Calgary Jazz Orchestra A Perfectly Frank Christmas 2011 Review

The Calgary Jazz Orchestra performed a sold-out concert at River Park Church in Calgary, Alberta on Sunday, December 18, 2011. From “White Christmas” to “Long Way to Go”, the CJO presented a wide range of big band jazz, Frank Sinatra classics and Christmas favourites.

The CJO trombone section played a selection of Christmas carols while the audience found seats. Extra seats soon had to be added.

Opening Act William Aberhart Jazz Ensemble Performed Big Band Hits

William Aberhart High School Jazz Ensemble kicked things off with “Idiom 59 – Part II” (Duke Ellington), an upbeat swing number. It was followed by an arrangement of “All of Me” (Gerry Marks and Seymour Simons) a lively number, which Frank Sinatra has recorded.

William Aberhart High School of Calgary is directed by Kevin Wilms. The Jazz Ensemble performs in concerts, competitions and festivals throughout Alberta.

Swing, Call and Response and Impressive Jazz Solos in CJO's Opening Set

Members of the Calgary Jazz Orchestra walked on-stage confidently and in relaxed spirits, sporting festive red ties. The notable exception was the rhythm section, who wore black ties.

The first number was a cheerful arrangement of Sergei Prokofiev's “Troika”. The original theme featured pianist Egor Ukoloff flying across the keys before the music changed to a medium swing. This featured lively exchanges between different sections of the jazz orchestra. Solos were ably performed by Jeremy Brown, Al Muirhead and Sarah Matheson before the music returned to the traditional theme.

An arrangement of “The Grinch” (James Horner) followed. The dreamy opening showcased the piano, flutes and clarinets. The trumpets and saxophones took over, building the excitement until the Grinch theme appeared, played on the baritone sax. This slow swing number featured solos by Muirhead, Matheson and Shane Statz.

Crowd favourite Hazel Proctor sang “Please Come Home for Christmas” (Charles Brown). Wearing a sparkling floral jacket, Proctor dazzled the audience with her soulfulness and wide vocal range. Ukoloff's solo featured numerous runs and tremolos, while Brown's solo mirrored Proctor's earthiness.

Another gem was “Long Way to Go”. Composed by CJO director Johnny Summers, this rousing gospel song was commissioned by the United Way several years ago but was never used. Summers truly shone in this vocal number, delivering the powerful lyrics with a high dose of emotion and skill. Equally moving and impressive solos were performed by Ukoloff, Brown and Rich Harding.

Five more songs were performed in the first set. The CJO played arrangements of “Luck be a Lady” (Frank Loesser), “Just the Way You Look” (Jerome Kern and Dorothy Fields), “Ave Maria” (Franz Schubert), “One for My Baby” (Johnny Mercer) and “I Been Lonely” (Johnny Summers).

Sleigh Ride, White Christmas and Louis Armstrong in CJO's Second Set

The Calgary Jazz Orchestra opened with “I Pray on Christmas” (Harry Connick Jr.). This lively gospel song featured Johnny Summers on vocals, Hazel Proctor singing off-stage and rhythmic clapping by CJO members and the audience.

Throughout the evening, Summers asked the audience about their Christmas Wish List and Christmas traditions. Selected responses garnered free concert tickets to an upcoming CJO performance or a jazz CD.

The audience was also polled on favourite Christmas songs. Sinatra classic, “Have Yourself a Merry Little Christmas” was selected and CJO musicians gamely played while Summers led the sing-a-long. This impromptu addition featured a beautiful solo by Al Muirhead.

Greg Baker surprised new listeners and delighted CJO regulars with his imitation of Louis Armstrong. Exchanging places with Summers, Baker sang “What a Wonderful World” (Bob Thiele and George David Weiss) .

The final number was “I'll Be Home for Christmas” (Kim Gannon and Walter Kent). This medium swing number gave each CJO member a chance in the spotlight. Every musician who could move walked to the front of the stage and played a solo when his or her name was announced.

