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THWOMP Album Review: Hey! Listen!
THWOMP's sophomore album, which features beloved Nintendo® video game themes, including The Legend of Zelda series, Double Dragon II and FFVII is reviewed.
THWOMP's sophomore album, which features beloved Nintendo® video game themes, including The Legend of Zelda series, Double Dragon II and FFVII is reviewed.
Nintendo® cover band THWOMP released its sophomore album on April 27, 2012. Entitled Hey! Listen!, the album boasts 15 tracks, a musical treat for gamers of all ages.
THWOMP is a five-piece progressive "prog" rock band based in Calgary, Alberta. It is comprised of Brad Stanton (bass), Colin Mitchell (lead guitar), Dan Bronson (guitar), Scott Moffat (drums) and David Marshall (keyboards).
Founded in 2001 by Brad Stanton and former band member Scott Munro, THWOMP performs regularly at conventions across Western Canada. Last month, the band performed at the Calgary Comic Expo, where Hey! Listen! was unveiled.
THWOMP released its debut album, Knight League EP in 2010. The eight-track Nintendo® CD featured the band's arrangements from the classic Super Nintendo® racing game F-Zero.
Hey! Listen! is the group's first full-length album. Transcription was done by Brad Stanton, Kirk McVean and David Marshall. All members of THWOMP were involved with writing the band arrangements on the album.
Hey! Listen Highlights
The “Dungeon Theme” from The Legend of Zelda sets the tone for a nostalgic journey back in time. The opening is truly a gem, best appreciated live. "The beginning of the 'Zelda - Dungeon Theme' is actually two guitars, one playing 8th notes, the other playing off-beat 16ths," explained David Marshall in recent correspondence. "The neatest part about it is that it sounds like one guitar. It's an especially cool effect live, coming off the stage in stereo."
They are soon joined by the drums. Layer upon layer is added until the main dungeon theme appears played on the keyboards. As the theme loops, it builds in intensity, gradually leading the listener down musical depths before coming to slow mournful conclusion on solo guitar.
THWOMP's version of the “J-E-N-O-V-A” theme is edgier than it is in Final Fantasy VII. The keyboards, playing it as it appears in the game, but the guitars are quickly given the theme. They circle around and clash as if in battle, playing against the backdrop of a relentless rock groove on percussion.
“Fever” from Dr. Mario is a catchy and “feel good” track. The opening theme is first played by the keyboards (set for full nostalgic effect). The drums lay a catchy groove that is bound to set toes tapping and heads bopping long before the guitars take over the melody. THWOMP really shows how effective rests can be. Although they are in the original theme, the silences in THWOMP's arrangement are especially crisp. Indeed, they are long enough to elicit chuckles or squeals of excitement or delight from listeners.
The band vamps a bit, building the excitement before launching full-on into the “Korobeiniki” theme from Tetris. The guitars play the opening theme, while the keyboards provide an effective contrast with the the second theme. There's enough time in the interlude for listeners to mimic falling Tetris pieces before the main themes return in full force.
A little bit of disco shuffle merged with solid 80's rock grooves come together for the “Double Dragon II Theme”. The guitars belt out the main themes while the keyboards provide the requisite video game sound FX. One could easily imagine character Billy Lee taking down a street full of baddies to this rendition.
Listeners can truly rock out with the Star Fox “Attack Carrier” theme. The guitars weave around like Fox McCloud's Arwing, soaring against the driving beat laid down by the drums. The keyboards have some cool licks too.
Hey! Listen! Track Listing
The Legend of Zelda – Dungeon
A Link to the Past - Dark World
The Adventure of Link - Minor Battle
The Adventure of Link - Palace
Final Fantasy VII – J-E-N-O-V-A
Final Fantasy VII - Under the Rotting Pizza
Final Fantasy VII - Still More Fighting
Dr. Mario – Fever
Tetris – Korobeiniki
Double Dragon II - Theme
Double Dragon II - At the Heliport
Star Fox - Corneria
Star Fox - Attack Carrier
Star Fox - Course Clear
Star Fox - Space Armada
Label: Bandcamp
Release Date: April 27, 2012
Price: $4.99 CAD
Hey! Listen! Verdict
At 15 tracks, it may seem at first glance that Hey! Listen! is far too long, but that is not the case. Video game themes, by the nature of the scenes, are fairly short. The album contains 36 minutes worth of musical adventure.
THWOMP delivers these classic video game themes ably and serves them up with a bit of spice. At times sexy, sometimes humorous, but always cool and fun, Hey! Listen! provides retro-gamers with a solid collection of themes to indulge in a bit of nostalgia. This video game CD also introduces a younger generation of gamers and music fans to a fun era of video game music.
Hey! Listen! Is available through Bandcamp. Video game music download formats include MP3 320, FLAC, as well as other audio types. Stay tuned for their Suite101.com interview, which will be republished here.
CD Review: Tricia Edward's Joy Spring
Calgary-based jazz pianist Tricia Edwards takes a handful of jazz standards and transforms them into a relaxing and playful set in her debut CD.
Calgary-based jazz pianist Tricia Edwards takes a handful of jazz standards and transforms them into a relaxing and playful set in her debut CD.
Tricia Edwards' musical journey has taken her down many paths, most recently, in local jazz bars and the recording studio. From classical piano to classic jazz, from soloist to collaborative artist and from student to teacher/performer. With Joy Spring, Edwards takes her audience on a cheerful yet relaxing, playful yet romantic ride.
The Journey From Classical to Jazz
Edwards' musical studies began in classical music. She earned her Masters' and Bachelors' degrees in classical piano performance at the University of Alberta. After graduation, Edwards worked as a teacher and collaborative pianist in Alberta and the Middle East.
In 2003, Edwards began studying jazz piano, studying with Derek Stoll, a prominent jazz pianist in Western Canada. In 2009, she was awarded the Richard Harold Cowie Scholarship by the Calgary Musician's Association and C-Jazz.
Since then, Edwards has been busy. She has formed her own trio and quartet, the Whisper Not Jazz Ensemble, Calgary Jazzwinds, the Wednesday Night Big Band, Wednesday Night Little Big Band and a new unnamed smooth jazz quartet. She has performed at popular jazz clubs such as the BeatNiq Jazz and Social Club and Koi Cafe.
Joy Spring Disc Information
Track Listing
One Note Samba (N. Mendonca/A.C. Jobim)
Sugar (S. Turrentine)
Sidewinder (L. Morgan)
On the Street Where You Live (A.J. Lerner/ F. Lowe)
There Will Never Be Another You (M. Gordon/H. Warren)
My Funny Valentine (L. Hart/R. Rodgers)
Cherokee (R. Noble)
Bluesette (J.B. Thielmans)
All the Things You Are (O. Hammerstein/J. Kern)
Well You Needn't (T. Monk)
Joy Spring (C. Brown)
Alone Together (H. Dietze/A. Schartz)
Musicians: Tricia Edwards (piano), Keith Smith (guitar), John Hyde (bass)
Arranger: Tricia Edwards
Label: None
Produced by: NRS Productions
Cover Art by: Alison Edwards
Release Date: March 9, 2009
Joy Spring Highlights
Joy Spring is a smooth jazz CD comprised of jazz standards; a little Latin jazz, a little swing and a little waltz. The first track, "One Note Samba", opens with a cheerful piano solo before being joined by the guitar and bass. The guitar solo teases us with a line that steps away from the "one note" but leisurely returns to that "one note". The piano matches the playful and unhurried tone set by the guitar. Gradually the line ebbs and flows.
"Sidewinder" displays the funky and frolicsome interplay between all the instruments. Each member of the trio takes ideas presented by another member and takes it to another level. Nothing is rushed, everything is smooth and relaxed.
"My Funny Valentine" begins with a piano solo, playing a simple ostinato over the descending bass. The guitar enters with a very melancholic saxophone-like line. The head is played simply with sparse accompaniment. Gradually, the harmonies become thicker. The solos do reach virtuosic proportions yet remain lazy, smoky and sultry.
The jazz waltz "Bluesette" begins with a dreamy piano intro that is soon joined by the bass. The piano solo is syncopated, unhurried and sprightly. The bass solo could have been louder.
The title track, "Joy Spring" is a playful Latin groove. The head wanders up and down at a laid back pace.
In the piano solo, Edwards plays with the rhythm, throwing in a couple of runs. The guitar solo is highly syncopated and melodic.
Lighthearted Relaxation Music
The interplay between the piano and guitar and piano is well done. It is clear that the members of this jazz trio listen to each other, lend support and build on each other's ideas. The bass gives subtle but strong support. Joy Spring as a debut CD presents Tricia Edward's joy of music and playful nature; making it a fun listen, whether you are curled up with a good book and a glass of wine, driving across the countryside or enjoying a romantic dinner.
To find out more about Tricia Edwards or to listen to sample tracks, visit her website. To learn buy Joy Spring, click on the icon below:
Originally published March 1, 2010. All rights reserved by Rhona-Mae Arca.
Johnny Summers - Piano Sessions Vol. 1 Album Review
Johnny Summers' third album, Piano Sessions Volume 1, showcases his versatility as a musician and presents a diverse mix of musical genres. From swing to ballad and from honky-tonk to blues, there is something for every music aficionado to enjoy.
Johnny Summers' third album, Piano Sessions Volume 1, showcases his versatility as a musician and presents a diverse mix of musical genres. From swing to ballad and from honky-tonk to blues, there is something for every music aficionado to enjoy.
The album also features Chris Andrew on the piano and several special guests, including a capella group The Polyjesters, Jason Valleau (bass/vocals), Sheldon Valleau (ukulele/vocals), Shane Statz (tenor sax), Johanna Silanpaa (vocals), Kodi Hutchinson (bass) and Al Muirhead (trumpet).
Johnny Summers is a Calgary-based vocalist and trumpeter. He is also the founder and music director of the Calgary Jazz Orchestra. Johnny runs Summertime Music.
Piano Sessions Volume 1 Highlights
The opening track, "I Wonder, I Wonder" is an easygoing swing number. A short introduction is played by Chris Andrew, Jason Valleau on bass and Sheldon Valleau on ukelele before the rest of the ensemble joins in. The Polyjesters' "oohs" add a touch of doo-wop to the mix. Chris' weaving lines and shakes on the piano dance playfully around Summers' smoky vocals. Summers' trumpet solo ebbs and flows as gently as the Pacific Ocean while watching a peaceful sunset at the beach.
Chris Andrews opens "Folsom Prison Blues" with a slightly dissonant chord and shakes before steadily gathering steam as the train (er song) pulls out. Johnny Summers and Shane Statz add some train whistles sounds on the trumpet and tenor sax respectively. They take a slower pace than Johnny Cash does. The slightly slower tempo enables the ensemble to deliver a more soulful interpretation and bend the notes more. The transition from the sax to the trumpet solo is seamlessly done.
"Simple Song" is simply stunning. From the tender opening laid down by Chris Andrews, this ballad unfolds one layer at a time. The heartfelt lyrics start gently and gradually grow in passion. For claiming to not be as fancy as Shakespeare or Van Gogh, it's downright eloquent. Gentlemen, this is the perfect song to play for the special woman in your life on Valentine' Day:
Vocalist Johanna Sillanpaa joins Johnny in singing a playful arrangement "Exactly Like You". Their vocals blend together beautifully in this delightful jazz standard. Kodi Hutchinson and Chris Andrew provide catchy, rhythmic comping throughout.
The final track "Going Home", is based on the second movement theme from Antonin Dvořák's New World Symphony. Johnny Summers' phrasing on the trumpet is smooth and soulful. Chris' solo nails the melancholy tone of this beautiful theme.
Piano Sessions Volume 1 Track Listing
I Wonder, I Wonder - Cecil Gant (3:41)
She Thinks I Still Care - George Jones (5:51)
Maybe This Time - John Kander, Fred Ebb (5:36)
Dream a Little Dream of Me - Fabian Andre, Wilbur Schwandt, Gus Kahn (3:22)
Folsom Prison Blues - Johnny Cash (3:53)
My Baby Just Cares for Me - Walker Donaldson, Gus Kahn (3:16)
Simple Song - Johnny Summers (4:21)
Exactly Like You - Jimmy McHugh, Dorothy Fields (2:41)
You Don't Know Me - Cindy Walker, Eddie Arnold (5:44)
I'm an Errand Boy for Rhythm - Nat King Cole (4:09)
Going Home - William Arms Fisher, Antonin Dvořák (4:30)
Genres: jazz, blues, gospel, funk, swing, ballad, honky-tonk Label: Summertime Music Cover Design by FLIPP.ca Photography by Michael Stellmach
Piano Sessions Volume 1 Review
The balance and sound quality on Piano Sessions Volume 1 album is just beautiful. Not one voice is out of balance. Superb. The variety of musical styles represented gives new listeners a taste of each style, without offering too much of any one genre. The musicians all work well together, that is, they sound good together and complement one another. That's the byproduct of everyone involved having worked together before.
