R&B and pop music.

Earth, Wind and Fire has won numerous awards through the years. The group has earned Grammys and AMA Awards and nominations from 1975 all the way up to 2005. In 2000, EWF was inducted into the Rock And Roll Hall Of Fame.

That's The Way of the World and More Soul Jazz in The Runaway Five's Opening Set

The stage looked very cozy when vocalist Jocelyn Alice and 12 of the members from The Runaway Five stepped on-stage at The BeatNiq. The first set featured hits from Earth Wind and Fire's That's the Way of the World (1975) and The Best of Earth, Wind & Fire, Vol. 1 (1978) albums.

The group got the crowd fired up with “Got to Get You Into My Life.” This Beatles classic featured catchy and rhythmic solos by Oliver Miguel (tenor sax), Brett McDonald (alto sax) and Carl Lundgren (trombone).

The pace slowed down with “Reasons”. Brett McDonald performed a passionate solo on soprano sax against the soulful undertones played by Sarah Matheson on bari sax.

“Sing a Song” was a cheerful number which featured a virtuosic and rhythmic solo by Brendan Swanson on piano. Brett McDonald's solo on sax was extremely melodic and covered a wide range.

“I don't even need to tell you what it is,” said band leader Brendan McElroy when setting up the final song of the set. When the horns played the opening notes of “September”, everyone in the room excitedly exclaimed, “Oh!” before bopping to the music.

Throughout the first set, people continued to walk in, attempting in vain to find a seat. Other numbers performed in the first set included “Shining Star”, “Jupiter” “That's the Way of the World”.

“Boogie Wonderland”, “Fantasy” and More R&B and Funk Hits at the Earth, Wind and Fire Tribute

The Runaway Five and Jocelyn Alice opened the second set with “In the Stone”. This funky number showcased the baritone sax and soprano sax.

After some prodding from the band, members of the audience stood up and began to dance while “Boogie Wonderland” was played. This number was one of several that demonstrated how tight the group's playing was. Synchronization was excellent throughout the tricky rhythmic passages.

Things slowed down with the popular ballad “After the Love Has Gone”. This featured a beautiful opening by André Wickenheiser on flugelhorn and a great dialogue between Oliver Miguel and Brett McDonald. Jocelyn Alice also shone in this number, showing off her wide range and her earthy, sultry tone.

The final song was “Fantasy” from EWF's 1978 album, All n' All. This featured a soulful melody on soprano sax. As the final note died away, the audience quickly rose to its feet to give The Runaway Five and Jocelyn Alice a standing ovation.

Other songs played in the set included “Let's Groove”, “Mighty Mighty” and a piece by Brett McDonald dubbed "Horn Break". For an encore, they reprised “Shining Star”.

At the request of The BeatNiq management, the group reprised two more numbers, “In the Stone” and “Sing a Song”. The musicians really cut loose with some rapid-fire, rhythmic and mind-blowing solos. The saxophone solos explored the entire range of the instrument, while the piano and percussion solos featured a great deal of syncopation and complex African-Latin rhythms.

About the Video Game Jazz Group, The Runaway Five

Founded by Brendan McElroy, the Runaway Five performs jazz music arrangements of classic video games, including Super Mario Bros., Final Fantasy and Zelda. In 2008 and 2009, the group performed at Massey Hall in Toronto during the Video Games Live tour.

The Earth Wind and Fire tribute featured André Wickenheiser (trumpet/flugelhorn), Leanne Paisley (trumpet/flugelhorn), Carl Lundgren (trombone), Brett McDonald (alto sax/flute), Oliver Miguel (tenor sax), Sarah Matheson (baritone sax/bass clarinet), Brendan McElroy (bass), Carl Janzen (guitar), Spencer Chenye (drums) and Luis Tovar (Tabera percussion). Guest artist Jocelyn Alice is a Calgary-based singer/songwriter.

The Runaway Five is based in Calgary and Toronto. Arrangements are written by Brendan McElroy, Brendan Swanson, Brett McDonald and Alex Goodman.

There were just a couple of glitches to an otherwise stellar performance (audio feedback and balance issues between the vocals and instruments at times). The arrangements were catchy, with punchy rhythms. The group gelled together very well, while the solos contained funky melodies and rhythm that kept the audience tapping and clapping throughout.

The Runaway Five and vocalist Jocelyn Alice performed a sold-out performance on Friday, December 30, 2011 at The BeatNiq Jazz & Social Club. They performed a tribute to the legendary R&B, soul jazz and funk band Earth, Wind & Fire, playing a selection of the band's greatest hits, including “Shining Star” and “September”.

Originally published on Suite101 on January 3, 2012. All rights reserved by Rhona-Mae Arca.

SWING! CUBA! Calgary Jazz Orchestra Concert Review

The Calgary Jazz Orchestra performed a varied and entertaining programme to an enthusiastic audience on Sunday, September 25, 2011 at 7:00 p.m. At Calgary's River Park Church. The concert featured swing jazz as well as Cuban and Latin American music.