Five more Christmas classics were also performed, including “Sleigh Ride”, “White Christmas” and “Oh Holy Night”. Sinatra standards, such as “Fly Me to the Moon” and “All of Nothing at All” were also featured.

After the last note died away, the audience quickly rose to give the CJO an enthusiastic standing ovation. The jazz ensemble responded by performing “Come By Me” by Harry Connick Jr. for an encore.

The skilled and playful banter – both musically and verbally – made this year's “A Perfectly Frank Christmas” a delightful concert. For instance, a lick played on the piano would later show up in a saxophone solo. Many of the solos drew cheers and whistles from the audience.

About the Calgary Jazz Orchestra

The Calgary Jazz Orchestra was founded by Johnny Summers in 2004. Gerry Hebert, Rich Harding, Jeremy Brown, Shane Statz and Sarah Matheson performed on saxophone, flute and/or clarinet. The trumpet section included Johnny Summers, Kim Beachum, Gordon Wilhelm, Al Muirhead and André Wickenheiser. Brian Walley, Tim Embree, Nathan Gingrich and Greg Robertson performed on trombone. The rhythm section included Egor Ukoloff (piano), Kodi Hutchinson (bass) and Greg Baker (drums).

Arrangements by Johnny Summers, Greg Baker, Billy Byers and Paul Ashwell were used. Summers and Baker also sang in several numbers.

Jazz lovers will have three more opportunities to hear the Calgary Jazz Orchestra in the 2011/12 season. On January 23, 2012, the CJO and the UofC Jazz Ensemble will perform with Grammy winner Maria Schneider. Billie Holliday and Chet Baker music will be performed on February 12, 2012 and finally, blues tunes and numbers written by CJO members are on tap for May 6, 2012. Earlier in the year, the CJO presented a concert featuring swing, Latin and Cuban music.

The Calgary Jazz Orchestra performed to a full house on Sunday, December 18, 2011 at River Park Church in Calgary. This exciting jazz concert featured big band music, Frank Sinatra hits and jazzy Christmas classics that had the entire audience clapping, singing and cheering.

Originally published December 21, 2011 on Suite101. Updated August 7, 2013.

Concert Review of the Calgary Wind Symphony's Hilarious Holidays

The Calgary Wind Symphony performed a selection of upbeat and amusing band music at its Christmas concert on Sunday, December 2, 2012 at the University of Calgary's Rozsa Centre. Cellphone soloist Wendy Freeman and pianist Julie Jacques drew the crowd in with their energetic performances.

The CWS Set the Stage for an Afternoon of Hilarity

Various members of the Calgary Wind Symphony glittered. Literally. There was a wide assortment of blinking and non-blinking elf caps, Santa Claus hats and reindeer antlers, which set the tone for a lighthearted musical afternoon.

“

It only gets more garish as the afternoon goes on,” quipped CWS Music Director, Dr. Jeremy Brown after walking on stage with his fire-truck red cummerbund beneath his tux.

Fanfare and Cell Phones Highlighted at the Calgary Wind Symphony Concert

The CWS its Christmas programme opened with Jim Colonna's “Fanfare on Adeste Fidelis”, a lively number that featured a witty fugal fanfare in the brass. This was followed up with Jan Van der Roost's “Flashing Winds”. This energetic number contained sweeping themes reminiscent of the classic TV show “Bonanza”.

One of the highlights from the first half was the “Concerto for Cell Phone” by James M. Stephenson. Yes, you read that correctly – cell phone. Soloist Wendy Freeman scoured the malls to record “the six most epic ring tones”. Each ring tone was “introduced” by the cellphone and then developed by the CWS. The fugal treatment of the infamous NOKIA® ring tone was beautifully done.

The first half ended with “Pequeña Suite para Banda” by Luis Serrano Alarcón. This suite featured some polytonality, instruments played in extreme registers and catchy rhythms. The flute solo in the “Rana” was simply exquisite, while the melodic themes in “Galop” weaved a twisting soundscape, punctuated with energetic, Batman-like “SPLATS”.

