Music by The Duke and Harry Connick Jr., A CJO Concert Review

Soulful sounds and funky grooves marked the CJO's final jazz concert of the 2010/11 season. The Calgary Jazz Orchestra played to a full house when members took to the stage Sunday, April 10, 2011 at River Park Church.

The first half of the programme featured the music of Duke Ellington, an American arranger, band leader, jazz composer and pianist from the Cotton Club era. The music of New Orleans actor, composer and jazz vocalist, Harry Connick Jr. comprised the second half. Connick Jr. burst onto the music scene with his soundtrack to When Harry Met Sally.

Opening Act Dr. E.P. Scarlett High School Jazz Band

The Jazz Band from Dr. E.P. Scarlett High School in Calgary, Alberta warmed up the audience with three numbers. They performed “Idiom '59 Part II” by Duke Ellington, “Blue Serge” by Mercer Ellington and “Orange Colored Sky” by Milton DeLugg and Willie Stein.

Under the direction of Jonathan Bell, the E.P. Scarlett Jazz Band has performed at various festivals and competitions in Alberta. Most recently, they received the top award at the the 2011 Alberta National Band Festival.

Classic Duke Ellington Featured in the CJO's First Set

Drummer Greg Baker encouraged the audience to help set the tempo for the first number while the rest of the Calgary Jazz Orchestra members were getting ready. The group opened with “Play the Blues and Go”. This upbeat number featured solos by Gerry Hebert on clarinet, Shane Statz on tenor sax, Al Muirhead on trumpet, Dave Reid on trombone, Rich Harding on alto sax and Kodi Hutchinson on bass.

Special guest, jazz vocalist Hazel Proctor received a warm welcome. She came on stage to sing “Mood Indigo”. Proctor performed with the CJO at the December “A Perfectly Frank Christmas” concert. She sings with the Dixie Boppers in Calgary, Alberta and has performed at Dixieland jazz festivals throughout Canada and the US.

One of the highlights from the first half was “It Don't Mean a Thing”. This toe-tapping number featured many stunning solos. Shane Statz presented a weaving solo, while Kim Beachum delivered a fast and furious solo on trumpet. The fingers of each member of the rhythm section were a blur during their respective solos. Rich Harding's solo showcased his superb sense of phrasing. The song accelerated dramatically to the double bar line.

Other songs featured in the first set included “In a Mellow Tone”, “Solitude” and Ellington's arrangement of “In the Hall of the Mountain King” from Edvard Grieg's Peer Gynt Suite. “Solitude” put the spotlight on Gerry Hebert on soprano saxophone and multi-instrumentalist Dave Reid on euphonium.

Sultry Jazz, Witty Quips and the Music of Harry Connick Jr. Mark the Second Half

The CJO kicked off the second half with “Blue Light Red Light”, a medium tempo number which featured director Johnny Summers on vocals. While the second number was being introduced, a cell phone rang in the audience. “Go ahead and get it,” quipped Summers. “Buy low, sell high,” he added, which garnered a few laughs. Summers really shone in “Jill”. This number featured the rhythm section, as well as Shane Statz.

The programme wrapped up with a New Orleans funk number, “Mind on the Matter”. Special guest Spencer Cheyne joined Greg Baker on drums. Dave Reid's solo included a musical quote of “In the Hall of the Mountain King”. Pianist Egor Ukolloff delivered his funky solo with impressive technical fluency. Johnny Summers sang and later performed a solo on trumpet. Baker and Cheyne traded two's with the rest of the band. Bakers also added his vocals during the head. Other performed included “Last Payday”, “Spot” and “It Had to Be You”, which Connick Jr. sang on the When Harry Met Sally soundtrack.

There was a pregnant pause after the final round of applause at the end of the programme. It was if the audience was waiting for Summers to say something else, or for drummer Greg Baker to yell “Encore!” as he did at the ENTERTAINMENT! Concert.

“Now what?” asked Summers. Turning back to the band, he added that although the programme was done, no one was moving. Only then did members of the audience ask for an encore. “This is the freakiest encore ever,” Summers added. The CJO obliged by performing “Come By Me”. The audience rose to its feet in a standing ovation for several minutes afterward.

Calgary Jazz Orchestra Unveils Its 2011/2012 Concert Season

The CJO divulged its 2011/2012 concert season. Upcoming concerts will feature the music of Chet Baker, Billie Holliday and Frank Sinatra. It will also showcase music from Cuba.

Subscribers can buy season tickets on the Calgary Jazz Orchestra website for $85 prior to August 1, 2011. Subscriptions will go up to $90 after August 1. Single tickets will be available for $25 each.

About the Calgary Jazz Orchestra

The CJO was founded by director Johnny Summers in 2004. This concert featured Gerry Hebert, Rich Harding, Dr. Jeremy Brown, Shane Statz and Sarah Matheson on the saxophone. Hebert, Harding and Brown also played the clarinet on selected numbers. The trumpet section is comprised of Johnny Summers, Kim Beachum, Gordon Wilhelm and Al Muirhead. Brian Walley, Jim Scott, Mike Thomson and Dave Reid make up the trombone section, while Egor Ukolloff (piano), Kodi Hutchinson (bass) and Greg Baker (drums) form the rhythm section.

