Music by The Duke and Harry Connick Jr., A CJO Concert Review

Soulful sounds and funky grooves marked the CJO's final jazz concert of the 2010/11 season. The Calgary Jazz Orchestra played to a full house when members took to the stage Sunday, April 10, 2011 at River Park Church.

The first half of the programme featured the music of Duke Ellington, an American arranger, band leader, jazz composer and pianist from the Cotton Club era. The music of New Orleans actor, composer and jazz vocalist, Harry Connick Jr. comprised the second half. Connick Jr. burst onto the music scene with his soundtrack to When Harry Met Sally.

Opening Act Dr. E.P. Scarlett High School Jazz Band

The Jazz Band from Dr. E.P. Scarlett High School in Calgary, Alberta warmed up the audience with three numbers. They performed “Idiom '59 Part II” by Duke Ellington, “Blue Serge” by Mercer Ellington and “Orange Colored Sky” by Milton DeLugg and Willie Stein.

Under the direction of Jonathan Bell, the E.P. Scarlett Jazz Band has performed at various festivals and competitions in Alberta. Most recently, they received the top award at the the 2011 Alberta National Band Festival.

Classic Duke Ellington Featured in the CJO's First Set

Drummer Greg Baker encouraged the audience to help set the tempo for the first number while the rest of the Calgary Jazz Orchestra members were getting ready. The group opened with “Play the Blues and Go”. This upbeat number featured solos by Gerry Hebert on clarinet, Shane Statz on tenor sax, Al Muirhead on trumpet, Dave Reid on trombone, Rich Harding on alto sax and Kodi Hutchinson on bass.

Special guest, jazz vocalist Hazel Proctor received a warm welcome. She came on stage to sing “Mood Indigo”. Proctor performed with the CJO at the December “A Perfectly Frank Christmas” concert. She sings with the Dixie Boppers in Calgary, Alberta and has performed at Dixieland jazz festivals throughout Canada and the US.

One of the highlights from the first half was “It Don't Mean a Thing”. This toe-tapping number featured many stunning solos. Shane Statz presented a weaving solo, while Kim Beachum delivered a fast and furious solo on trumpet. The fingers of each member of the rhythm section were a blur during their respective solos. Rich Harding's solo showcased his superb sense of phrasing. The song accelerated dramatically to the double bar line.

Other songs featured in the first set included “In a Mellow Tone”, “Solitude” and Ellington's arrangement of “In the Hall of the Mountain King” from Edvard Grieg's Peer Gynt Suite. “Solitude” put the spotlight on Gerry Hebert on soprano saxophone and multi-instrumentalist Dave Reid on euphonium.

Sultry Jazz, Witty Quips and the Music of Harry Connick Jr. Mark the Second Half

The CJO kicked off the second half with “Blue Light Red Light”, a medium tempo number which featured director Johnny Summers on vocals. While the second number was being introduced, a cell phone rang in the audience. “Go ahead and get it,” quipped Summers. “Buy low, sell high,” he added, which garnered a few laughs. Summers really shone in “Jill”. This number featured the rhythm section, as well as Shane Statz.

The programme wrapped up with a New Orleans funk number, “Mind on the Matter”. Special guest Spencer Cheyne joined Greg Baker on drums. Dave Reid's solo included a musical quote of “In the Hall of the Mountain King”. Pianist Egor Ukolloff delivered his funky solo with impressive technical fluency. Johnny Summers sang and later performed a solo on trumpet. Baker and Cheyne traded two's with the rest of the band. Bakers also added his vocals during the head. Other performed included “Last Payday”, “Spot” and “It Had to Be You”, which Connick Jr. sang on the When Harry Met Sally soundtrack.

There was a pregnant pause after the final round of applause at the end of the programme. It was if the audience was waiting for Summers to say something else, or for drummer Greg Baker to yell “Encore!” as he did at the ENTERTAINMENT! Concert.

“Now what?” asked Summers. Turning back to the band, he added that although the programme was done, no one was moving. Only then did members of the audience ask for an encore. “This is the freakiest encore ever,” Summers added. The CJO obliged by performing “Come By Me”. The audience rose to its feet in a standing ovation for several minutes afterward.

