Music by The Duke and Harry Connick Jr., A CJO Concert Review

Soulful sounds and funky grooves marked the CJO's final jazz concert of the 2010/11 season. The Calgary Jazz Orchestra played to a full house when members took to the stage Sunday, April 10, 2011 at River Park Church.

The first half of the programme featured the music of Duke Ellington, an American arranger, band leader, jazz composer and pianist from the Cotton Club era. The music of New Orleans actor, composer and jazz vocalist, Harry Connick Jr. comprised the second half. Connick Jr. burst onto the music scene with his soundtrack to When Harry Met Sally.

Opening Act Dr. E.P. Scarlett High School Jazz Band

The Jazz Band from Dr. E.P. Scarlett High School in Calgary, Alberta warmed up the audience with three numbers. They performed “Idiom '59 Part II” by Duke Ellington, “Blue Serge” by Mercer Ellington and “Orange Colored Sky” by Milton DeLugg and Willie Stein.

Under the direction of Jonathan Bell, the E.P. Scarlett Jazz Band has performed at various festivals and competitions in Alberta. Most recently, they received the top award at the the 2011 Alberta National Band Festival.

Classic Duke Ellington Featured in the CJO's First Set

Drummer Greg Baker encouraged the audience to help set the tempo for the first number while the rest of the Calgary Jazz Orchestra members were getting ready. The group opened with “Play the Blues and Go”. This upbeat number featured solos by Gerry Hebert on clarinet, Shane Statz on tenor sax, Al Muirhead on trumpet, Dave Reid on trombone, Rich Harding on alto sax and Kodi Hutchinson on bass.

Special guest, jazz vocalist Hazel Proctor received a warm welcome. She came on stage to sing “Mood Indigo”. Proctor performed with the CJO at the December “A Perfectly Frank Christmas” concert. She sings with the Dixie Boppers in Calgary, Alberta and has performed at Dixieland jazz festivals throughout Canada and the US.

One of the highlights from the first half was “It Don't Mean a Thing”. This toe-tapping number featured many stunning solos. Shane Statz presented a weaving solo, while Kim Beachum delivered a fast and furious solo on trumpet. The fingers of each member of the rhythm section were a blur during their respective solos. Rich Harding's solo showcased his superb sense of phrasing. The song accelerated dramatically to the double bar line.

Other songs featured in the first set included “In a Mellow Tone”, “Solitude” and Ellington's arrangement of “In the Hall of the Mountain King” from Edvard Grieg's Peer Gynt Suite. “Solitude” put the spotlight on Gerry Hebert on soprano saxophone and multi-instrumentalist Dave Reid on euphonium.

Sultry Jazz, Witty Quips and the Music of Harry Connick Jr. Mark the Second Half

The CJO kicked off the second half with “Blue Light Red Light”, a medium tempo number which featured director Johnny Summers on vocals. While the second number was being introduced, a cell phone rang in the audience. “Go ahead and get it,” quipped Summers. “Buy low, sell high,” he added, which garnered a few laughs. Summers really shone in “Jill”. This number featured the rhythm section, as well as Shane Statz.

The programme wrapped up with a New Orleans funk number, “Mind on the Matter”. Special guest Spencer Cheyne joined Greg Baker on drums. Dave Reid's solo included a musical quote of “In the Hall of the Mountain King”. Pianist Egor Ukolloff delivered his funky solo with impressive technical fluency. Johnny Summers sang and later performed a solo on trumpet. Baker and Cheyne traded two's with the rest of the band. Bakers also added his vocals during the head. Other performed included “Last Payday”, “Spot” and “It Had to Be You”, which Connick Jr. sang on the When Harry Met Sally soundtrack.

There was a pregnant pause after the final round of applause at the end of the programme. It was if the audience was waiting for Summers to say something else, or for drummer Greg Baker to yell “Encore!” as he did at the ENTERTAINMENT! Concert.

“Now what?” asked Summers. Turning back to the band, he added that although the programme was done, no one was moving. Only then did members of the audience ask for an encore. “This is the freakiest encore ever,” Summers added. The CJO obliged by performing “Come By Me”. The audience rose to its feet in a standing ovation for several minutes afterward.

Calgary Jazz Orchestra Unveils Its 2011/2012 Concert Season

The CJO divulged its 2011/2012 concert season. Upcoming concerts will feature the music of Chet Baker, Billie Holliday and Frank Sinatra. It will also showcase music from Cuba.

