Calgarian Johnny Summers Snags Best Film Score Nomination at AFTA

Calgary-based musician, Johnny Summers has been nominated for an award at the upcoming 2012 Annual Alberta Film & Television Awards.

Nominated for the Best Original Musical Score: Drama Award for the featured length film, Burlesque Assassins, slated to be released this spring. The award show, which will take place on May 12, celebrates excellence in Alberta film, television and new media.

“Burlesque Assassins was an exciting project to work on,” said Summers. “There were so many skilled people working on this film. It was an honour to have worked alongside them especially since it was my first score written for a full-length featured film. I can’t wait for movie to be released this spring.”

 Burlesque Assassins is a WWII drama by Canadian writer/director Jonathan Joffe. It is his first feature length film.

 Summers is a professional trumpeter, vocalist, composer and arranger. He performs with various ensembles such as the Johnny Summers Little Big Band and his quartet. He has been the director of the Calgary Jazz Orchestra and written half of music for the ensemble for the past eight years, and leads his own solo music career, performing across Canada. He is an active recording artist, who most recently recorded with children’s music icon, Raffi.

 Summers is also a professional race car driver.

World Music Exploration - Anoushka Shankar

After a whirlwind Easter Break, my students and I return to lessons this week (the final leg before June). This month, I am whisking them away - musically - to India.

The sitar weaves an exotic melody against the backdrop of the tabla. Our featured artist, Anoushka Shankar, is considered a leading figure in World Music today. Her early music training was in Indian classical music, under the tutelage of her father Ravi Shankar. Shankar is a composer as well, exploring crossover music, e.g. Indian music and flamenco or electronica. A Grammy nominee, she was the first Indian woman to perform at the Grammy Awards (2006). Anoushka Shankar is also the first female (and the youngest) to receive a House of Commons Shield from the British House of Parliament (1999).

Check out more of Anoushka Shankar's music here:

(c) 2012 by Musespeak(TM), Calgary, AB, Canada. All rights reserved.

Pia no Jac Eat a Classic Album Review

→Pia-no-jaC← was founded in 2005 by pianist Hayato Tatsunari and percussionist Tadahiro “Hiro” Moritomi. →Pia-no-jaC← is a combination of Hayato and Hiro's instruments: “piano” and “cajón”.

The duo performs over 150 concerts a year. They have toured in France, Thailand, Taiwan, Korea and Japan. Tickets for →Pia-no-jaC←'s “Back in the Japan Tour” in 2010 sold out within five minutes. The duo is currently on tour throughout Japan (“First Light Tour 2012”).

This jazz group's music is a fusion that incorporates J-pop, Jazz, Rock and Classical. Hayato and Hiro describe their music as “hybrid instrumental” and they seek to entertain audiences with their technical ability, showmanship and humour shine through.

→Pia-no-jaC← has worked with several heavy hitters in the Japanese entertainment industry, including commercial creator, Michihiko Yanai, composer/director Joe Hisaishi, ARASHI and SQUARE ENIX. The duo has released nine albums to date.

Eat a Classic Highlights

Eat a Classic injects a fresh twist to well-known classical pieces, including Peter Ilyich Tchaikovsky's Nutcracker Suite and Ludwig van Beethoven's "Ode to Joy".

“The Swan Lake” (Track 3) is a slow sultry jazz number. There is a wide dynamic range to this piece, soft and melancholy for the main theme and impassioned for the riffs. Some very bluesy riffs break out on piano between statements of the main theme. The percussion varies slightly in between the statements of the main theme. The balance between the two instruments is superb.

“Habanera” (Track 5) pays homage not only to Georges Bizet but Dave Brubeck. The syncopated driving rhythm steadily builds up to the main theme, which is filled with octaves and fifths, as well as twisting and turning triplets. The middle section is calmer, Coquettish. When the A section returns, it's more intense, with the percussion pushing the piece to a climax.

“Ode to Joy” (Track 6) starts dark and stormy in a minor key before the main theme is introduced. This number displays a wide range of dynamics, moods and rhythms. Like the rest of the CD, it is technically challenging and musically exciting.

Eat a Classic

is an upbeat album that shows that displays a fun side to classical music. The album is a classic (pun intended) example of Pia no Jac's “hybrid instrumental” style.