Calgary Jazz Orchestra Unveils Its 2011/2012 Concert Season

The CJO divulged its 2011/2012 concert season. Upcoming concerts will feature the music of Chet Baker, Billie Holliday and Frank Sinatra. It will also showcase music from Cuba.

Subscribers can buy season tickets on the Calgary Jazz Orchestra website for $85 prior to August 1, 2011. Subscriptions will go up to $90 after August 1. Single tickets will be available for $25 each.

About the Calgary Jazz Orchestra

The CJO was founded by director Johnny Summers in 2004. This concert featured Gerry Hebert, Rich Harding, Dr. Jeremy Brown, Shane Statz and Sarah Matheson on the saxophone. Hebert, Harding and Brown also played the clarinet on selected numbers. The trumpet section is comprised of Johnny Summers, Kim Beachum, Gordon Wilhelm and Al Muirhead. Brian Walley, Jim Scott, Mike Thomson and Dave Reid make up the trombone section, while Egor Ukolloff (piano), Kodi Hutchinson (bass) and Greg Baker (drums) form the rhythm section.

The Calgary Jazz Orchestra ended its 2010/2011 concert season by performing to a full-capacity audience on Sunday, April 10, 2011 at River Park Church. The concert featured big band jazz arrangements of music by the “Cotton Club King”, Duke Ellington, as well as New Orleans crooner Harry Connick Jr. The CJO's 2010/11 season has been an entertaining ride, with varied programming, well-played jazz and plenty of laughs.

Originally published on Suite101.com on April 13, 2011. Updated August 7, 2013.

Calgary Jazz Orchestra A Perfectly Frank Christmas 2011 Review

The Calgary Jazz Orchestra performed a sold-out concert at River Park Church in Calgary, Alberta on Sunday, December 18, 2011. From “White Christmas” to “Long Way to Go”, the CJO presented a wide range of big band jazz, Frank Sinatra classics and Christmas favourites.

The CJO trombone section played a selection of Christmas carols while the audience found seats. Extra seats soon had to be added.

Opening Act William Aberhart Jazz Ensemble Performed Big Band Hits

William Aberhart High School Jazz Ensemble kicked things off with “Idiom 59 – Part II” (Duke Ellington), an upbeat swing number. It was followed by an arrangement of “All of Me” (Gerry Marks and Seymour Simons) a lively number, which Frank Sinatra has recorded.

William Aberhart High School of Calgary is directed by Kevin Wilms. The Jazz Ensemble performs in concerts, competitions and festivals throughout Alberta.

Swing, Call and Response and Impressive Jazz Solos in CJO's Opening Set

Members of the Calgary Jazz Orchestra walked on-stage confidently and in relaxed spirits, sporting festive red ties. The notable exception was the rhythm section, who wore black ties.

The first number was a cheerful arrangement of Sergei Prokofiev's “Troika”. The original theme featured pianist Egor Ukoloff flying across the keys before the music changed to a medium swing. This featured lively exchanges between different sections of the jazz orchestra. Solos were ably performed by Jeremy Brown, Al Muirhead and Sarah Matheson before the music returned to the traditional theme.

An arrangement of “The Grinch” (James Horner) followed. The dreamy opening showcased the piano, flutes and clarinets. The trumpets and saxophones took over, building the excitement until the Grinch theme appeared, played on the baritone sax. This slow swing number featured solos by Muirhead, Matheson and Shane Statz.

Crowd favourite Hazel Proctor sang “Please Come Home for Christmas” (Charles Brown). Wearing a sparkling floral jacket, Proctor dazzled the audience with her soulfulness and wide vocal range. Ukoloff's solo featured numerous runs and tremolos, while Brown's solo mirrored Proctor's earthiness.

Another gem was “Long Way to Go”. Composed by CJO director Johnny Summers, this rousing gospel song was commissioned by the United Way several years ago but was never used. Summers truly shone in this vocal number, delivering the powerful lyrics with a high dose of emotion and skill. Equally moving and impressive solos were performed by Ukoloff, Brown and Rich Harding.