Subscribers can buy season tickets on the Calgary Jazz Orchestra website for $85 prior to August 1, 2011. Subscriptions will go up to $90 after August 1. Single tickets will be available for $25 each.

About the Calgary Jazz Orchestra

The CJO was founded by director Johnny Summers in 2004. This concert featured Gerry Hebert, Rich Harding, Dr. Jeremy Brown, Shane Statz and Sarah Matheson on the saxophone. Hebert, Harding and Brown also played the clarinet on selected numbers. The trumpet section is comprised of Johnny Summers, Kim Beachum, Gordon Wilhelm and Al Muirhead. Brian Walley, Jim Scott, Mike Thomson and Dave Reid make up the trombone section, while Egor Ukolloff (piano), Kodi Hutchinson (bass) and Greg Baker (drums) form the rhythm section.

The Calgary Jazz Orchestra ended its 2010/2011 concert season by performing to a full-capacity audience on Sunday, April 10, 2011 at River Park Church. The concert featured big band jazz arrangements of music by the “Cotton Club King”, Duke Ellington, as well as New Orleans crooner Harry Connick Jr. The CJO's 2010/11 season has been an entertaining ride, with varied programming, well-played jazz and plenty of laughs.

Originally published on Suite101.com on April 13, 2011. Updated August 7, 2013.

Review of Johnny Summers – Piano Sessions Vol. 1 CD Release Concert

Calgary multi-instrumentalist Johnny Summers and friends delivered an intimate and passionate performance on Saturday, March 16, 2013 at the University of Calgary's Rozsa Centre. The event was a CD Release Party to introduce Summers’ third jazz album, Piano Sessions Vol. 1.

The Calgary event also featured Chris Andrew on piano, Al Muirhead on trumpet, Jason Valleau on bass and vocals, Sheldon Valleau on ukulele and vocals and finally, Shane Statz on tenor sax. Johnny Summers performed on vocals, trumpet and flugelhorn.

Swing, Ballads and Blues Featured in Johnny Summers' Piano Sessions Vol. 1

The concert opened with "She Thinks that I Still Care". Unlike with George Jones' original country stylings, this interpretation was injected with a "hot summer's day in New Orleans" feel.

The dramatic pauses at the ends of key phrases set a playful tone to the number. The trumpet and piano solos were longer than they were on the album, giving Johnny Summers and Chris Andrew an opportunity to really expand on their ideas.

Between numbers, Johnny explained some of his inspirations for recording this jazz album.  Listening to great crooners such as Harry Connick Jr. and Tony Bennett, as well as instrumentalists Bill Evans, Chet Baker and Paul Blaine instilled the idea of an album featuring piano and voice. "That's beautiful to me," he said.

"You're extremely exposed," he divulged. Johnny added, "You have to have a good sense of time."

During the recording sessions, four additional songs were recorded, which didn't make it onto the album: "I'll Be Home for Christmas" and "Winter Wonderland", "Look for the Silver Lining" and "Mood Indigo." The classic Christmas songs were bundled together in Winter Wonderland.  The other two made it onto Saturday's programme.

Jerome Kern & B.G. DeSylva's "Look for the Silver Lining" was made famous by Chet Baker. This medium swing song had a light, breezy feel to it.

Chris' solo was peppered with syncopated rhythms and impressive runs. In contrast, Johnny's solo on his brand new Yamaha flugelhorn was tender and warm, gradually blossoming into each a high point. Partway through, the groove became more animated and the two traded 4's.

The ballad "Maybe This Time" has been recorded by many artists, including crooner Tony Bennett. Johnny shared some of his memories of hearing Bennett sing live in concert. "He walks on stage...and you feel the electricity...When he sings, he fills you."

Johnny's interpretation was soulful and wistful, with an unhurried tempo throughout. That made the climax more impassioned. The piano shakes were performed in a dreamy fashion.

Jason and Sheldon Valleau of the band, The Polyjesters, lent their talents to "My Baby Just Cares for Me". This jazz standard by Walter Donaldson and Gus Kahn has been considered the signature piece of Nina Simone.

This medium swing number featured a soft, easygoing piano solo by Chris. The crescendo towards a soft, fermata in Johnny's trumpet solo was a short reprieve before the melody shot up to the instrument's upper register. The lyrics were delivered with a cheeky and humourous flair. The impromptu "doo-doo-doo" at the end of the tag was by Sheldon was a nice touch.