Eat a Classic Track Listing

1. Fugue in G minor (BWV 578) – J.S. Bach

2. Trepak from The Nutcracker - P.I. Tchaikovsky) and Can-Can from Orpheus in the Underworld - J. Offenbach

3. The Swan Lake, Op. 20 (Act 2) – P.I. Tchaikovsky

4. Prelude from Act 1 of Carmen – G. Bizet

5. Habanera from Carmen – G. Bizet

6. Symphony no. 9, Op. 125 (4th movement: "Ode to Joy") – L. van Beethoven

Label: BounDEE, 2009

Catalog Number: B001MT1JWQ

Check out Eat a Classic or some of Pia no Jac's music by clicking on the CD icon below:

Eat A Classic

Pia-no-jaC

(c) 2012 by Rhona-Mae Arca, Musespeak(TM). All rights reserved.

Online Music Resources Spotlight: MusicTechTeacher.com

This little gem has been around for several years. Long enough to amass a wide selection of music games, music quizzes and help pages. The Music Worksheets page gives students extra practice on basic rudiments and composition. There are also print mazes that feature a famous composer and/or performer.

The Links page provides links to post secondary music schools, music software and music educators. MusicTechTeacher.com is a very useful online resources for music students and music teachers alike!

(c) 2012 by Musespeak(TM), Calgary, AB, Canada. All rights reserved.

The Big Reveal of Virtual Choir 3.0's Water Night

Yesterday was truly a magical day. After going through a rough morning (Murphy's Law prevailed), I was looking forward to seeing the cheerful faces of my students and the "premiere" of Virtual Choir 3.0. Both were the balm that I needed.

My students had heard about me struggling with my submission for Virtual Choir 3.0 (those pesky trouble spots). How apropos that I watched the premiere with two of my music students via Lincoln Center's live stream.

From the moment that lone water drop touched down and we sang our opening chord, the hairs on my arms stood up and my arms tingled. My students and I were just speechless for several minutes:

Our "performance" of "Water Night" by Grammy-winning composer Eric Whitacre, is a feast for the eyes as well as the ears. Spiritually, it's a balm and a booster. Truly magical. 

It's a powerful reminder of the power of music, of how art builds community and breaks barriers. A total of 3,746 videos from 2,945 people (singing one or more parts) in 73 countries were submitted.Now pundits can complain about how the cut-offs aren't exact and those "esses" drag on forever, or that we were blended together artificially. To them, I say that the virtual environment is never meant to replace the live environment. Just augment it.

I already sing in my church choir (and play piano AND cajón). I do a bit of collaborating with other musicians. Virtual Choir gives me a new world to explore. Technology to master. "Rehearsals" and "performances" that don't require me to give up teaching time. New repertoire to challenge myself with. New friends.

The singing part of Virtual Choir is only a fraction of the entire experience. I blogged about my Virtual Choir preparation and recording experience here. The real magic of Virtual Choir is "virtual choir makes real connections".

Some Virtual Choir members have been inspired by their experience to join a choir in their neighbourhood. I know of a couple who have signed up for singing lessons as a result of their Virtual Choir experience.

People from my generation may remember having international pen-pals as a child. Now, I have a whole army of pen-pals. With a VC member in numerous timezones, there is always someone available when I am.

We're exchanging gifts, planning visits and so on. I know of one couple who have come together through Virtual Choir.

We celebrate the joys, such as a job interview, a new composition or relationship. We support each other through the rough patches, such as surgery, relationship break-ups and cancer.

I was chatting with some of my choir buddies from the Virtual Choir Army last night and after celebrating the culmination of our hard work with "Water Night", we looked towards the future. Immediately on the horizon is our next multi-track project (singing Morten Lauridsen's "O Magnum Mysterium"). We dreamed about future real-life reunions and Virtual Choir 4.0. We are riding the wave of community and artistry created by Virtual Choir and seeing where it (and technology) will take us next.

So when we see that video, we see the breakdown of barriers. People in isolation coming together. People from countries who aren't on amicable terms singing "beside" each other. We see the we see the growth of those connections. We hear the magic created by people who may never meet, in communion with one another, drawn together to bring the haunting strains of "Water Night" to life.

Bravo Eric! Bravo VC Team! Bravo to all of you, my fellow choristers in Virtual Choir. We've made something truly special here.

Click on image below to check out Eric Whitacre's newest CD, Water Night: