Where to Find Lead Sheets and Fake Books Online

Fake books and lead sheets are used by many musicians, from amateurs to professionals. They provide music makers with a springboard for embellishing or improvising solo or in collaboration. They also provide musicians an opportunity to practice their keyboard harmony skills.

What is a Fake Book? What is a Lead Sheet?

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The Ultimate Fake Book - 5th Edition C Edition. Composed by Various. Hal Leonard Fake Books. Standards, Pop, Country and Rock. Fakebook (spiral bound). With vocal melody, lyrics and chord names. 808 pages. Published by Hal Leonard (HL.240024).

A lead sheet is an arrangement of a musical score that contains the melody, lyrics and chord symbols. According to Blake Neely, “The accompaniment part of the song is left to you, the performer. You have to ‘fake’ your own accompaniment or arrangement.” (Neely, Blake. How to Play from a Fake Book, Keyboard Edition. Milwaukee: Hal Leonard Corporation, 1999).

Fake books or “real books” contain hundreds of lead sheets. There are fake books for classical music, wedding music, pop and rock, ethnic music, jazz, Latin music, and more.

Buy Fake Books Online

Most music retailers carry a selection of fake books. Larger retailers are equipped to handle online purchases.

Musicians can also order fake books directly from music publishers, such as the Hal Leonard Corporation. Online book retailers, such as Amazon or Barnes & Noble, also carry fake books.

Free Lead Sheets Online

Various websites offer free lead sheets online legally. Free sheet music that is legal falls under the Free Art License, which "grants the right to freely copy, distribute, and transform creative works without infringing the author's rights."(Free Art License 1.3, accessed July 6, 2010).

This is a small selection of lead sheets posted by the original arrangers:

Wikifonia is a site where musicians can share their lead sheet arrangements. There is a wide variety of music available, including pop, jazz and rock. Visitors can transpose the arrangement prior to printing and make requests for an arrangement to be made.

Sibelius Music contains over 94,000 scores on its website. There are lead sheets available for pop, rock, jazz and worship music. Viewers can listen to musical selections as well as transpose lead sheets prior to printing. Scorch software is required to view the scores properly.

ChordMusic.net contains over 1,800 songs for chord piano, keyboard, guitar, and voice. Musicians can find music by ABBA, Elvis and the Beatles. The site also contains a chord finder. A small donation is required prior to downloading these lead sheets.

Things to Watch for When Downloading Free Lead Sheets

There are two things to watch out for when searching for free sheet music online: illegal scans of copyrighted scores, and poor arrangements.

While a transcription shared freely by the arranger is legal, scanning a lead sheet that is copyrighted by someone else is not. Musicians should inspect the music score carefully to confirm its authenticity. Fuzzy quality is a sign of photocopying or scanning.

Prior to downloading free lead sheets, it is prudent to review several different arrangements. Musicians should check the chord symbols and rhythms to see if these elements are consistent (they should be close). Some lead sheets will contain simplified chords. Music students should consult with their music teacher if they require assistance in this area.

Fake books and lead sheets provide musicians with a road map to follow as they explore embellishing and improvisation. Whether they are playing solo or in a group, fake books and lead sheets can offer musicians countless hours of repertoire and enjoyment.

Originally published on Suite101.com on July 6, 2010. Updated August 7, 2013.

Rock Groove to Help You Practice Improvising

One of my students is improvising for his supplemental piece on his Grade 7 Conservatory Canada exam. You get two bonus marks if you play with accompaniment.

Here's a groove I created for him. You can use it to practice improvising too. It's 56 bars long and alternates between A and B patterns (8 bars each). Tempo is 126 beats per minute. Enjoy!

Group Class Week Round 3 Reflections - 2013 edition

Another Group Class  Week has come and gone. I must say, I am quite grateful that I had to foresight to throw in group classes just before Spring and Easter Break. It's a great way to transition into the break.

The kids have been enjoying the group classes, for the most part. For us music teachers, we're just glad to be able to spend more time with our students on special areas of interest.