Variety, Extended Solos and Delightful Surprises at Johnny Summers CD Release Concert

One of the highlights in the second set was Nat King Cole's "I'm an Errand Boy for Rhythm". After a slow introduction on voice and piano, the mood shifted to a lively upswing. The interlude featured a rhythmic piano solo, followed by Al's elegantly shaped phrases. In contrast, Johnny's trumpet solo weaved and raced to the top with rapid runs. The trumpet dialogue between Al and Johnny was playful. At times, it sounded just like scatting. Other times, it sounded like a car race.

This interpretation of Duke Ellington's "Mood Indigo" had shades of Nina Simone. It featured solos by Shane Statz on tenor sax, Johnny on trumpet and Chris on piano.

The final song of the evening was a rousing performance of Johnny Cash's "Folsom Prison Blues". One of the most delightful things about music is that you never hear the same performance twice. This was especially true in this case.

The piano intro was extended for the live performance, gathering momentum just as a train does when it pulls out. The sax solo was grittier, exploring the lower range of the instrument. In contrast, Al's solo was lighter and higher, much like birds chirping. Chris' solo featured a  healthy dose of "crunchy" chords and driving rhythms, while Johnny's trumpet solo spun and shot up - higher - and higher.

Jason performed a percussion solo on his bass before Johnny and Jason scatted. Jason's surprise trumpet-like squeal led to various instruments being imitated.

The entire audience rose quickly to give everyone a standing ovation. The ensemble performed one encore, "St. James Infirmary."

Six more songs were performed at the Piano Sessions Vol. 1 CD Release. Four more other songs were performed in the first set: "Dream a Little Dream of Me", "You Don't Know Me", "Going Home" and "Exactly Like You". The second half also featured "I Wonder, I Wonder" and "Simple Song".

Piano Sessions Vol. 1 Concert Review

From the opening line, the balance between the voice and piano and later, the remaining instruments, was nothing short of perfect. The ensemble made full use of the acoustics that the Rozsa Centre offers, delivering a crisp and clear sound. They definitively demonstrated that the album's Global Music Awards for Best Listener Impact and Best Male Vocalist are well deserved.

Technical proficiency, when coupled with artistry, is a winning combination. What more could a performer or listener ask for? Well, perhaps for the lead vocalist to not have strep throat, perhaps.

The live performance offered listeners different type of performance. Feeding off the energy from the audience and the ensemble can push a musician to new heights of artistry. This manifested on Saturday into spontaneous moments of brilliance that lead to new directions for improvisation. Yes, live was slightly different from the album, but just as beautiful in its own right.

About Johnny Summers

Johnny Summers is a Calgary-based multi-instrumentalist who performs jazz, soul, gospel, blues and almost everything in between. He's a singer and songwriter, as well as a trumpet and flugelhorn player. As the director of the Calgary Jazz Orchestra, he serves as composer, arranger and band leader.

Piano Sessions Vol. 1 is currently available on CD Baby and iTunes on March 16, 2013. Click here to read my album review.

Calgary Jazz Orchestra Plays Mingus and Peterson Concert Review

The Calgary Jazz Orchestra opened its 2010-11 season on Sunday, September 26, 2010 at 7:00 p.m. at Calgary's River Park Church. The concert featured big band jazz arrangements of music by Oscar Peterson and Charles Mingus.

An impromptu survey conducted by CJO director Johnny Summers at the beginning of the programme revealed that few people in the audience had heard of Charles Mingus. The group hoped that pairing Mingus with Peterson would attract more interest in Mingus' music.

Calgary Jazz Orchestra Performed The Music of Charles Mingus

The first half of the programme featured the jazz music of Charles Mingus. He was an American bassist, pianist, bandleader and composer who lived from 1922 – 1979. The set list reflected the stark contrasts and moodiness indicative of Mingus' musical style.

The band opened with "Boogie Stop Shuffle", from the Mingus Ah Um album released in 1959. It's a lively boogie that featured breathtaking solos. Each soloist seemed determined to outperform each other by playing faster, higher and funkier. Drummer Greg Baker drew out cries of astonishment and awe with his lightning fast solo.

Members of the jazz band exhibited a fight for virtuosic supremacy in "Haitian Fight Song" from the 1957 album The Clown. It began simply enough but quickly revealed an edgy, punchy groove as members clashed repeatedly for the duration of the number.

During "Moanin'", Sarah Matheson proved on her baritone sax that she can hold her own amidst this male-dominated jazz band. Her solos were fiery and gritty, which matched the angst of this piece from Mingus' 1959 album Blues & Roots.