Five more songs were performed in the first set. The CJO played arrangements of “Luck be a Lady” (Frank Loesser), “Just the Way You Look” (Jerome Kern and Dorothy Fields), “Ave Maria” (Franz Schubert), “One for My Baby” (Johnny Mercer) and “I Been Lonely” (Johnny Summers).

Sleigh Ride, White Christmas and Louis Armstrong in CJO's Second Set

The Calgary Jazz Orchestra opened with “I Pray on Christmas” (Harry Connick Jr.). This lively gospel song featured Johnny Summers on vocals, Hazel Proctor singing off-stage and rhythmic clapping by CJO members and the audience.

Throughout the evening, Summers asked the audience about their Christmas Wish List and Christmas traditions. Selected responses garnered free concert tickets to an upcoming CJO performance or a jazz CD.

The audience was also polled on favourite Christmas songs. Sinatra classic, “Have Yourself a Merry Little Christmas” was selected and CJO musicians gamely played while Summers led the sing-a-long. This impromptu addition featured a beautiful solo by Al Muirhead.

Greg Baker surprised new listeners and delighted CJO regulars with his imitation of Louis Armstrong. Exchanging places with Summers, Baker sang “What a Wonderful World” (Bob Thiele and George David Weiss) .

The final number was “I'll Be Home for Christmas” (Kim Gannon and Walter Kent). This medium swing number gave each CJO member a chance in the spotlight. Every musician who could move walked to the front of the stage and played a solo when his or her name was announced.

Five more Christmas classics were also performed, including “Sleigh Ride”, “White Christmas” and “Oh Holy Night”. Sinatra standards, such as “Fly Me to the Moon” and “All of Nothing at All” were also featured.

After the last note died away, the audience quickly rose to give the CJO an enthusiastic standing ovation. The jazz ensemble responded by performing “Come By Me” by Harry Connick Jr. for an encore.

The skilled and playful banter – both musically and verbally – made this year's “A Perfectly Frank Christmas” a delightful concert. For instance, a lick played on the piano would later show up in a saxophone solo. Many of the solos drew cheers and whistles from the audience.

About the Calgary Jazz Orchestra

The Calgary Jazz Orchestra was founded by Johnny Summers in 2004. Gerry Hebert, Rich Harding, Jeremy Brown, Shane Statz and Sarah Matheson performed on saxophone, flute and/or clarinet. The trumpet section included Johnny Summers, Kim Beachum, Gordon Wilhelm, Al Muirhead and André Wickenheiser. Brian Walley, Tim Embree, Nathan Gingrich and Greg Robertson performed on trombone. The rhythm section included Egor Ukoloff (piano), Kodi Hutchinson (bass) and Greg Baker (drums).

Arrangements by Johnny Summers, Greg Baker, Billy Byers and Paul Ashwell were used. Summers and Baker also sang in several numbers.

Jazz lovers will have three more opportunities to hear the Calgary Jazz Orchestra in the 2011/12 season. On January 23, 2012, the CJO and the UofC Jazz Ensemble will perform with Grammy winner Maria Schneider. Billie Holliday and Chet Baker music will be performed on February 12, 2012 and finally, blues tunes and numbers written by CJO members are on tap for May 6, 2012. Earlier in the year, the CJO presented a concert featuring swing, Latin and Cuban music.

The Calgary Jazz Orchestra performed to a full house on Sunday, December 18, 2011 at River Park Church in Calgary. This exciting jazz concert featured big band music, Frank Sinatra hits and jazzy Christmas classics that had the entire audience clapping, singing and cheering.

Originally published December 21, 2011 on Suite101. Updated August 7, 2013.

Calgary Jazz Orchestra A Perfectly Frank Christmas 2010 Concert Review

Calgary music aficionados love Christmas music, Frank Sinatra and the Calgary Jazz Orchestra. Concertgoers lined up outside and around River Park Church in Calgary, Alberta on Sunday, December 19, 2010 for a chance to get tickets to CJO’s sold out jazz concert, "A Perfectly Frank Christmas".

The concert start time was delayed by 15 minutes to ensure that the audience could find seats and get settled. The programme featured big band jazz arrangements of Sinatra classics along with fresh arrangements of popular Christmas songs.

Hazel Proctor and Greg Baker Sparkle in the Opening Set of “A Perfectly Frank Christmas”

The CJO set a relaxed yet festive tone to the evening with Hark! arranged by Paul Ashwell. This moderate swing number featured easygoing solos by Dr. Jeremy Brown (saxophone) and Bob Erlendson (piano).

Director Johnny Summers traded his trumpet in for the microphone for three numbers: Sleigh Bells, I’ve Got You Under My Skin from “Songs for Swingin' Lovers” (1956) and Just the Way You Look Tonight from “Sinatra Sings Days Of Wine And Roses, Moon River, And Other Academy Award Winners” (1964). Sinatra’s music wonderfully showcases Summers’ wide vocal range and warm timbre, especially on the upbeat numbers.

The Calgary Jazz Orchestra welcomed jazz vocalist Hazel Proctor as a guest performer for the evening. Proctor comes from a rich musical heritage that set roots in Alberta in 1910. She has performed at Dixieland jazz festivals throughout Canada and the US. Proctor currently sings with the Dixie Boppers of Calgary, Alberta.

Proctor joined the CJO on two numbers: Please Come Home for Christmas and The Christmas Song. Her down-to-earth nature drew the audience in. Proctor’s rich, earthy tone wowed the audience, often drawing cheers and applause throughout her performance. The Christmas Song marked the first duet that Proctor and Summers have performed live together.

Another performer that elicited the same response was drummer Greg Baker. Summers did a special arrangement of Little Drummer Boy to display Baker’s talents. His playful nature, tempered with technical virtuosity brought the house down. His solos ranged from youthful reminiscings (pounding) to the “drum roll please” groove and from toe-tapping rock to mind-blowing funk.

The Calgary Jazz Orchestra rounded out the first half with two additional numbers. What Child is This? was a fast swing number that ended in an extremely Baroque fashion. It featured solos by Shane Statz (sax), Al Muirhead (trumpet), Carsten Rubeling (trombone) and Bob Erlendson (piano). I’m Walkin’ was a bold, lively number that featured strong solos by Johnny Summers (vocals), Richard Harding (sax), Andrew Wickenheiser (trumpet), Gerry Hebert (sax), Carsten Rubeling and Kodi Hutchinson (bass).

Strong Jazz Solos, Swing Dancers and Comedic Moments Mark the Second Set

The jazz band launched the second set with Ol’ Santa Claus, a quick march-like call and response number. A 3-2 clave pattern wound its way into the drums, keeping it extremely rhythmic and lively.

Silent Night showcased Richard Harding on sax. His improvisation was quite varied and yet always maintained the soulfulness of the original melody. Harding’s final improv was done against an ostinato of the first two bars of the melody, played by the rest of the saxophone section.

Summers invited Matthew Isenor and Nicole Tomes of Toe Tapping Swing to show off their graceful choreography for his next vocal number, Come Fly with Me. Another memorable number was What a Wonderful World in which Baker and Summers exchanged places. Baker surprised the audience with his rousing tribute to Louis Armstrong, successfully imitating Satchmo’s rumbly timbre.

One of the fun things about playing jazz music is being able to put a completely new spin on old classics. Deck the Halls was good example of this. Baker’s arrangement moved this traditional carol into a minor key and threw in a sultry Latin groove (Besame Mucho, anyone?). This featured solos by Johnny Summers (trumpet) and Gerry Hebert (soprano sax).

One audience member learned what happens if you have the misfortune of arriving late to a CJO performance. She was on the receiving end of some good-natured ribbing throughout the evening. Molly will undoubtedly show up on time to next year’s performance and without her “winterscape” sweater that Summers admired. Others Sinatra hits performed in the second set included Love Me or Leave Me, Star Dust and All or Nothing at All.

The CJO closed the programme with Oh Holy Night. This arrangement was an interesting blend of styles – part gospel, part classical, and part country. The music soon gave way to an upbeat, double-time groove and featured solos by Sarah Matheson (baritone sax), Carsten Rubeling and Greg Baker.