Opening Act University of Calgary Jazz Ensemble

The U of C Jazz Ensemble kicked off the evening with four numbers, starting with the Wayne Shorter number “Speak No Evil”. The band switched gears with Maria Schneider’s “Baytrail Shuffle”. “Don't Know Why” featured the sultry voice of Ellen Doty and the rhythm section. The UCJRE wrapped up the set with Gordon Goodwin's “There's the Rub”, which had audience members bopping in their seats.

Under the direction of Dr. Jeremy Brown, the UCJRE performs music that spans the entire time-line of jazz. The jazz band performs regularly throughout the year both on and off-campus.

With just three rehearsals together, the group performed extremely well together. The violin and guitar added a freshness to the numbers.

Nate Waters, Joanna Skrajny, Josh Burton, Steve McNeilly and Kayla Koshynsky make up the saxophone section in the jazz band. Andrew Rodrigues, Jonathan Craik, Jory Wutzke and Andrea Journault make up the trumpet section. Dylan Martin, Casey McLary, Scott Tkaczuk and Josh Kay comprise the trombone section. The rhythm section is comprised of Si Rim (bass), Hannah MacGillivray (bass), Krishan Power (piano), Ian Tullis (drums), Jamison Ko (drums) and Colin Adikary (drums).

Rounding out the ensemble are vocalist Ellen Doty and violinist Jeremy Gignoux. The group was joined by Calgary guitarist Ralf Buschmeyer as well as CJO members Greg Robertson, Kim Beacham and Johnny Summers.

Swing Jazz Featured in Calgary Jazz Orchestra's First Set

“We've downsized,” quipped CJO Director Johnny Summers while the UCJRE traded places with the CJO. The group, sporting matching icy blue ties, performed hits and hidden gems from the Big Band Swing era.

First up was “Harlem Airshaft” by Duke Ellington. This upbeat number showcased the technical and creative talents of Jeremy Brown (saxophone), Johnny Summers (trumpet) and Tim Embree (trombone), drawing the first of many cheers and whistles from the audience.

Glenn Miller's “Sun Valley Jump” featured strong solos by Kim Beachum on trumpet, Greg Baker on drums and Jeremy Brown. Brown's solo, packed with runs and trills that spanned the entire range of the saxophone, drew appreciative cheers from his fellow band mates.

“The Man with the Golden Arm” is an original composition by Johnny Summers for the upcoming film Burlesque Assassins. This musical preview gives the audience a taste of what the soundtrack will be like. This catchy number featured trumpets, trombones and the rhythm section. It is easy for the listener to be transported to the era of “Batman” and “Mission Impossible” when listening to this.

Three other numbers rounded out the first half. “Goodbye” is a ballad by Gordon Jenkins. “Black and Blue” by Fats Waller, which has been covered by another jazz great – Louis Armstrong. The group closed the first half with “Air Mail Special” by C. Christian. This upbeat number has been performed by the likes of Ella Fitzgerald and Glenn Miller.

Sizzling Solos, Afro Cuban and Latin Jazz in CJO's Second Set

The CJO set the mood for the second set by sporting hot red ties. The group was joined by drummer Brent Van Dusen on Latin percussion. “Cachao, Creador Del Mambo” is a mambo by Bebo Valdes. This featured dramatic solos, featuring cross-rhythms, syncopation and chromatic runs by Kim Beachum, Tim Embree, Gerry Hebert and Egor Ukoloff.

An exception to the theme was made with “Dulce Amor” by Poncho Sánchez of Mexico. This slow number featured dreamy fills and lyrical solos by Rich Harding and Al Muirhead.

The final number on the programme was “Párraga” by Orlando Valle. This bright number, like all the upbeat numbers on the programme, had members of the audience tapping their toes, bopping and swaying to the music. This featured solos by Egor Ukoloff, Brent Van Dusen, Greg Baker, Jeremy Brown, Kim Beachum, Brian Walley, Sarah Matheson and Johnny Summers.

Three more numbers rounded out the second half. “Ecuacion” is a guaracha/mambo) by Bebo Valdes. “Cuban Afro” is an original composition by Greg Baker. “Quierreme Mucho” is a sexy bolero, which featured the saxophone section performing on clarinet.

About the Calgary Jazz Orchestra

CJO Director Johnny Summers founded the Calgary Jazz Orchestra in 2004. This particular concert showcased 15 of the jazz band's members: Gerry Hebert, Rich Harding, Jeremy Brown, Shane Statz and Sarah Matheson on saxophone/flute/clarinet. Johnny Summers, Kim Beachum, Gordon Wilhelm and Al Muirhead formed the trumpet section. Brian Walley, Tim Embree and Greg Robertson performed on the trombone. The rhythm section was comprised of Egor Ukoloff on piano, Kodi Hutchinson on bass and Greg Baker on drums. Music for this performance was arranged by Johnny Summers and Greg Baker.

Jazz lovers will have four more opportunities to enjoy some high-calibre performances by the Calgary Jazz Orchestra this season. On October 29, the CJO will perform at The Al Capone Charade, a gangster Halloween party. Upcoming season concerts include A Perfectly Frank Christmas, the music of Billie Holliday and Chet Baker and finally a concert featuring blues tunes and numbers written by members of the Calgary Jazz Orchestra.

The Calgary Jazz Orchestra's 2011/12 season got off to a lively start on September 25, 2011 with SWING! CUBA!. This concert featured impressive solos, as well as a diverse mix of swing jazz hits, Latin American music and Cuban grooves that had members of the audience tapping and bopping long after the performance ended.

Originally published on Suite101.com on September 28, 2011. Updated July 13, 2013.

Calgary Jazz Orchestra Plays Mingus and Peterson Concert Review

The Calgary Jazz Orchestra opened its 2010-11 season on Sunday, September 26, 2010 at 7:00 p.m. at Calgary's River Park Church. The concert featured big band jazz arrangements of music by Oscar Peterson and Charles Mingus.

An impromptu survey conducted by CJO director Johnny Summers at the beginning of the programme revealed that few people in the audience had heard of Charles Mingus. The group hoped that pairing Mingus with Peterson would attract more interest in Mingus' music.

Calgary Jazz Orchestra Performed The Music of Charles Mingus

The first half of the programme featured the jazz music of Charles Mingus. He was an American bassist, pianist, bandleader and composer who lived from 1922 – 1979. The set list reflected the stark contrasts and moodiness indicative of Mingus' musical style.

The band opened with "Boogie Stop Shuffle", from the Mingus Ah Um album released in 1959. It's a lively boogie that featured breathtaking solos. Each soloist seemed determined to outperform each other by playing faster, higher and funkier. Drummer Greg Baker drew out cries of astonishment and awe with his lightning fast solo.

Members of the jazz band exhibited a fight for virtuosic supremacy in "Haitian Fight Song" from the 1957 album The Clown. It began simply enough but quickly revealed an edgy, punchy groove as members clashed repeatedly for the duration of the number.

During "Moanin'", Sarah Matheson proved on her baritone sax that she can hold her own amidst this male-dominated jazz band. Her solos were fiery and gritty, which matched the angst of this piece from Mingus' 1959 album Blues & Roots.

Two slower pieces rounded out the first half of the concert programme. "My Jelly Roll Soul", an homage to Jelly Roll Morton and "Goodbye Pork Pie Hat", which is a tribute to Lester Young.

Calgary Jazz Orchestra Performed The Music of Oscar Peterson

The second set was dedicated to Canadian jazz legend Oscar Peterson (1925-2007). He is considered one of the greatest jazz pianists in the 20th and 21st centuries. The programme featured a premiere performance of Johnny Summers and Greg Baker's arrangement of Peterson's Canadiana Suite.

The eight pieces in Canadiana Suite represent various cities and regions throughout Canada, spanning east to west. In "Peterson, Oscar" in The Canadian Encyclopedia by Betty Nygaard King, Canadiana is Peterson's best-known work. The Canadiana Suite album was recorded in 1964.

Bob Erlendson opened "Ballad to the East" with a sensitive and lyrical jazz piano solo. Johnny Summers on trumpet, Rubim de Toledo on bass and Greg Baker on drums also performed solos.

"Place St. Henri" is a catchy number that captures the hustle and bustle of Montreal, where Peterson grew up. Dr. Jeremy Brown (saxophone) and Johnny Summers (trumpet) delivered rapid-fire solos that spanned the entire range of their respective instruments. Once again, Greg Baker matched their virtuosic velocity on drums.

"March Past", an upbeat number brought Canadiana to an end. This featured lightning fast solos on piano, bass, sax and trumpet. Other numbers in Canadiana Suite that were performed were "Laurentide Waltz", "Hogtown Blues", "Wheatland" and "Land of the Misty Giants".

At the end of the programme, Greg Baker called out the encore. "Can the drummer do that?" asked Johnny Summers. The audience shuffled back to hear a relaxing rendition of "Easy Does It" from the Oscar Peterson Trio's album Night Train.

The audience responded with cheers, applause and gasps of amazement throughout the concert. At the conclusion of the evening, the audience rose quickly to give the CJO a standing ovation.

About the Calgary Jazz Orchestra

The Calgary Jazz Orchestra is a sixteen-member jazz band that was founded in 2004. Gerry Hebert, Rich Harding, Dr. Jeremy Brown, Shane Statz and Sarah Matheson make up the saxophone section. Johnny Summers, Kim Beachum, Gordon Wilhelm and Al Muirhead play trumpet. Jim Scott, Carsten Rubeling, Mike Thomas and Dave Reid form the trombone section. The rhythm section is comprised of Bob Erlendson on piano, Rubim de Toledo on bass and Greg Baker on drums.

The band arrangements for this programme were by Johnny Summers and Greg Baker. The CJO is directed by Johnny Summers.

The Calgary Jazz Orchestra got the 2010-11 season off to a rousing start with The Music of Charles Mingus and Oscar Peterson on Sunday, September 26, 2010. The performance was filled with rapid-fire solos and "crunchy" harmonies.

This concert review was originally published on Suite101.com . All rights are reserved by Rhona-Mae Arca.