Two slower pieces rounded out the first half of the concert programme. "My Jelly Roll Soul", an homage to Jelly Roll Morton and "Goodbye Pork Pie Hat", which is a tribute to Lester Young.

Calgary Jazz Orchestra Performed The Music of Oscar Peterson

The second set was dedicated to Canadian jazz legend Oscar Peterson (1925-2007). He is considered one of the greatest jazz pianists in the 20th and 21st centuries. The programme featured a premiere performance of Johnny Summers and Greg Baker's arrangement of Peterson's Canadiana Suite.

The eight pieces in Canadiana Suite represent various cities and regions throughout Canada, spanning east to west. In "Peterson, Oscar" in The Canadian Encyclopedia by Betty Nygaard King, Canadiana is Peterson's best-known work. The Canadiana Suite album was recorded in 1964.

Bob Erlendson opened "Ballad to the East" with a sensitive and lyrical jazz piano solo. Johnny Summers on trumpet, Rubim de Toledo on bass and Greg Baker on drums also performed solos.

"Place St. Henri" is a catchy number that captures the hustle and bustle of Montreal, where Peterson grew up. Dr. Jeremy Brown (saxophone) and Johnny Summers (trumpet) delivered rapid-fire solos that spanned the entire range of their respective instruments. Once again, Greg Baker matched their virtuosic velocity on drums.

"March Past", an upbeat number brought Canadiana to an end. This featured lightning fast solos on piano, bass, sax and trumpet. Other numbers in Canadiana Suite that were performed were "Laurentide Waltz", "Hogtown Blues", "Wheatland" and "Land of the Misty Giants".

At the end of the programme, Greg Baker called out the encore. "Can the drummer do that?" asked Johnny Summers. The audience shuffled back to hear a relaxing rendition of "Easy Does It" from the Oscar Peterson Trio's album Night Train.

The audience responded with cheers, applause and gasps of amazement throughout the concert. At the conclusion of the evening, the audience rose quickly to give the CJO a standing ovation.

About the Calgary Jazz Orchestra

The Calgary Jazz Orchestra is a sixteen-member jazz band that was founded in 2004. Gerry Hebert, Rich Harding, Dr. Jeremy Brown, Shane Statz and Sarah Matheson make up the saxophone section. Johnny Summers, Kim Beachum, Gordon Wilhelm and Al Muirhead play trumpet. Jim Scott, Carsten Rubeling, Mike Thomas and Dave Reid form the trombone section. The rhythm section is comprised of Bob Erlendson on piano, Rubim de Toledo on bass and Greg Baker on drums.

The band arrangements for this programme were by Johnny Summers and Greg Baker. The CJO is directed by Johnny Summers.

The Calgary Jazz Orchestra got the 2010-11 season off to a rousing start with The Music of Charles Mingus and Oscar Peterson on Sunday, September 26, 2010. The performance was filled with rapid-fire solos and "crunchy" harmonies.

This concert review was originally published on Suite101.com . All rights are reserved by Rhona-Mae Arca.

Concert Review of CJO's Romance Concert

The Calgary Jazz Orchestra performed a selection of popular love songs on Sunday, February 10, 2013 at River Park Church. Calgary, Alberta. The programme featured t

he music of Nat King Cole, Tony Bennett, Michael Buble, Diana

Krall and more.

Special guests included Johanna Sillanpaa and members of the Calgary Philharmonic Orchestra.

The E.P. Scarlett Jazz Ensemble, under the direction of Jonathan Bell, kicked things off with a Duke Ellington classic, "Moon over Cuba." This lively number featured the clarinet, piano and trombone. This was followed by "Jitterbug Waltz" by Fats Waller, which featured the vibraphone, piano and drums.

Members of the Calgary Philharmonic Join the CJO for an Evening of Romance

"The music is all over the map," said Calgary Jazz Orchestra Director Johnny Summers at the start of the first set. This was the first CJO concert that included a string octet, comprised of members from the Calgary Philharmonic Orchestra.

The first song performed was the love theme from Superman, "Can You Read My Mind", composed by John Williams. A cymbal roll swelled dramatically until the rest of the ensemble came in. The strings played the head, while the piano, flutes and clarinets added flourishes here and there. Al Muirhead's trumpet solo was melodic and motivic.

Another highlight was "Let's Stay Together" by Al Green. Drummer Greg Baker sung this classic R & B hit. Dr. Jeremy Brown's saxophone solo looped and climbed, leading us higher and higher still, until Johnny Summers' trumpet solo came in, played in the high register. This gave way to Rich Harding's sax solo, which weaved around, leading us back to the final verse. This number garnered several whoops and cheers from the audience.