The audience quickly rose to their feet to give the CJO a standing ovation and called out for an encore. The jazz band complied with one final Frank Sinatra hit, I’ve Got the World on a String. Isenor and Tomes returned to the stage, complementing the music with their toe-tapping swing.

About the Calgary Jazz Orchestra

The Calgary Jazz Orchestra is a sixteen-member jazz band that was founded in 2004 and is directed by Johnny Summers. "A Perfectly Frank Christmas" featured Johnny Summers, Hazel Proctor and Greg Baker on vocals, Gerry Hebert, Richard Harding, Jeremy Brown, Shane Statz and Sarah Matheson on saxophones, Johnny Summers, Kim Beachum, Gordon Wilhelm, Andrew Wickenheiser and Al Muirhead on trumpets and Tim Embree, Carsten Rubeling, Shawn Hamilton and Greg Robertson on trombones. Bob Erlendson (piano), Kodi Hutchinson (bass) and Greg Baker (drums) complete the jazz band. The band arrangements for this concert were by Paul Ashwell, Johnny Summers and Greg Baker.

The CJO delivered a lively programme with strong performances at "A Perfectly Frank Christmas", held Sunday, December 19, 2010. The band launched its 2010/11 season in September, featuring music by Charlie Mingus and Oscar Peterson. Upcoming jazz concerts include “ENTERTAINMENT!” on January 30, 2011, featuring music from pop culture (pop, movies and video games) and on April 10, 2011, the music Duke Ellington and Harry Connick Jr. For more information about the CJO, visit their website.

Originially published Suite101.com on December 20, 2010. Updated on April 13, 2013. All rights reserved by Rhona-Mae Arca.

Video Game Jazz Music at The Runaway Five's First All Ages Show

Driving, funky jazz versions of video game music were on tap when The Runaway Five performed in concert in Calgary, Alberta at the National Musical Centre Saturday, April 6, 2013. It was the jazz group's first "all ages" show.

This concert featured Johnny Summers on trumpet and flugelhorn, Shane Statz on tenor sax, Sheldon Zandboer on piano, Brendan McElroy on bass and Karl Schwonik on drums. It was the group's first performance in a quintet configuration.

Jazz Arrangements of Classic Video Game Themes Played by the Runaway Five

The quintet opened the first half with two songs from the SNES game Earthbound (AKA "MOTHER 1+2"):"Sound Stone" and "Threed". This particular arrangement of the "Sound Stone" melody was quite lively, complete with stride piano. It featured solos by Shane, Johnny and and Sheldon.

In contrast, "Threed" was a laid back bossa nova. One of the neat moments in this arrangement was the transition between the flugelhorn and tenor sax solos. There was a lovely dialogue between the two instruments, which weaved and bobbed like someone floating aimlessly in the pool or ocean. I could have sworn I heard a "quote" from "Rainy Days and Mondays" by The Carpenters for a fraction of a second.

Next game on the set list was SimCity 3000, which is known for its jazz and new age soundtrack. "Updown Town" was a toe-tapping medium upswing. The trumpet solo began in the lower registered with shots that gradually led the listeners higher and higher. This was followed by an extremely chromatic piano solo, complete with rapid-fire blues riffs and shakes. After a very catchy vamp, the tenor sax solo gradually built up higher and higher, like a skyscraper.

"Into the Darkness" from Final Fantasy IVwas a lazy jazz waltz. The ensemble played upon the rhythmic ostinato from the introduction, working it into their solos. The flugelhorn solo was soft and mournful. In contrast, the tenor sax rose and fell like waves. The piano solo had punchy riffs and crunchy chords, while the bass solo played upon the theme, leading the audience deeper and deeper, lower and lower into blackness.

Another highlight from the first set was "Love Song" from BioWare's Dragon Age. This slow jazz waltz featured a beautiful duet between the flugelhorn and tenor sax. The sax solo began simply, who lush long tones, but the rhythm grew in complexity, building the tension. In contrast, the piano solo featured tender chords that rose and fell like a sigh. It too gradually grew in intensity with crunchier harmonies. The gradual deconstruction of the theme was a neat effect, just before leading the audience back to the head.