This week, some of my brother's and some of my students attended the following classes:

1. Creative Composition with Strings

2. Playing with Patterns - Introductory Improvisation

3. Music Appreciation 101: Music & Technology

4. Project – Studio

5. Introduction to Sound & Technology

6. Piano Combo Class

In my brother's Creative Composition class, the students wrote short compositions with limitations. Some of the limitations could be: write a short song in two minutes, write a jingle for a radio commercial or a video game loop or write a song for only certain instruments. I hear it went well.

In the introductory improvisation class, I gave the students the skeleton of five patterns to improvise on. In truth, I gave them certain modes to jam on. One student would take care of melody, the other played bass. I had to jump in on percussion to keep everyone in time. The group was pretty quiet, so I was unsure of whether they enjoyed it.

I ran the Music Appreciation: Music & Technology Class twice this week. Our students surprised me with what caught their interest. For instance, they perked up while watching a video where a technician started to pull apart a harpsichord. I had to stop the video several times to field questions. Ditto for the magnetic tape segment ("This recording was made with sticky tape and rust.").

The one area that they really surprised me with was copyright. They asked some really good questions. I think that I will have to write a group class plan for Creating and Copyright.

Project - Studio was lively. This is another class that ran twice this week. The students created a radio commercial, from concept to production in 90-minutes. Although Maestro didn't approve of the music selections or sound effects, I can safely say that the students left with smiles on their faces after completing their project.

Introduction to Sound & Technology has evolved since the first time it was offered in August. Last night, the students explored different types of sound recording technology before recording sound effects to go with a short video game clip. The students worked extremely well together and got a lot accomplished.

This was the first time that the Piano Combo Class ran this year. Three keyboards, three students. Each took a turn at working on melody, comping and playing bass. Depending upon their instrument choices, I had to jump in on melodica and try comping on the chords (emphasis on "try"). The kids worked on Ev'rybody Wants to Be A Cat, Tetris Theme A and Bad Romance. The hardest part for them was to approach their instrument from an ensemble perspective and not a one-person band. For instance, I had to remind them (and myself) to comp with rootless chords.

Now that Round 3 is over, we are getting a better picture of what works and what doesn't. For starters, any of the technology projects need more than one class to complete. They are just begging to be set up as a three or four-class course. The same could be said for the accompanying and conducting classes that ran earlier this school year.

Some projects are really hard to figure out running times for. It really depends upon how well the students work well together and how focused they are at completing their projects.

In some cases, two students are ideal in a class. Five is starting to feel like too much. Three or four is just right. That way, they all get a chance to work on the computer or on all the instruments.

Two more rounds to go. One in May and the final round in July. After which, we'll be able to assess which classes to expand on and which ones to cut completely.

An Introduction to Fake Books

You may be intimidated the first time you crack open a fake book. However, if you're familiar with (or at least willing to learn) your chords, then that's half the battle. A fake book contains pieces written out in lead sheet form. That is, you see the melody and chord symbols written above.

The idea is that you "fake" - or create - your own accompaniment. Throw down a pop groove on "Happy Birthday" one day. The next day, you could play it in ragtime style.The possibilities are endless.

Plus, with the music condensed in this format, you can have hundreds of songs in one book. It's so much easier to bring one fake book to a gig than 10 music books.

These are some of the fake books that I've collected over the years. They are also the ones I shared with my fellow music teachers when I did a presentation to the Piano Pedagogy Group last month:

Fake Books for Beginner to Intermediate Students:

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The Easy Christmas Carols Fake Book Melody, Lyrics & Simplified Chords in the Key of C. Composed by Various. Easy Fake Book. Christmas. Softcover. 114 pages. Published by Hal Leonard (HL.238187).

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Your First Fake Book - 2nd Edition Featuring Large Music Notation, Lyrics, & Simplified Harmonies C Edition. Composed by Various. Easy Fake Book. Broadway, Pop, Standards. Softcover. 176 pages. Published by Hal Leonard (HL.299529).

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The Easy Disney Fake Book - 2nd Edition 100 Songs in the Key of C. Composed by Various. Easy Fake Book. Children, Disney, Fake Books, Movies. Softcover. 232 pages. Published by Hal Leonard (HL.275405).

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The Easy Broadway Fake Book - 2nd Edition Over 100 Songs in the Key of C. Composed by Various. Easy Fake Book. Broadway. Softcover. 218 pages. Published by Hal Leonard (HL.276670).

Everything is in C Major. For an added challenge, you can ask your students to transpose them into other keys once they've learned the pieces.

Fake Books for Intermediate to Advanced Students, and Music Teachers:

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Classical Fake Book - 2nd Edition Over 850 Classical Themes and Melodies in their Original Keys. Composed by Various. Hal Leonard Fake Books. Classical Period. Fakebook (spiral bound). With standard notation, chord names and vocal melody (on some songs). 648 pages. Published by Hal Leonard (HL.240044).

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The Ultimate Pop/Rock Fake Book - In C 4th Edition. By Various. By Various. Hal Leonard Fake Books. Pop Rock, Rock and Pop. Fake book. With vocal melody, lyrics and chord names. 584 pages. Published by Hal Leonard (HL.240099).

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The Best Fake Book Ever - C Edition - 4th Edition C Edition. Composed by Various. Hal Leonard Fake Books. Country, Fake Books, Jazz, Pop, Standards. Fake book. With vocal melody, lyrics and chord names. 856 pages. Published by Hal Leonard (HL.290239).

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Just Jazz Real Book - C Edition C Edition. Composed by Various. Fake Book. Jazz. Fakebook (softcover). With vocal melody, lyrics, chord names, black & white photos, discography and introductory text. 400 pages. Hal Leonard #FBM0003. Published by Hal Leonard (HL.321416).

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The Praise & Worship Fake Book B Flat Edition. Composed by Various. Fake Book. Christian, Worship. Softcover. 432 pages. Published by Hal Leonard (HL.240324).

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The Ultimate Christmas Fake Book - 6th Edition For Piano, Vocal, Guitar, Electronic Keyboard & All C Instruments. Composed by Various. Fake Book. Christmas, Fake Books. Softcover. 232 pages. Published by Hal Leonard (HL.147215).

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The Disney Fake Book - 4th Edition Composed by Various. Fake Book. Children, Disney, TV & Movies. Softcover. 288 pages. Published by Hal Leonard (HL.175311).

Pianists - make sure you buy the "C" edition fake books!

If you need some guide books on how to read lead sheets, check out my earlier post, Jazz Music and Improvisation Guide Books.

Jazz Music and Improvisation Guide Books

As I mentioned earlier, I recently presented to the Piano Pedagogy Group. The piano teachers in this group are currently working on their Grade 10 or their Piano Pedagogy certification through Royal Conservatory of Music, Conservatory Canada or London College of Music . They are all classically trained (translation: improvisation, lead sheets and chord charts are scary). This is a list of the "How To" books that I use whenever I teach and play contemporary music (e.g. pop, rock, Latin, jazz, ragtime) that I shared with them:

Conservatory Canada Contemporary Idioms Syllabus

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How To Play From A Fake Book

By Blake Neely. For Guitar, Piano/Keyboard. Piano. Instructional. Instructional book. Standard notation and instructional text. 88 pages. Published by Hal Leonard (HL.220019)

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Lead Lines and Chord Changes

By Ann Collins. For Piano. Piano Collection; Piano Supplemental. Early Advanced; Late Intermediate. Book. 80 pages. Published by Alfred Music Publishing (AP.199)

...more info

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Volume 1 - How To Play Jazz & Improvise

By Jamey Aebersold. For any C, Eb, Bb, bass instrument or voice. Play-Along series with accompaniment CD. Jamey Aebersold Play-A-Long series. Beginner, intermediate. Book & CD. 104 pages. Published by Jamey Aebersold Jazz (JA.V01DS)

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Volume 3 - The II/V7/I Progression

By Jamey Aebersold. For any C, Eb, Bb, bass instrument or voice. Play-Along series with accompaniment CD. Jamey Aebersold Play-A-Long series. Beginner, intermediate. Book & CD. 100 pages. Published by Jamey Aebersold Jazz (JA.V03DS)

(6)

...more info

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Boogie Woogie for Beginners

Arranged by Frank Paparelli. For Piano/Keyboard. Keyboard Instruction. 48 pages. Published by Hal Leonard (HL.120517)

(2)

...more info

There are a few more in my "To Check Out" pile. I'll add them once I've had a chance to go through them a bit.