Review of Johnny Summers – Piano Sessions Vol. 1 CD Release Concert

Calgary multi-instrumentalist Johnny Summers and friends delivered an intimate and passionate performance on Saturday, March 16, 2013 at the University of Calgary's Rozsa Centre. The event was a CD Release Party to introduce Summers’ third jazz album, Piano Sessions Vol. 1.

The Calgary event also featured Chris Andrew on piano, Al Muirhead on trumpet, Jason Valleau on bass and vocals, Sheldon Valleau on ukulele and vocals and finally, Shane Statz on tenor sax. Johnny Summers performed on vocals, trumpet and flugelhorn.

Swing, Ballads and Blues Featured in Johnny Summers' Piano Sessions Vol. 1

The concert opened with "She Thinks that I Still Care". Unlike with George Jones' original country stylings, this interpretation was injected with a "hot summer's day in New Orleans" feel.

The dramatic pauses at the ends of key phrases set a playful tone to the number. The trumpet and piano solos were longer than they were on the album, giving Johnny Summers and Chris Andrew an opportunity to really expand on their ideas.

Between numbers, Johnny explained some of his inspirations for recording this jazz album.  Listening to great crooners such as Harry Connick Jr. and Tony Bennett, as well as instrumentalists Bill Evans, Chet Baker and Paul Blaine instilled the idea of an album featuring piano and voice. "That's beautiful to me," he said.

"You're extremely exposed," he divulged. Johnny added, "You have to have a good sense of time."

During the recording sessions, four additional songs were recorded, which didn't make it onto the album: "I'll Be Home for Christmas" and "Winter Wonderland", "Look for the Silver Lining" and "Mood Indigo." The classic Christmas songs were bundled together in Winter Wonderland.  The other two made it onto Saturday's programme.

Jerome Kern & B.G. DeSylva's "Look for the Silver Lining" was made famous by Chet Baker. This medium swing song had a light, breezy feel to it.

Chris' solo was peppered with syncopated rhythms and impressive runs. In contrast, Johnny's solo on his brand new Yamaha flugelhorn was tender and warm, gradually blossoming into each a high point. Partway through, the groove became more animated and the two traded 4's.

The ballad "Maybe This Time" has been recorded by many artists, including crooner Tony Bennett. Johnny shared some of his memories of hearing Bennett sing live in concert. "He walks on stage...and you feel the electricity...When he sings, he fills you."

Johnny's interpretation was soulful and wistful, with an unhurried tempo throughout. That made the climax more impassioned. The piano shakes were performed in a dreamy fashion.

Jason and Sheldon Valleau of the band, The Polyjesters, lent their talents to "My Baby Just Cares for Me". This jazz standard by Walter Donaldson and Gus Kahn has been considered the signature piece of Nina Simone.

This medium swing number featured a soft, easygoing piano solo by Chris. The crescendo towards a soft, fermata in Johnny's trumpet solo was a short reprieve before the melody shot up to the instrument's upper register. The lyrics were delivered with a cheeky and humourous flair. The impromptu "doo-doo-doo" at the end of the tag was by Sheldon was a nice touch.

Variety, Extended Solos and Delightful Surprises at Johnny Summers CD Release Concert

One of the highlights in the second set was Nat King Cole's "I'm an Errand Boy for Rhythm". After a slow introduction on voice and piano, the mood shifted to a lively upswing. The interlude featured a rhythmic piano solo, followed by Al's elegantly shaped phrases. In contrast, Johnny's trumpet solo weaved and raced to the top with rapid runs. The trumpet dialogue between Al and Johnny was playful. At times, it sounded just like scatting. Other times, it sounded like a car race.

This interpretation of Duke Ellington's "Mood Indigo" had shades of Nina Simone. It featured solos by Shane Statz on tenor sax, Johnny on trumpet and Chris on piano.

The final song of the evening was a rousing performance of Johnny Cash's "Folsom Prison Blues". One of the most delightful things about music is that you never hear the same performance twice. This was especially true in this case.

The piano intro was extended for the live performance, gathering momentum just as a train does when it pulls out. The sax solo was grittier, exploring the lower range of the instrument. In contrast, Al's solo was lighter and higher, much like birds chirping. Chris' solo featured a  healthy dose of "crunchy" chords and driving rhythms, while Johnny's trumpet solo spun and shot up - higher - and higher.