If anything, this album makes me excited to hear more of Johnny Summers' original works. If they are like "Simple Song", I can't wait for the next release.
Johnny Summers Piano Sessions CD Release
The CD release for Piano Sessions Volume 1 is on Saturday, March 16, 2013 at 7:30 p.m. at the University of Calgary in the Eckhardt-Gramatte Hall, Rozsa Centre. Tickets go on sale February 15 at the U of C Campus Ticket Centre.
To purchase an advance copy of Piano Sessions Volume 1, come out to a Calgary Jazz Orchestra performance on Sunday, February 10, 2013 or Saturday, February 23, 2013. Alternatively, you may contact Johnny Summers at Summertime Music.
March 11, 2013 update:
Johnny Summers' upcoming release, Piano Sessions Volume 1 recently won two Global Music Awards for Best Male Vocalist and Best Listener Impact. The album is currently available on CD Baby and will be available on iTunes on March 16, 2013.
Pia no Jac Eat a Classic Album Review
→Pia-no-jaC← from Osaka, Japan, present a driving fusion of jazz, rock and J-pop on this This piano-cajón duo's sophomore album.
→Pia-no-jaC← was founded in 2005 by pianist Hayato Tatsunari and percussionist Tadahiro “Hiro” Moritomi. →Pia-no-jaC← is a combination of Hayato and Hiro's instruments: “piano” and “cajón”.
The duo performs over 150 concerts a year. They have toured in France, Thailand, Taiwan, Korea and Japan. Tickets for →Pia-no-jaC←'s “Back in the Japan Tour” in 2010 sold out within five minutes. The duo is currently on tour throughout Japan (“First Light Tour 2012”).
This jazz group's music is a fusion that incorporates J-pop, Jazz, Rock and Classical. Hayato and Hiro describe their music as “hybrid instrumental” and they seek to entertain audiences with their technical ability, showmanship and humour shine through.
→Pia-no-jaC← has worked with several heavy hitters in the Japanese entertainment industry, including commercial creator, Michihiko Yanai, composer/director Joe Hisaishi, ARASHI and SQUARE ENIX. The duo has released nine albums to date.
Eat a Classic Highlights
Eat a Classic injects a fresh twist to well-known classical pieces, including Peter Ilyich Tchaikovsky's Nutcracker Suite and Ludwig van Beethoven's "Ode to Joy".
“The Swan Lake” (Track 3) is a slow sultry jazz number. There is a wide dynamic range to this piece, soft and melancholy for the main theme and impassioned for the riffs. Some very bluesy riffs break out on piano between statements of the main theme. The percussion varies slightly in between the statements of the main theme. The balance between the two instruments is superb.
“Habanera” (Track 5) pays homage not only to Georges Bizet but Dave Brubeck. The syncopated driving rhythm steadily builds up to the main theme, which is filled with octaves and fifths, as well as twisting and turning triplets. The middle section is calmer, Coquettish. When the A section returns, it's more intense, with the percussion pushing the piece to a climax.
“Ode to Joy” (Track 6) starts dark and stormy in a minor key before the main theme is introduced. This number displays a wide range of dynamics, moods and rhythms. Like the rest of the CD, it is technically challenging and musically exciting.
Eat a Classic
is an upbeat album that shows that displays a fun side to classical music. The album is a classic (pun intended) example of Pia no Jac's “hybrid instrumental” style.
Eat a Classic Track Listing
1. Fugue in G minor (BWV 578) – J.S. Bach
2. Trepak from The Nutcracker - P.I. Tchaikovsky) and Can-Can from Orpheus in the Underworld - J. Offenbach
3. The Swan Lake, Op. 20 (Act 2) – P.I. Tchaikovsky
4. Prelude from Act 1 of Carmen – G. Bizet
5. Habanera from Carmen – G. Bizet
6. Symphony no. 9, Op. 125 (4th movement: "Ode to Joy") – L. van Beethoven
Label: BounDEE, 2009
Catalog Number: B001MT1JWQ
Check out Eat a Classic or some of Pia no Jac's music by clicking on the CD icon below:
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