The CWS Presents the World Premiere of Le Tombeau de Liberace and More Season Favourites

The hilarity reached epic levels in the second half, beginning with the world premiere performance of Michael Daugherty's

“Le Tombeau deLiberace”

. This suite in four dances is scored for piano, flute, clarinet, French horn, violin and percussion. Julie Jacques of Calgary took on the role of Liberace at the piano.

It showcased everything you'd expect for a Liberace tribute – glittering rings, feather boas, candelabras and trademark Libarace piano riffs. The first dance, the “Rhinestone Kickstep”, featured a dialogue between the marimba and the piano, boogie woogie rhythms and crunchy harmonies.

“

How Do I Love Thee” is named after Elizabeth Barret Browning's sonnet of the same name. Liberace often recited this poem at performances. It featured a mournful melody on the French horn, glittering

arpeggii

on the piano and some lush Debussy-esque harmonies.

“

Sequin Music” is a classic example of

dodecaphonic

music. The 12-tone motive was presented and then developed through various permutations, such as transposition, inversion and retrograde. It became more embellished once the piano cadenza was reached.

The final dance in the suite is “Candelabra Rhumba”. The Spanish-flavoured theme weaved between the instruments against heavily syncopated rhythms played on the piano.

The stage lit up even more for the next piece, with a sudden increase in blinking Christmas hats and antlers. The CWS performed “Canadian Brass Christmas”, arranged by Luther Henderson and adapted for band by Howard Cable.

This upbeat number opened with the Big Ben clock theme before launching into a contrapuntal treatment of “Ding Dong Merrily on High”. The medley also included “Here We Come A Wassailing” as well as “Huron Carol”.

Another highlight from the second half was “A+: A Precise Prelude and an Excellent March” by Thomas C. Duffy. To set up this number, trombonist and band

teacher, Jim Kramer shared this quote by baseball legend Ted Williams:

"Baseball is the only field of endeavour where a man can succeed three times out of ten and be considered a good performer.”

With “A+”, Duffy wanted to demonstrate the difference between a performance in which everyone is trying to play as proficiently and expressively as possible (A+) and a performance akin to Williams' 3/10 game stats. Suffice it to say that Duffy and the Calgary Wind Symphony proved that getting 3/10 notes right in music is unacceptable.

The final number on the programme was Leroy Anderson's “Sleigh Ride”. As an encore, the CWS performed Karl L. King's “Circus Days – Galop”, featuring Monica Leong on bicycle honker horns.

About the Calgary Wind Symphony

The Calgary Wind Symphony is a 60-member ensemble, directed by Dr. Jeremy Brown of the

University of Calgary

. Formerly known as the Calgary Concert Band, the ensemble has been active in Calgary's musical community since 1947. The band went on a European tour in 2011, performing to enthusiastic audiences in Italy and Austria.

In the summer of 2012, the CCC changed its name to the “Calgary Wind Symphony”, operating under the Calgary Concert Band Society.

Music aficionados can check out the Calgary Wind Symphony's upcoming concerts for the 2012/13 season. On Sunday, March 3, 2013 at 2:30 p.m., the CWS presents “Music of Mysteries, Legends and Ritual”. On Sunday, June 2 at 2:30 p.m., the Calgary Wind Symphony presents “Apollo Sings! Music that Soars”. Both concerts will take place at the Rozsa Centre on the U of C campus. For more information and to buy concert tickets, please visit the

CWS's website

.

The Calgary Wind Symphony's “Hilarious Holidays!” concert in Calgary on December 2, 2012 boasted a lively and amusing programme guaranteed to elicit giggles and chuckles from the audience. From the downbeat, the CWS had audience members tapping their toes, chuckling and cheering in appreciation for not only a proficient performance, but a highly entertaining one.