Jason performed a percussion solo on his bass before Johnny and Jason scatted. Jason's surprise trumpet-like squeal led to various instruments being imitated.

The entire audience rose quickly to give everyone a standing ovation. The ensemble performed one encore, "St. James Infirmary."

Six more songs were performed at the Piano Sessions Vol. 1 CD Release. Four more other songs were performed in the first set: "Dream a Little Dream of Me", "You Don't Know Me", "Going Home" and "Exactly Like You". The second half also featured "I Wonder, I Wonder" and "Simple Song".

Piano Sessions Vol. 1 Concert Review

From the opening line, the balance between the voice and piano and later, the remaining instruments, was nothing short of perfect. The ensemble made full use of the acoustics that the Rozsa Centre offers, delivering a crisp and clear sound. They definitively demonstrated that the album's Global Music Awards for Best Listener Impact and Best Male Vocalist are well deserved.

Technical proficiency, when coupled with artistry, is a winning combination. What more could a performer or listener ask for? Well, perhaps for the lead vocalist to not have strep throat, perhaps.

The live performance offered listeners different type of performance. Feeding off the energy from the audience and the ensemble can push a musician to new heights of artistry. This manifested on Saturday into spontaneous moments of brilliance that lead to new directions for improvisation. Yes, live was slightly different from the album, but just as beautiful in its own right.

About Johnny Summers

Johnny Summers is a Calgary-based multi-instrumentalist who performs jazz, soul, gospel, blues and almost everything in between. He's a singer and songwriter, as well as a trumpet and flugelhorn player. As the director of the Calgary Jazz Orchestra, he serves as composer, arranger and band leader.

Piano Sessions Vol. 1 is currently available on CD Baby and iTunes on March 16, 2013. Click here to read my album review.

Johnny Summers - Piano Sessions Vol. 1 Album Review

Johnny Summers' third album, Piano Sessions Volume 1, showcases his versatility as a musician and presents a diverse mix of musical genres. From swing to ballad and from honky-tonk to blues, there is something for every music aficionado to enjoy.

The album also features Chris Andrew on the piano and several special guests, including a capella group The Polyjesters, Jason Valleau (bass/vocals), Sheldon Valleau (ukulele/vocals), Shane Statz (tenor sax), Johanna Silanpaa (vocals), Kodi Hutchinson (bass) and Al Muirhead (trumpet).

Johnny Summers is a Calgary-based vocalist and trumpeter. He is also the founder and music director of the Calgary Jazz Orchestra. Johnny  runs Summertime Music.

Piano Sessions Volume 1 Highlights

The opening track, "I Wonder, I Wonder" is an easygoing swing number. A short introduction is played by Chris Andrew, Jason Valleau on bass and Sheldon Valleau on ukelele before the rest of the ensemble joins in. The Polyjesters' "oohs" add a touch of doo-wop to the mix. Chris' weaving lines and shakes on the piano dance playfully around Summers' smoky vocals. Summers' trumpet solo ebbs and flows as gently as the Pacific Ocean while watching a peaceful sunset at the beach.

Chris Andrews opens "Folsom Prison Blues" with a slightly dissonant chord and shakes before steadily gathering steam as the train (er song) pulls out. Johnny Summers and Shane Statz add some train whistles sounds on the trumpet and tenor sax respectively.  They take a slower pace than Johnny Cash does. The slightly slower tempo enables the ensemble to deliver a more soulful interpretation and bend the notes more. The transition from the sax to the trumpet solo is seamlessly done.

"Simple Song" is simply stunning. From the tender opening laid down by Chris Andrews, this ballad unfolds one layer at a time. The heartfelt lyrics start gently and gradually grow in passion. For claiming to not be as fancy as Shakespeare or Van Gogh, it's downright eloquent. Gentlemen, this is the perfect song to play for the special woman in your life on Valentine' Day:

Vocalist Johanna Sillanpaa joins Johnny in singing a playful arrangement "Exactly Like You". Their vocals blend together beautifully in this delightful jazz standard. Kodi Hutchinson and Chris Andrew provide catchy, rhythmic comping throughout.

