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Calgary Omatsuri 2013 Interview with Dave Rathnow
My Calgary Omatsuri interview with Dave Rathnow sensei of Shin Ken Kai Nobara Iaido Club of Calgary. We talk about the martial art I started to learn - Iaido - and the differences between the two main styles practiced today.
At this year's Calgary Japanese Festival, I had the opportunity to interview Dave Rathnow, an Iaido practitioner and instructor at Shin Ken Kai Nobara Iaido Club. Iaido is referred to as "the art of Japanese swordmanship" or "the art of drawing of the sword". It is the sister art to Kendo. Unlike kendo, iaido is a non-contact martial art.
I must come clean, when I started to watch Bleach, I became interested in weapons-based martial arts. The Agent of the Shinigami arc remains, in my eyes, one of the strongest storylines I've come across in the shounen genre.
However, I digress. I wanted to learn kendo, but the cost of the equipment scared me off. I turned my attention to iaido. After watching videos online of how smooth and fluid the iaido kata are, I was hooked.
See for yourself the rhythm and flow of iai. Here are excerpts from the Iaido demonstration that Dave Rathnow-sensei, Allen Yee-sempai and Brent May-sempai did at the Calgary Omatsuri:
If you want a bit more of an introduction to Iaido, please read my article entitled "An Introduction to Iaido". I also have published a few more articles on Iaido for The Iaido Journal: "Rhythm and Flow", "Tempering Fire" and "A Special Box for a Special Club"
Now, for my interview with Dave-sensei:
Here are some of the websites I checked out when I first researched iaido:
Aoi Budo Gu: where I ordered my iaito
Ka Muso Kai Iaido Club: my dojo
Shin Ken Kai Nobara Iaido Club: Dave-sensei's dojo
SDK Supplies: where I ordered my beginner iaidoka set and my Hyoho Niten Ichi-Ryu (Musashi's two-sword style) bokuto
Sword Store: many of my sempai ordered their iaito from here
I currently have three katana and samurai-related books in my library. The are: The Book of Five Ringsby Miyamoto Musashi,The Life-giving Sword by Yagyu Munenori and the Hagakure by Yamamoto Tsunetomo.
Here's a trip down memory lane for me. These are some photos of when I studied Iaido:
Sadly, training nights moved to prime teaching nights for me a while back, so I had to stop training. I do hope to get back into it someday. For now, I'll just try to keep regular with sword cuts. After all, it's a lot of fun to hear my iaito go "whoosh".
About the featured image: Allen-sempai demonstrates the first Iaido kata from the Seitei Gata Iaido at the Calgary Omatsuri. Photo credit: Christine Kohl. Publisher: Kathleen Boucher.
Calgary Omatsuri 2013 Interview with Kay Toyota
My second interview from the 2013 Calgary Japanese Festival features my chat with Kay Toyota-san of the Kotobuki Seniors group. She explains the dances and shares her experiences of connecting with her Japanese heritage through Odori.
こんにちは みな! Konnichiwa minna-san! At the 2013 Calgary Japanese Festival, I had the honour of speaking with Kay Toyota-san of the Kotobuki Seniors Group. The ladies of the Kotobuki performed two numbers at this year's Omatsuri. Here's a snippet of the first one, called Sumidagawa:
The dance and the Noh play are based on the same story about a woman whose son was stolen by a slave trader. A year passes and she's gone mad, searching the country for her son. A boatman agrees to take her across the Sumida River, where she discovers a crowd holding a memorial service for a young boy was abandoned by a slave trader and died along the shore. She learns that the boy was indeed her son. You can find the lyrics here.
Here is my interview with Kay-san:
Kay-san gives a bit more detail about the Sumidagawa and the second dance they performed, the Tanko Bushi. I took some footage of dancing the Tanko Bushi with my GoPro Hero in my Highlights from the 2013 Calgary Omatsuri video.
She also shares how her mother encouraged her to connect with her Japanese roots through traditional Japanese dance. Finally, she speaks about what the Calgary Omatsuri means to her.
Kay-san is part of the Kotobuki Seniors Group. The Kotobuki Seniors Group is a highly active arm in the Calgary Japanese Language Association. They meet regularly for karaoke, choir, dancing, community work and other activities.
The kanji for "kotobuki" is a combination of two kanji characters. The first means 'praying for a good harvest', while the second means 'old'. One translation reads "blessing to one's longevity." I think this is a pretty apt way to describe this particular group.
About the featured photo: The ladies of the Kotobuki Seniors Group perform the Sumidagawa at the 2013 Calgary Japanese Festival. Photo credit: Christine Kohl. Publisher: Kathleen "Irulanne" Boucher.
Related Reading:
Calgary Omatsuri 2013 Interview with Martial Simard
At the 2013 Calgary Japanese Festival, I interviewed Martial Simard, asking him about what it's like to learn the shakuhachi. This bamboo flute is sometimes referred to as a "Japanese Zen flute". It's got a soft-spoken timbre, much like Martial-san.
The third annual Calgary Japanese Festival - the Calgary Omatsuri - took place on Saturday, August 17, 2013. I had the pleasure of interviewing my classmate from the Calgary Japanese Language School, Martial Simard. Martial Simard plays the shakuhachi, a Japanese bamboo flute. Here is a snippet of Martial-san's performance at the Calgary Omatsuri:
It is sometimes called a "Japanese Zen flute". Chinese immigrants introduced the shakuhachi to Japan in the eighth century. This is a photo of what shakuhachi music looks like:
This musical instrument gets its name from the following kanji: "shaku" (尺) which is an ancient measurement (equivalent to 30.3 cm) and "hachi" ((八) which means "eight". In this case, it refers to another measurement, "sun". "Shakuhachi" thus translates into English as "eight hachi" or eight tenths of a shaku. Come to think of it, my iaito is measured by shaku and sun as well.