Before performing the final number in the first set, the CJO did a quick plug for the May concert, which will feature pop hits and favourites arranged by members of the Calgary Jazz Orchestra. Johnny Summers encouraged patrons to email, Facebook or Tweet the CJO with song requests.

Vocalist Johanna Sillanpaa joined Johnny Summers to sing "Exactly Like You" to close the set. This light-hearted number is one of the tracks on Johnny Summer's new CD, Piano Sessions Volume 1. The strings augmented the playful lines the duo weaved. This number featured impressive solos by Johnny Summers on trumpet and Egor Ukoloff on piano.

Two more songs were performed in the first set, including Paul McCartney's "My Valentine". Johanna Sillanpaa was featured in Gus Kahn's "Dream a Little Dream of Me".

The CJO Performs Classic Love Songs and Logs in Some FaceTime to Maui

Johnny Summers shared with the audience what a learning experience it was to write for strings at the concert's second half. He reminisced with CPO Concertmaster  Donovan Seidle about their student days at the University of Calgary.

Then, he tried to introduce the first number. However, various members of the CJO heckled him, describing it as "Great...slow...awful." On the other hand, Johnny described Jimmy McHugh's "It Had to Be You" as "one of the most romantic songs of all time."

The strings opened with a mysterious tremolos before the clarinets joined them. This number features solos by Kodi Hutchinson on bass and Shane Statz on sax. Despite Johnny's complaints over his cold, I'd have to say that it really injected more "oomph" to his lower vocal range.

One memorable moment from the second half was "You are So Beautiful", which featured Brian Walley on trombone. Several bars in, Johnny Summers stopped the performance to inquire where Brian's sweetheart was. When Brian replied, "In Maui," Johnny reached for an iPad and said, "Let's FaceTime her!"

Yours truly held the iPad in the front row so that Brian's fiancée could be serenaded. Special thanks to the gentleman who sat beside me who assisted me in positioning the iPad to give Karen a good view of Brian and the stage.

The CJO's Chet Baker cover of "My Funny Valentine" was dedicated to a couple in the audience who recently got engaged. This year's arrangement opened with a solo piano introduction. The rest of the ensemble came in layers. This lovely arrangement featured Johnny on vocals and trumpet as well as Egor Ukoloff on piano:

The second half of CJO's concert featured three more romantic songs, including Victor Young's "Beautiful Love" and Michael Buble's "Everything" (an audience member's request). Johanna Sillanpaa returned to the stage to sing Whiting & Moret's "He's Funny that Way".

About the Calgary Jazz Orchestra

The Calgary Jazz Orchestra is a 17 piece big band founded by Johnny Summers in 2004. This performance included Rich Harding, Keith O'Rourke, Dr. Jeremy Brown, Shane Statz and Sarah Matheson on saxophone. Johnny Summers, Jay Michalak, Gord Wilhelm and Al Muirhead comprise the trumpet section. Brian Walley, Dean Yeats, Tim Embree and Dave Reid from the trombone section.

The string section was comprised of Donovan Seidle, Diane Lane, Jeremy Gabbery and Melanie Leonard on violin; Carl Boychuk and Megan Singer on viola; while Andrea Case and David Morrisey filled out the octet on cello. Arrangements for "Romance" were written by Greg Baker and Johnny Summers.

The Calgary Jazz Orchestra and guests presented a delightful jazz concert on Sunday, February 10, 2013 at the River Park Church in Calgary, Alberta. The supportive audience began applauding even before the final song drew to a close and quickly stood up to give a standing ovation as soon as the last note was played. The addition of a string section welcome addition for audience members and CJO members, adding a refreshing spin on these classic love songs. All in all, a successful Calgary event.

Concert Review: Calgary Jazz Orchestra Plays Brubeck and the Adderley Brothers

Lively music and exciting solos were on the programme at the Calgary Jazz Orchestra's first concert for the 2012/13 season. This concert took place on Sunday, October 21, 2012  at the River Park Church in Calgary, Alberta. The William Aberhart Jazz Ensemble, directed by Kevin Willms took to the stage first, performing three numbers. The first was "Hay Burner" by composer and big band arranger, Sammy Nestico, a mid-tempo number.

This was followed up with Duke Ellington's "Pyramid", which is a medium, Latin-influenced number. This featured some lovely solos on trombone, clarinet, tenor sax, trumpet and bari sax.

The jazz band wrapped up with "Groovin' Hard" by Don Menza. This upbeat swing number featured solos on drums, tenor sax, piano and guitar.

The Calgary Jazz Orchestra Performs the Music of the Adderley Brothers

The first half of the CJO's program featured some hard bop by trumpeter and composer Nat Adderley and his brother, alto saxophonist Julian "Cannonball" Adderley.

The jazz ensemble opened the first set with "Hayseed". This lively number featured solos by Gerry Hebert on saxophone, Kim Beachum on trumpet, Egor Ukoloff on piano and Brian Walley on trombone. A highlight was when Jeremy Brown (saxophone) and Greg Baker (drums) were trading fours.

Another highlight wasn't listed on the programme. The late addition was "Tenderly", arranged by pianist Egor Ukoloff. It was performed by Egor Ukoloff, Jeremy Brown, Johnny Summers, Kodi Hutchinson and Greg Baker.

Egor Ukoloff opened with a Gershwin-esque introduction, complete with rolls and waves of blues chords and arpeggiated patterns. A sensitive presentation of the "head" was delivered by Johnny Summers on trumpet and Jeremy Brown. Jeremy's lines were quite varied, one moment, lyrical and wavy and the next, marcato as the melody grew.

In contrast, Johnny's lines were softer with tender motifs that mimicked the murmurings between lovers. This gradually ave way to a more rhythmic part as the rhythm section led the transition to the piano solo.

Egor's featured rhythmic motives and sequences. Truly, the architecture of their solos was simply sublime.

Five other songs were included in the first set. They were: “Work Song”, “Unit Seven”, “Sermonette”, “Jackleg” and “ Spectacular”.

The CJO Performs West Coast Jazz by Paul Desmond & Dave Brubeck

I must come clean, I am a huge Brubeck fan. I guess that makes me a West Coast jazz fan as well. The second half is what I had eagerly anticipated for months! Well, ever since the Calgary Jazz Orchestra announced its 2012/13 season.

The CJO performed the music of the Adderley brothers and Dave Brubeck. Photo by R-M Arca.

Director Johnny Summers shared the story behind his arrangement of “Take Five”. He asked a visiting musician for ideas on how to approach arranging this iconic tune. He was told “Don't bother.”

The result was an exciting arrangement. The punchy 5/4 rhythms prevail but the shaping was exquisite. Gerry Hebert's solo meandered, gradually leading the audience up to Shane Statz's solo on sax. It featured longer rhythms.

The middle section had a distinct “Get Smart” vibe. It also featured Rich Harding on alto sax. His solo started slowly and gradually built up the audience with trickier rhythms.

In contrast, Johnny Summers' solo built up in waves, punctuated by “splats”. Greg Baker's solo also built up in waves with punchy rhythms.

The final number on the programme was “Blue Rondo à la Turk”. Egor Ukoloff opened, followed by Greg Baker and Kodi Hutchinson. Next came the saxes, followed by the trumpets and trombones. The transitions between the swing theme and the Turkish theme was executed marvelously, gradually gaining momentum and energy.

Gerry Hebert marked the first transition to swing, followed by Rich Harding on sax in a lower register. Then, the pair traded fours, then twos, building up the excitement with faster rhythms.

Johnny Summers' solo during the “Turkish” part was slow and steady, at first, then got louder, higher and faster. This was punctuated by blasts of rapid descents to the lower register.

Egor Ukoloff's solo was blues-infused, featuring a soulful melodic line and crunchy chords. The music gained speed and continued to push towards a very energetic ending.

Other songs featured in the second set include “Charles Matthew Hallelujah”, “In Your Own Sweet Way” and “Unsquare Dance”. The CJO performed Cannonball Adderley's “Mercy, Mercy, Mercy” as an encore.

Upcoming Events with the CJO

The CJO's next performance is the annual Al Capone Charade. This cabaret features an evening of big band swing and dancing.The Calgary Jazz Orchestra is launching a new series called “CJO Small Group Series”. The opening performance, “From the Plantation to the Penitentiary” is on Thursday, November 22, 2012, and will feature the music of Wynton Marsalis.

To find out more about CJO and the jazz ensemble's upcoming events, visit the Calgary Jazz Orchestra website.

The Music of David Brubeck & the Adderley Brothers was presented by the Calgary Jazz Orchestra on Sunday, October 21, 2012 at Riverpark Church. It featured big band arrangements by Greg Baker, Shane Statz, Johnny Summers and Egor Ukoloff. This enjoyable programme showcased several pieces that had heads bopping to the music throughout the evening.