Music Group Classes Musings

Although summer has just begun, my mind is already focusing on the upcoming teaching year. I've made a few changes to my studio, which are both exciting and scary. Some of the ideas are inspired by music teacher, author and savvy entrepreneur Kristin Yost.

1. Moving to a year-round curriculum: My colleagues in the US have taught year-round for many years and have found that it really works. I know I'm not the only Canadian music teacher to hear, "I didn't practice at all this summer," from a student. It takes them months before they get back to where they were the previous June. Truly, what a waste.Summer-flex lessons make it easier for families to work around their summer activities but still provide the students with that needed consistency at their instrument.

2. Teaming up with another studio to provide more: It pays to have another music teacher in the family. I shall be teaming up with my brother's studio, To the Wind, to offer our students a wider range in their music studies. He has sound engineering and multimedia design under his belt.

3. More group classes and more varied ones: Group classes have been extremely popular at my studio. Up to this year, they've had between three and four a year. However, starting next year, they will get six. These are just some of the ideas To the Wind Studio and Musespeak Studio have up their sleeves: Introduction to Conducting, Video Games Live - mini version, So You Want to Play and Sing at the Same Time, improvisation, piano combos, composing, Design and Produce Your Own Radio Show, essential grooves, etc.

4. Cafe Performance: Most of our students are studying piano for cultural enrichment and recreation. Many of them loath the traditional recital format. So, shy not make it more IRL (in real life) and head to a cafe? The students will prepare a set of music, script a little patter; and their family and friends cheer them on while enjoying a delicious latte and dessert. The cafe performance, combined with adding the Video Games Live and Radio show projects to the year-end recital promise to make for exciting performances.

5. More Optional Activities: Depending on how our students respond, we will be offering a variety of optional activities to our students, as well as opening these up to our colleagues' studios. Some examples: tour of the Cantos Keyboard Museum, tour of a piano refurbisher's workshop, How to Make a Multi-Track Project, Live Interactive or workshop with some of our colleagues from other places in the world, like David Story in Ontario, Bren Wrona Norris in California and Liam Walsh in the UK. My involvement with Eric Whitacre's Virtual Choir has opened the door to unlimited partnership possibilities with my Virtual Choir friends and colleagues.

Some of these ideas are merely an expansion of things I've already been doing at the studio. However, this is taking things to a much higher level. That's what makes it so exciting. However, to make it work, a lot of planning is needed right now. On the plus side, this planning can take place outside where we can enjoy the sun.

© 2012 by Musespeak™. All rights reserved.

Summer Music Project Ideas

Wow...May and June turned out to be extremely hectic. Our poor World Music Exploration came to a dead halt with the regular stream of recitals, exams and music festivals.

Let's see if I can start making up for it.  If you are looking for fun ways to keep your music playing skills up during the summer, check out some of these ideas that my students and I have come up with:

1. National Anthems: one of my beginner students is a history buff. He came up with the idea of learning various national anthems throughout the summer. I helped him out with the first three. I look forward to hearing what else he tackles during the summer break.

2. Video Games: Two students (siblings) are HUGE video game buffs. They both picked three video game themes to work on, which we started during the last two weeks of lessons. For the younger one, it's a huge step up in playing level. I am banking on the fact that these are some of his fave themes to motivate him to overcome some of his note-reading/coordination challenges.

look inside

Super Mario for Piano 34 Super Mario Themes Arranged for Easy Piano. Composed by Asuka Ohta, Hirokazu Tanaka, Kenta Nagata, Koji Kondo, Mahito Yokota, Shiho Fujii, and Soyo Oka. This edition: Easy Piano. NAMM Best in Show; Piano - Easy Piano Collection; Piano Supplemental. Video Game. Book. 76 pages. Alfred Music #00-38633. Published by Alfred Music (AP.38633).

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Super Mario for Piano 34 Super Mario Themes Arranged for Solo Piano. Composed by Asuka Ohta, Hirokazu Tanaka, Kenta Nagata, Koji Kondo, Mahito Yokota, Shiho Fujii, and Soyo Oka. This edition: Piano Solos (Intermediate / Advanced). NAMM Best in Show; Piano Collection; Piano Supplemental. Video Game. Book. 80 pages. Alfred Music #00-38600. Published by Alfred Music (AP.38600).

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New Super Mario Bros. Wii Simplified Piano Solos. Composed by Kenta Nagata, Koji Kondo, Ryo Nagamatsu, and Shiho Fujii. This edition: Easy Piano. NAMM Best in Show; Piano Collection; Piano Supplemental. Video Game. Book. 40 pages. Alfred Music #00-39429. Published by Alfred Music (AP.39429).