Here is my interview with Martial-san. Prior to our chat, Martial-san informed me that the shakuhachi must be kept in the shade, so please don't mind the shadows of the dancing tree branches. Or the taiko drum in the background. It was impossible to find a quiet spot. At least my microphone picked up Martial-san's soft timbre:
If you would like to learn more about the shakuhachi, or if you'd like to learn how to play the shakuhachi, please visit the International Shakuhachi Society website.
Martial Simard was the first performer at the 2013 Calgary Japanese Festival. The Calgary Omatsuri took place at the Bridgeland Community Centre on Saturday, August 17, 2013.
Related materials:
Beginner's Guide to the Shakuhachi - website
Blowing Zen: Finding an Authentic Life, Revised updated edition - book on Amazon
Blowing Zen: Finding an Authentic Life - book on Alibris
Japanese Music Institute of America - website
Shakuhachi Music on Amazon
I Love My Merrells
My feet were so sore after volunteering at the Calgary Expo. For the Calgary Japanese Festival, I made one important switch: different footwear. My Merrell barefoot shoes gave me the sense of being on terra firma all day long. Happy feet and back.
Earlier this summer, I blogged about my foray into the barefoot shoe movement. Unfortunately for me, the toe shoes I bought were one size too small and had already removed the tags. What I didn't mention was that I also purchased barefoot casual flats. Initially, I had my heart set on the Vivobarefoot Women's Kali Shoe. Unfortunately, they weren't available in my size locally.
I lucked out with the two Merrells that I bought. They were on sale. Here's one of them:
This is the Merrell Women's Barefoot Life Zest Glove Flat (purchased at Soft Moc). I also have the Merrell Women's Barefoot Wonder Glove (purchased at Checkmate Shoes).
Both pairs are extremely comfortable. The rubber Vibram soles provide a little bit of cushioning without compromising on flexibility.
Even after running around in them all day at the Calgary Japanese Festival, my feet were still happy at the end of the day. My legs were another story.
There's no arch support, so one unfamiliar with the barefoot movement would think that my arches would have been screaming by lunchtime. However, I think what helped is the fact that they ARE so flexible and have zero drop.
With my heightened foot to ground connection, I've changed how I walk (no heel striking). My toes wiggled freely because of the roomy toe box. The result? My entire foot adjusted easily and quickly to the uneven ground. Terra firma. In fact, I used the little bumps to massage my feet throughout the day by rolling back and forth.
The only downside? I'm short and wearing barefoot shoes really accentuates the height difference between myself and my interviewees. >_<
However, in the whole scheme of things, I think I'm healthier with barefoot shoes: no backaches, heightened nimbleness and balance and finally, improved posture. Sounds good to me.
Highlights from the 2013 Calgary Omatsuri
We couldn't have asked for a better day for the third-annual Calgary Japanese Festival. I had a blast documenting the Omatsuri and interviewing the performers. Check out the first article in my 2013 Omatsuri series.
The 2013 Calgary Japanese Festival - the Calgary Omatsuri - has come and gone. It was a splendid event, with a wide range of programming, entertainment and demonstrations to give attendees of a taste of Japanese culture, history and traditions. We could not have asked for a better day. It was sunny (most of the time) and it was hot on August 17, 2013.
As I mentioned in my last post, Omatsuri Entertainment Director, Kathleen "Irulanne" Boucher asked me to document the Japanese Festival and to interview as many performers as I could. It made for a long day, but I had a blast! たのしかった です。
I did a bit of an experiment with the recording. My gear for the day comprised of my GoPro Hero2 camera, my keitai (used as a wi-fi remote/viewing screen) and my Zoom H2 portable recorder (used as an external microphone). The fish eye effect was rather neat with the GoPro. I even managed to film while dancing the Tanko Bushi, although I got motion sickness from just watching the clip when I started moving the camera as a shovel. Not to worry, I didn't include that part in my vlog.
The interviews were great. I managed to interview Martial Simard (shakuhachi), Dave Rathnow, Roku-Dan Iaido practitioner and instructor at Shin Ken Kai Nobara, Midnight Taiko Kai, Mizue Asai-Kaufmann and Kaori Akiyama (koto players), Anything Goes, the Kotobuki Senior Group, two musicians from the Jpop and Anime Talent Show and finally, the Minyo Dancers from Lethbridge, They will form the next few posts.
I was quite sad to hear that the the sword making demonstration was cancelled. In hindsight, it would have been very difficult for me to cover that session AND all the programming outside.
The children's games, such as this one pictured below, sold out quickly:
Inside, there were several booths, showcasing Japanese handcrafts, tea, snacks and the Calgary Japanese Community Association's history project: Okage Sama De ("I Am Because of You"). Some of the events that took place inside included an ikebana demonstration as well as a green tea presentation.
Making its debut at the Calgary Omatsuri was the Shogun Grill Food Truck, run by the family that owns Foster's Bakery. The takoyaki was so flavourful and tender:
Gomen! I forgot to take a food porn shot of my okonomiyaki and my mochi balls.
All right, without further ado, here's my first vlog of Calgary Omatsuri highlights on my new otaku/geek awesomeness channel on YouTube, ChibiSamuraiTV:
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