The final track "Going Home", is based on the second movement theme from Antonin Dvořák's New World Symphony. Johnny Summers' phrasing on the trumpet is smooth and soulful. Chris' solo nails the melancholy tone of this beautiful theme.

Piano Sessions Volume 1 Track Listing

1. I Wonder, I Wonder - Cecil Gant (3:41)

2. She Thinks I Still Care - George Jones (5:51)

3. Maybe This Time - John Kander, Fred Ebb (5:36)

4. Dream a Little Dream of Me - Fabian Andre, Wilbur Schwandt, Gus Kahn (3:22)

5. Folsom Prison Blues - Johnny Cash (3:53)

6. My Baby Just Cares for Me - Walker Donaldson, Gus Kahn (3:16)

7. Simple Song - Johnny Summers (4:21)

8. Exactly Like You - Jimmy McHugh, Dorothy Fields (2:41)

9. You Don't Know Me - Cindy Walker, Eddie Arnold (5:44)

10. I'm an Errand Boy for Rhythm - Nat King Cole (4:09)

11. Going Home - William Arms Fisher, Antonin Dvořák (4:30)

Genres: jazz, blues, gospel, funk, swing, ballad, honky-tonk Label: Summertime Music Cover Design by FLIPP.ca Photography by Michael Stellmach

Piano Sessions Volume 1 Review

The balance and sound quality on Piano Sessions Volume 1 album is just beautiful. Not one voice is out of balance. Superb. The variety of musical styles represented gives new listeners a taste of each style, without offering too much of any one genre. The musicians all work well together, that is, they sound good together and complement one another. That's the byproduct of everyone involved having worked together before.

If anything, this album makes me excited to hear more of Johnny Summers' original works. If they are like "Simple Song", I can't wait for the next release.

Johnny Summers Piano Sessions CD Release

The CD release for Piano Sessions Volume 1 is on Saturday, March 16, 2013 at 7:30 p.m. at the University of Calgary in the Eckhardt-Gramatte Hall, Rozsa Centre. Tickets go on sale February 15 at the U of C Campus Ticket Centre.

To purchase an advance copy of Piano Sessions Volume 1, come out to a Calgary Jazz Orchestra performance on Sunday, February 10, 2013 or Saturday, February 23, 2013. Alternatively, you may contact Johnny Summers at Summertime Music.

March 11, 2013 update:

Johnny Summers' upcoming release, Piano Sessions Volume 1 recently won two Global Music Awards for Best Male Vocalist and Best Listener Impact. The album is currently available on CD Baby and will be available on iTunes on March 16, 2013.

Jazz Lesson Musings

After years of thinking about it, I enrolled in jazz piano lessons this year. I was motivated by my students who are "pumped" about Conservatory Canada's Contemporary Idioms syllabus and the Teacher's Choice Study in the Royal Conservatory of Music syllabus. I was also looking for ways to "jazz" up my gig repertoire.I am currently studying with Derek Stoll, an accomplished jazz pianist and examiner for Conservatory Canada. These lessons are so different from the traditional piano lesson. We really go with the flow. I am currently picking out Christmas tunes by ear, then harmonizing them, then "jazzifying" them.

It's quite the process. Fun, but boy do you ever give your brain a workout from all the keyboard harmony. I am still trying to commit the octatonic scale to memory (I have no problems writing it, playing it from memory is another story). Theoretically, I understand what an A7 with a sharp 5 and flat 9 is but my brain and hands aren't completely in sync there either. Voice leading? Again, good with writing it down but still learning to think on my feet (er, fingers).

Some stuff is starting to stick. I'm looking forward to my next gig, where I can try out what I've been working on.

One colleague recently asked me whether my teaching style has changed. I'm getting my students to start looking at the shapes of chords more. They're all picking out Christmas songs by ear and personalizing them. I'm also getting them to analyze their chords more and more. Probably the biggest change is that I'm really, really harping on them about getting their technique up to snuff. Several have expressed an interest in improvising and embellishing their songs.

Since starting my jazz lessons, I've decided I'd like to take a Contemporary Idioms exam - for fun. Since I began teaching, my scales, chords and arpeggios and ear training are better than they ever were when I took exams growing up, so I'm relishing the thought performing well on a test in these areas. I guess I should start picking out my program and get cracking!

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