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The Legend of Zelda for Easy Piano Easy Piano Solos. Composed by Akito Nakatsuka, Asuka Ohta, Hajime Wakai, Kenta Nagata, Koji Kondo, Kozue Ishikawa, Manaka Tominaga, and Toru Minegishi. This edition: Easy Piano. NAMM Best in Show; Piano - Easy Piano Collection; Piano Supplemental. Video Game. Book. 76 pages. Alfred Music #00-38634. Published by Alfred Music (AP.38634).

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The Legend of Zelda Series for Piano Piano Solos. Composed by Akito Nakatsuka, Asuka Ohta, Hajime Wakai, Kenta Nagata, Koji Kondo, Kozue Ishikawa, Manaka Tominaga, and Toru Minegishi. This edition: Piano Solos (Intermediate / Advanced). NAMM Best in Show; Piano Collection; Piano Supplemental. Video Game. Book. 84 pages. Alfred Music #00-38601. Published by Alfred Music (AP.38601).

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The Legend of Zelda Symphony of the Goddesses Piano Solos. Composed by Asuka Ohta, Hajime Wakai, Kenta Nagata, Koji Kondo, and Toru Minegishi. This edition: Piano Solos. Piano Collection; Piano Supplemental. Video Game. Book. 80 pages. Alfred Music #00-44550. Published by Alfred Music (AP.44550).

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Chord Play 1 The Art of Arranging at the Piano. Composed by Forrest Kinney. This edition: 1st edition. Chord Play. Book. The Frederick Harris Music Company #CP01. Published by The Frederick Harris Music Company (FH.CP01).

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Chord Play 2 The Art of Arranging at the Piano. Composed by Forrest Kinney. This edition: 1st edition. Chord Play. Book. 64 pages. The Frederick Harris Music Company #CP02. Published by The Frederick Harris Music Company (FH.CP02).

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Chord Play 3 The Art of Arranging at the Piano. Composed by Forrest Kinney. This edition: 1st edition. Chord Play. Book. 64 pages. The Frederick Harris Music Company #CP03. Published by The Frederick Harris Music Company (FH.CP03).

look inside

Chord Play 4 The Art of Arranging at the Piano. Composed by Forrest Kinney. This edition: 1st edition. Chord Play. Book. 64 pages. The Frederick Harris Music Company #CP04. Published by The Frederick Harris Music Company (FH.CP04).

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Chord Play 5 The Art of Arranging at the Piano. Composed by Forrest Kinney. This edition: 1st edition. Chord Play. Book. 64 pages. The Frederick Harris Music Company #CP05. Published by The Frederick Harris Music Company (FH.CP05).

These are just a few ideas. If you have any suggestions, please add them to the comments below.

Concert Review: Calgary Jazz Orchestra's "Blues & Our Songs”

Variety, impressive licks and smart big band arrangements were on tap at the Calgary Jazz Orchestra's final concert for the 2011/12 season. This concert took place on Sunday, May 6, 2012  at the River Park Church in Calgary, Alberta.

Sir Winston Churchill High School's jazz band opened with  “Alice in Wonderland” (Bob Hilliard), an upbeat jazz waltz which featured solos on piano, electric guitar, saxophone and bari sax.

This was followed by “Pick Yourself Up” from the musical Swing Time (Jerome Kern). Director Judy L. Wishloff got the entire audience singing the refrain. This featured solos on bass, vocals, saxophone and trumpet.

Humour, Charm and Smart Arrangements Showcased in Calgary Jazz Orchestra's Own Works

The first half of the programme showcased works by Calgary Jazz Orchestra's own, a “ smorgasbord collection,” quipped CJO Director Johnny Summers. The opening number, “For PJ” (K. Hutchinson & G. Bane) was written for a colleague and friend who passed away. This upbeat work contained echoes from classic TV shows in the 1960s (e.g. Spider Man, Get Smart).

“For PJ” featured a driving bass line supported by a shuffling drum beat. The solos displayed a wonderful contrast. There was a fast and rhythmic solo by Johnny Summers on trumpet, followed by a sparkling solo on sax by Gerry Hebert in the high register. Gareth Hughes presented a soaring solo that built up to high-energy wails and shakes, while Brian Walley gave listeners a dramatic contrast with his more subdued solo on trombone. Joanna Borromeo, delivered an explosive and highly syncopated solo on piano, while guest artist Russell Broom presented a softer, yet still rhythmic solo on guitar.

“Father's Time” was a last minute addition to the programme. Gerry Hebert wrote this when his first child was born. The shifting meter shows off his “feeling askew” combined with the excitement of fatherhood. This featured solos by Jim Brenan on saxophone, Johnny Summers on trumpet, Gerry Hebert on flute and Joanne Borromeo on piano. This catchy number is from

Gerry Hebert's jazz CD

,

BeatNiq Sessions Volume 2: Constructive Interference

.Drummer Greg Baker described “Riff Knot” as a “young Count Basie type” tune. This medium jazz-blues number featured driving repeated notes followed by catchy licks on piano. This was followed by the trombone section and then the saxes and trumpets together. Sarah Matheson's solo on bari sax created an adventurous weaving line, while Russell Broom's guitar kicked up the energy a notch. Al Muirhead's trumpet solo weaved a line that was as beautiful melodically as it was rhythmically punchy.  John Gray's energetic bass solo segued smoothly into Greg Baker's punchy solo. Shane Statz's solo brought together all the weaving and pushed the ensemble towards the climax.

Three more numbers rounded out the first half. They were “Sudafed Blues” and “Chance Charm” by Shane Statz and Greg Baker's “Just a Memory”.

CJO Performs Music Made Famous by Jimi Hendrix, B.B. King and John Mayer 

From the moment Russell Broom cut loose on his guitar for “Hey Joe”, the entire audience began to bop their heads or tap along to the beat. This arrangement by Greg Baker opened with said guitar solo, complemented by “splashes” from the trumpets, saxes and trombones. Greg Baker was on double duty for this jazz blues number, delivering gritty vocals without missing a beat on percussion. The groove switched to more of a rock flavour, with the ensemble vamping to a climax.

The soundscape leading to the climax of “Hey Joe” featured jaw-dropping guitar riffs and an equally exciting drum solo.  The rhythm section traded bars with each member of the trumpet section before the audience heard one last guitar solo.

“The Thrill is Gone” (R. Hawkins, R. Darnell) is a medium blues number made famous by B.B. King. This arrangement was done by Greg Baker. It opened with Russell Broom on guitar plus the rhythm section. Gradually, layers were added, building up until Greg Baker began to sing. Russell's guitar solo featured beautiful melodies, soulful slides and varied rhythms. This segued nicely into Shane Statz's solo on sax, which shifted the melody to the upper range. The vocals returned with the trombones before being joined by the entire ensemble. The guitar and rhythm section brought the number to a rousing close.

Calgary Jazz Orchestra's Johnny Summers (Photo by R-M Arca)

The CJO ended with a slow number that was high on soul, with a bit of blues, rock and gospel thrown in. This big band arrangement of John Mayer's “Gravity” was done by Johnny Summers. This showcased Johnny's vocal range wonderfully. It featured a dramatic solo by Russell Broom, a strong and an introspective solo by Joanna Borromeo on piano that gradually built up the excitement. The choir walking in from the back midway through the number was a delightful surprise to many.Two other numbers were performed in the second set. These were “Forty-Four Blues” (R. Sykes, H. Wolf, Arr. J. Summers) and “Pride & Joy” (S.R. Vaughan, Arr. J. Summers).

About the Calgary Jazz Orchestra

The Calgary Jazz Orchestra is a 17-piece big band founded by Johnny Summers in 2004. The CJO's “Blues & Our Songs” concert featured Gerry Hebert, Gareth Hughes, Jim Brenan, Shane Statz and Sarah Matheson on saxophones. The trumpet section was comprised by Johnny Summers, Kim Beachum, Al Muirhead and Dave Foley. Brian Walley, Tim Embree, Nathan Gingrich and Greg Robertson make up the trombone section.

The Calgary Jazz Orchestra was joined by guitarist Russell Broom. Based in Calgary, Broom has won awards from the WCMA, Junos and AMPIA and has perfrormed in many concerts in Calgary and jazz music festivals.

The rhythm section included Joanna Borromeo on piano, John Gray on bass and Greg Baker on drums. Pianist Joanna Borromeo made her debut with the Calgary Jazz Orchestra at this performance. Her strong playing incorporated a mix of R&B, jazz-blues and rock that meshed perfectly with the ensemble.

“Blues & Our Songs” concludes the Calgary Jazz Orchestra's 2011/12 season. You can buy concert tickets for the 2012/13 season on the Calgary Jazz Orchestra website.

(c) 2012 by Rhona-Mae Arca,

Musespeak(TM

). all rights reserved.

World Music Exploration - Traditional Malaysian Music

This month, my students and I are taking a musical trip to Malaysia. The music of Malaysia reflects a mix of cultural influences, from the Indonesian gamelan to Western music forms, and everything in between. This clip is a prime example of this:

Want to explore more music from Malaysia? Check out this CD:

It appears to be quite popular.

(c) 2012 by Musespeak(TM). All rights reserved.

World Music Exploration - Jai Ho

Around this time of year, things get really hectic. That final crunch before music festivals and exams means that my students and I are in performance mode for the rest of the year. Blogging, sadly, falls to the back burner.

But not forgotten! Here's last week's clip.

My students and I concluded our musical journey to India with some Bollywood fusion. Here's Jai Ho! (You Are My Destiny) from the Oscar-winning movie, Slumdog Millionaire:

When I asked my students what makes this a fusion, some of them (accurately) cited instrumentation and rhythm. 

(c) 2012 by Musespeak(TM) . All rights reserved.