Three more video game themes were performed in the first set. "Buy Something Will Ya" (Earthbound) was a moderate swing number. "Zelda's Lullaby" (Zelda), which showcased the flugelhorn and piano. The Runaway Five closed the first set with the "Overworld Theme" from Super Mario Bros 2.

Soul Jazz, Ragtime and Swing Video Game Music in The Runaway Five's All Ages Concert

The Runaway Five did their best to make the audience forget the miserable weather outside with "Koopa Troopa Beach" from Super Mario Kart 64. Was I the only one pretending to drive my Mario Kart around the beach during the performance? I hope not.

The tenor sax solo was wavy, with splashes up into the higher register. The  flugelhorn solo kept the mood high and bright, not just with playing in the higher register, but with the introduction of a different rhythm. The piano took that rhythm and changed it even more. When the head returned to lead us back to the finish line, it was a nostalgic moment.

Another highlight from the second half of the show was "Muscle Soul" from Battlefield Bad Company 2 Vietnam (Hill 137). This isn't a game I'd normally play, so hearing this theme was my introduction to the music of Anders Lewen.

This number opened with the bass and drums vamping on that opening riff until one by one, the rest of the company stepped in. The trumpet solo traversed a wide range, like a unit marching to their next mission. The sax solo was as soulful as the original recording. The piano solo had a little Motown, a little funk and a hint of disco.

The Runaway Five closed the show with "Air Platform - The Athletic Rag" from Super Mario World. The quintet had fun playing around with the two main themes from this classic video game. The trumpet solo used the A theme as a springboard to new riffs.

The tenor sax took the last rhythms played by the trumpet and then improvised on the B theme, then back to the A theme before tossing it to the piano, where we heard a chromatic treatment of the B theme, complete with zippy runs. The drum solo was playful, exploring different rhythmic and timbre combinations.

Three more VG themes were featured in the second set, including the "Figaro Castle Theme" from Final Fantasy III (VI), "Green Hill Zone" from Sonic the Hedgehog 2 opened with the drums and music from Street Fighter.

About The Runaway Five

Founded by Brendan McElroy, the Runaway Five performs jazz music arrangements of classic video games, including Super Mario Bros., Final Fantasy and Zelda. In 2008 and 2009, the group performed at Massey Hall in Toronto during the Video Games Live tour. The ensemble members change, increasing or decreasing depending upon the needs of the show.

The Runaway Five performed an intimate concert open to all ages on Saturday, April 6, 2013 at the National Music Centre. The interplay between the musicians was a delight to hear, while the themes left the audience feeling nostalgic about games past and present.

If you missed the show, you can check out some of group's earlier performances on their Youtube Channel. The Runaway Five will perform later this year. Details to follow.

Concert Review of CJO's Romance Concert

The Calgary Jazz Orchestra performed a selection of popular love songs on Sunday, February 10, 2013 at River Park Church. Calgary, Alberta. The programme featured t

he music of Nat King Cole, Tony Bennett, Michael Buble, Diana

Krall and more.

Special guests included Johanna Sillanpaa and members of the Calgary Philharmonic Orchestra.

The E.P. Scarlett Jazz Ensemble, under the direction of Jonathan Bell, kicked things off with a Duke Ellington classic, "Moon over Cuba." This lively number featured the clarinet, piano and trombone. This was followed by "Jitterbug Waltz" by Fats Waller, which featured the vibraphone, piano and drums.

Members of the Calgary Philharmonic Join the CJO for an Evening of Romance

"The music is all over the map," said Calgary Jazz Orchestra Director Johnny Summers at the start of the first set. This was the first CJO concert that included a string octet, comprised of members from the Calgary Philharmonic Orchestra.

The first song performed was the love theme from Superman, "Can You Read My Mind", composed by John Williams. A cymbal roll swelled dramatically until the rest of the ensemble came in. The strings played the head, while the piano, flutes and clarinets added flourishes here and there. Al Muirhead's trumpet solo was melodic and motivic.

Another highlight was "Let's Stay Together" by Al Green. Drummer Greg Baker sung this classic R & B hit. Dr. Jeremy Brown's saxophone solo looped and climbed, leading us higher and higher still, until Johnny Summers' trumpet solo came in, played in the high register. This gave way to Rich Harding's sax solo, which weaved around, leading us back to the final verse. This number garnered several whoops and cheers from the audience.

Before performing the final number in the first set, the CJO did a quick plug for the May concert, which will feature pop hits and favourites arranged by members of the Calgary Jazz Orchestra. Johnny Summers encouraged patrons to email, Facebook or Tweet the CJO with song requests.

Vocalist Johanna Sillanpaa joined Johnny Summers to sing "Exactly Like You" to close the set. This light-hearted number is one of the tracks on Johnny Summer's new CD, Piano Sessions Volume 1. The strings augmented the playful lines the duo weaved. This number featured impressive solos by Johnny Summers on trumpet and Egor Ukoloff on piano.

Two more songs were performed in the first set, including Paul McCartney's "My Valentine". Johanna Sillanpaa was featured in Gus Kahn's "Dream a Little Dream of Me".

The CJO Performs Classic Love Songs and Logs in Some FaceTime to Maui

Johnny Summers shared with the audience what a learning experience it was to write for strings at the concert's second half. He reminisced with CPO Concertmaster  Donovan Seidle about their student days at the University of Calgary.

Then, he tried to introduce the first number. However, various members of the CJO heckled him, describing it as "Great...slow...awful." On the other hand, Johnny described Jimmy McHugh's "It Had to Be You" as "one of the most romantic songs of all time."

The strings opened with a mysterious tremolos before the clarinets joined them. This number features solos by Kodi Hutchinson on bass and Shane Statz on sax. Despite Johnny's complaints over his cold, I'd have to say that it really injected more "oomph" to his lower vocal range.

One memorable moment from the second half was "You are So Beautiful", which featured Brian Walley on trombone. Several bars in, Johnny Summers stopped the performance to inquire where Brian's sweetheart was. When Brian replied, "In Maui," Johnny reached for an iPad and said, "Let's FaceTime her!"

Yours truly held the iPad in the front row so that Brian's fiancée could be serenaded. Special thanks to the gentleman who sat beside me who assisted me in positioning the iPad to give Karen a good view of Brian and the stage.

The CJO's Chet Baker cover of "My Funny Valentine" was dedicated to a couple in the audience who recently got engaged. This year's arrangement opened with a solo piano introduction. The rest of the ensemble came in layers. This lovely arrangement featured Johnny on vocals and trumpet as well as Egor Ukoloff on piano:

The second half of CJO's concert featured three more romantic songs, including Victor Young's "Beautiful Love" and Michael Buble's "Everything" (an audience member's request). Johanna Sillanpaa returned to the stage to sing Whiting & Moret's "He's Funny that Way".

About the Calgary Jazz Orchestra

The Calgary Jazz Orchestra is a 17 piece big band founded by Johnny Summers in 2004. This performance included Rich Harding, Keith O'Rourke, Dr. Jeremy Brown, Shane Statz and Sarah Matheson on saxophone. Johnny Summers, Jay Michalak, Gord Wilhelm and Al Muirhead comprise the trumpet section. Brian Walley, Dean Yeats, Tim Embree and Dave Reid from the trombone section.

The string section was comprised of Donovan Seidle, Diane Lane, Jeremy Gabbery and Melanie Leonard on violin; Carl Boychuk and Megan Singer on viola; while Andrea Case and David Morrisey filled out the octet on cello. Arrangements for "Romance" were written by Greg Baker and Johnny Summers.

The Calgary Jazz Orchestra and guests presented a delightful jazz concert on Sunday, February 10, 2013 at the River Park Church in Calgary, Alberta. The supportive audience began applauding even before the final song drew to a close and quickly stood up to give a standing ovation as soon as the last note was played. The addition of a string section welcome addition for audience members and CJO members, adding a refreshing spin on these classic love songs. All in all, a successful Calgary event.