The Calgary Jazz Orchestra ended its 2010/2011 concert season by performing to a full-capacity audience on Sunday, April 10, 2011 at River Park Church. The concert featured big band jazz arrangements of music by the “Cotton Club King”, Duke Ellington, as well as New Orleans crooner Harry Connick Jr. The CJO's 2010/11 season has been an entertaining ride, with varied programming, well-played jazz and plenty of laughs.

Originally published on Suite101.com on April 13, 2011. Updated August 7, 2013.

Earth, Wind & Fire Tribute by The Runaway Five Review

It was standing room only at The BeatNiq in Calgary when The Runaway Five and vocalist Jocelyn Alice performed on Friday, December 30, 2011. They presented a tribute to the American rhythm and blues, soul jazz and funk band Earth, Wind & Fire.

Grammy Winner and Hall of Fame Inductee Earth Wind & Fire

Founded by Maurice White of Chicago in the 1970's, Earth, Wind and Fire (EWF) is a group that has endured the test of time. Incorporating African rhythms, soul jazz, gospel and funk, EWF has played a major role in shaping R&B and pop music.

Earth, Wind and Fire has won numerous awards through the years. The group has earned Grammys and AMA Awards and nominations from 1975 all the way up to 2005. In 2000, EWF was inducted into the Rock And Roll Hall Of Fame.

That's The Way of the World and More Soul Jazz in The Runaway Five's Opening Set

The stage looked very cozy when vocalist Jocelyn Alice and 12 of the members from The Runaway Five stepped on-stage at The BeatNiq. The first set featured hits from Earth Wind and Fire's That's the Way of the World (1975) and The Best of Earth, Wind & Fire, Vol. 1 (1978) albums.

The group got the crowd fired up with “Got to Get You Into My Life.” This Beatles classic featured catchy and rhythmic solos by Oliver Miguel (tenor sax), Brett McDonald (alto sax) and Carl Lundgren (trombone).

The pace slowed down with “Reasons”. Brett McDonald performed a passionate solo on soprano sax against the soulful undertones played by Sarah Matheson on bari sax.

“Sing a Song” was a cheerful number which featured a virtuosic and rhythmic solo by Brendan Swanson on piano. Brett McDonald's solo on sax was extremely melodic and covered a wide range.

“I don't even need to tell you what it is,” said band leader Brendan McElroy when setting up the final song of the set. When the horns played the opening notes of “September”, everyone in the room excitedly exclaimed, “Oh!” before bopping to the music.

Throughout the first set, people continued to walk in, attempting in vain to find a seat. Other numbers performed in the first set included “Shining Star”, “Jupiter” “That's the Way of the World”.

“Boogie Wonderland”, “Fantasy” and More R&B and Funk Hits at the Earth, Wind and Fire Tribute

The Runaway Five and Jocelyn Alice opened the second set with “In the Stone”. This funky number showcased the baritone sax and soprano sax.

After some prodding from the band, members of the audience stood up and began to dance while “Boogie Wonderland” was played. This number was one of several that demonstrated how tight the group's playing was. Synchronization was excellent throughout the tricky rhythmic passages.

Things slowed down with the popular ballad “After the Love Has Gone”. This featured a beautiful opening by André Wickenheiser on flugelhorn and a great dialogue between Oliver Miguel and Brett McDonald. Jocelyn Alice also shone in this number, showing off her wide range and her earthy, sultry tone.

The final song was “Fantasy” from EWF's 1978 album, All n' All. This featured a soulful melody on soprano sax. As the final note died away, the audience quickly rose to its feet to give The Runaway Five and Jocelyn Alice a standing ovation.

Other songs played in the set included “Let's Groove”, “Mighty Mighty” and a piece by Brett McDonald dubbed "Horn Break". For an encore, they reprised “Shining Star”.

At the request of The BeatNiq management, the group reprised two more numbers, “In the Stone” and “Sing a Song”. The musicians really cut loose with some rapid-fire, rhythmic and mind-blowing solos. The saxophone solos explored the entire range of the instrument, while the piano and percussion solos featured a great deal of syncopation and complex African-Latin rhythms.

About the Video Game Jazz Group, The Runaway Five

Founded by Brendan McElroy, the Runaway Five performs jazz music arrangements of classic video games, including Super Mario Bros., Final Fantasy and Zelda. In 2008 and 2009, the group performed at Massey Hall in Toronto during the Video Games Live tour.

The Earth Wind and Fire tribute featured André Wickenheiser (trumpet/flugelhorn), Leanne Paisley (trumpet/flugelhorn), Carl Lundgren (trombone), Brett McDonald (alto sax/flute), Oliver Miguel (tenor sax), Sarah Matheson (baritone sax/bass clarinet), Brendan McElroy (bass), Carl Janzen (guitar), Spencer Chenye (drums) and Luis Tovar (Tabera percussion). Guest artist Jocelyn Alice is a Calgary-based singer/songwriter.

The Runaway Five is based in Calgary and Toronto. Arrangements are written by Brendan McElroy, Brendan Swanson, Brett McDonald and Alex Goodman.

There were just a couple of glitches to an otherwise stellar performance (audio feedback and balance issues between the vocals and instruments at times). The arrangements were catchy, with punchy rhythms. The group gelled together very well, while the solos contained funky melodies and rhythm that kept the audience tapping and clapping throughout.

The Runaway Five and vocalist Jocelyn Alice performed a sold-out performance on Friday, December 30, 2011 at The BeatNiq Jazz & Social Club. They performed a tribute to the legendary R&B, soul jazz and funk band Earth, Wind & Fire, playing a selection of the band's greatest hits, including “Shining Star” and “September”.

Originally published on Suite101 on January 3, 2012. All rights reserved by Rhona-Mae Arca.

Free Summer Concerts by the Calgary Wind Symphony

Looking for a frugal and enjoyable activity for the entire family? How about summer concerts in the park by the Calgary Wind Symphony?

Bring a picnic, a book, Frisbee and enjoy some great concert band classics performed by the Calgary Wind Symphony. Even the family dog can come too!

The concerts take place at Riley Park, Calgary 

(Map).

  The CWS summer concerts are on Sunday, August 11 and Sunday, August 25, 2013. Concert start time is 2:00 pm.

The CWS is directed by Dr. Jeremy Brown. For more information on the Calgary Wind Symphony or to check out the 2013/14 concert season, visit their

website

or their

Facebook page

.

Piano Shopping with my Adult Student

Last month, one of my adult students asked me to accompany her as she went piano shopping. It was a delightful experience for both of us.

Our search began at Steinway Pianos of Calgary. I had booked a Look Inside the Piano workshop and Owner/President Brent Hay gave a fantastic presentation. His passion for our instrument was infectious we learned lot about how pianos are made. My student zoomed in on the Boston and Essex lines, which are Steinway's student models.

We learned about the manufacturing differences between the three product lines as well. For instance, Boston pianos are manufactured in Japan, whereas Essex pianos are manufactured in China. Steinway designs.

We learned to look at the posts in the back to determine if their functional posts or mere decoration (think joists in a home). And, we learned about little adjustments manufacturers make when the frame is just a teensy bit too big for the guts.

Our next trip was to St. John's Music to test out Yamaha pianos. I got to try the "silent" model of the piano I grew up on, the U1. It truly is a hybrid piano. It has the similarities to the piano I honed my skills on but the benefits that technology has to offer. Turn on the unit underneath and this acoustic piano becomes a digital piano. However, unlike digital pianos, this is first and foremost and acoustic piano.

We also tried Yamaha's new "B" line, manufactured in China (Yamaha has design control). The piano I tried had a nice, rich tone and for families just starting out, a nice price tag. The Cable-Nelson piano just felt heavy compared to the Yamaha's.

My student fell in love with the GB1. Those Georgian legs, the rich dark finish. More importantly, the piano sang for her. There was an instant connection, akin to when Harry Potter's wand chose him in Harry Potter and the Philosopher's Stone. For a 5'0" grand, it sounds more like a 6' or even a 7' grand piano.

Our last stop was Michael Lipnicki's Fine Pianos. She tried the student line (the Palatino) but found it a little "clunky". Then we both tried the Bechstein (I think it was the B120 but I'm not 100% sure). What beautiful tone. So rich. And those pedals! We're still talking about how smooth the pedal action is. It was on sale too! We even liked it better than the Grotrian pianos.

Just to give her a frame of reference, I urged my student to try the top of the line pianos in each store. Steinway & Sons, C. Bechstein, Fazioli and Yamaha's best melted for her - as they should! Half-jokingly, I compared it to test driving a Ferrari.

There is undoubtedly a difference between handcrafted and mostly machine manufactured pianos. Personally, I think both have their pros and cons.

In the end, the Yamaha GB1 was the winner. It was love at first sound and first touch. She went back a second time to just confirm.

Accompanying my student was a learning experience for me too. When I purchased my Yamaha WX-7F, I was a music student. My music teacher didn't accompany me. However, my brother and I were at a high enough level and on enough pianos to know what to look for in terms of sound and touch. Piano shopping as a teacher is a little different. I learned a bit more about piano construction and what to look for in terms of the soundboard and the the posts in the back. I paid more attention to the key action and the voice of each piano I played.

However, next time I go shopping for an acoustic piano for my studio, once I have a short-list, it will still come down to sound and touch. And which piano chooses me. For I think, like Harry Potter, the piano chooses the musician.

Is Talent Enough?

Concert pianist Mitsuko Uchida addresses whether talent is enough? If you read my earlier post about Sir Richard Taylor (Lord of the Rings, WETA Studios), you'll know what the answer is. Ms. Uchida discusses other skills, in addition to talent, that are needed not just for music, but for any art form that you wish to be really good at: