Honens ProAm Piano Competition for Amateurs 2011 Review

This unique piano competition held Saturday, October 15, 2011 in Calgary, Alberta raised over $100,000 for the 2012 Honens International Piano Competition.

Four amateur pianists went head-to-head on Saturday, October 15, 2011, 7:30 p.m. at Theatre Junction GRAND at this unique music competition. Nearly every seat was full when Daniel Yang, Andrew Hoffmanns, Colin Edie and David Dixon performed their solo recitals.

Amateur Musicians Perform for a Good Cause at Honens ProAm

The Honens ProAm Piano Competition is the brainchild of Calgary-based philanthropist Jenny Belzberg. This unique event is a fundraiser for the Honens International Piano Competition. The first year the ProAm was held was in 2008.

This music competition is open to recreational pianists who play at a high-calibre. In other words, all competitors must have careers outside of music. Each of these amateur musicians performed a 15-minute recital from memory.

In addition to their recital preparations, they strove to raise a minimum of $25,000 each. Prior to the event, they collected pledges from family, friends, employers, colleagues and music aficionados.

The competitors were judged by three music experts: Bob Clark, Charles Foreman and Mélanie Léonard. Clark is a performing arts writer for the Calgary Herald. Foreman, a Professor Emeritus at the University of Calgary, has performed around the world as a solo pianist and chamber musician. Maestra Léonard is currently the resident conductor for the Calgary Philharmonic Orchestra.

The Honens International Piano Competition Searches for the "Complete Artist"

Out of the many prestigious piano competitions throughout the world, the Honens is unparalleled in two areas. First, competitors must perform solo and chamber recital programmes in addition to a movement of a piano concerto. Jurors are tasked with finding the “complete artist”.

Secondly, Honens Laureates participate in an extensive artistic and career development program. This is above and beyond the prize money they receive. Some of the benefits include assistance in booking engagements, recording CD's and developing press kits.

The Honens was the brainchild of the late Esther Honens. She was a Calgary-based philanthropist who endowed $5 million dollars in 1991 to launch an international piano competition in Calgary.

All proceeds from the Honens ProAm goes towards the Seventh Honens International Piano Competition. The next Honens will take place in Calgary from October 17 to 26, 2012.

ProAm Competition 2011 Contenders Deliver Four Exciting Performances

The 2011 ProAm got off to a colourful and romantic start with Daniel “Marathon Man” Yang's performance. Yang, sporting a purple tux, opened with Prelude in b-flat minor, op. 28, no. 4 by Polish composer Fréderic Chopin. He then delivered a sensitive interpretation of Edvard Grieg's Notturno. This was followed by another popular Chopin piece, Nocturne in E-flat Major, op. 9, no. 2. Wolfgang Amadeus Mozart's “Rondo alla Turca” from his Sonata no. 11 in A Major, K. 331 rounded out the programme.

Yang is a Reservoir Specialist for Canadian Natural Resources and the CEO of Borealis Geopower. He holds a Ph.D. In Natural Sciences and studies with Calgary-based piano instructor Ann Davidson.

The second ProAm contender, Andrew “Dutchie” Hoffmanns, hails from the Netherlands. He moved to Calgary last year and works as a financial analyst for Shell Canada Limited. He studies piano with pianist, teacher and clinician Gabriella Jonas of Calgary.

Hoffmans performed two contrasting works which showcased his warm, rich tone. He began with Sergei Rachmaninov's Prelude in c-sharp minor, op. 3, no. 2. He concluded his programme with selections from Kinderszenen (Scenes from Childhood) by Robert Schumann.

Colin “Jock” Edie drew loud cheers when he strode confidently on stage in his light grey-blue tux and matching hat. That confidence rang through throughout his entire recital programme, in which he demonstrated a strong tone, good phrasing and balance.

He first performed “Allegro moderato” from Sonata in E-flat Major, No. 62 Hob. XVI52 by Franz Joseph Haydn. This was followed by La Cathédral engloutie by Claude Debussy. For his final work, Edie performed Chopin's Revolutionary Etude.

Edie works for Encana Corporation as a Petroleum Engineer. He has his Grade 10 certificate from the Royal Conservatory of Music and studies with Allen Reiser, a Calgary-based piano teacher, writer, performer, adjudicator and clinician.

The evening drove towards a dramatic climax with David “Big Band” Dixon's performance. This jazz fan performed two challenging works: La Danse de Puck by Impressionist composer Claude Debussy and Frederic Chopin's Scherzo in E Major, op. 54, no. 4.

Dixon, a Reservoir Engineer at Nexen Inc., displayed a strong command of the piano. His technique was solid, while his phrasing and dynamics were well balanced. He elicited a standing ovation from the audience.

David recently earned his ARCT Diploma from the Royal Conservatory of Music. He studies with pianist, teacher, adjudicator and clinician Linda Kundert-Stoll in Calgary.

Honens ProAm Competition 2011 Declared a Resounding Success

The fundraising goal for this year's Honens ProAm was $100,000, which as exceeded. This year's Top Fundraiser Award went to Daniel Yang, who raised $43,000.

The audience was concurred with the event's jurors. David Dixon was declared the Audience Choice Prize winner and the 2011 Honens ProAm Champion. He won a gift certificate to the seafood restaurant Catch, the entire Honens CD library and a weekend residency at the Banff Centre for the Performing Arts.

The 2011 Honens ProAm Competition for Amateurs was held at Theatre Junction GRAND on Saturday, October 15, 2011. With four dynamic performances delivered to nearly a full-house and the fundraising goal surpassed, this original fundraiser for the 2012 Honens International Piano Competition is a resounding success.

Originally published on Suite101.com on October 18, 2011. Updated May 13, 2013. All rights reserved by Rhona-Mae Arca.

The Busking Project

One time, when chatting with my Virtual Choir friends, the subject moved onto busking. One of them, composer Liam Walsh, has been busking for a spell and simply loves it.

It's something that I've been curious about for some time, ever since I heard a gentleman sing arias on Stephen Avenue Mall in the 1980's and '90s. I've seen a variety of buskers, from fire eaters to jugglers and from guitar/cajón duos to balloon artists. They all seem fairly chipper, happy to be outside and are fun to talk to.

As some of you know, I'm on the hunt for supplementary streams of income, other projects to help even out the roller coaster of music education industry. While I'm waiting for nibbles on my resume, I've been keeping busy with my blogging and affiliate marketing (in between teaching and practicing). Now that the weather's getting nicer, I figure I'll give busking a try.

As with any gig, I know that it involves a lot of work - not only do you need to have a certain level of fluency, but your programming choices need to chosen carefully. A healthy dose of showmanship is needed to draw people to stay and listen to you (and yes, pay you too).

Like other background music gigs, not everyone is going to listen. Strangely, I'm cool with that. The idea of giving my non-dominant instruments (TL: easily portable) some action is a worthy challenge. The idea of playing outside, in the sunshine, jamming with friends or by myself, just sounds fun.

If you are interested in busking, check out these articles and websites:

Busking with Calgary Transit

Calgary Farmers' Market Busking Application

City of Calgary - Busking

How to Be a Busker

How to Busk for Profit

How to Make Money Busking

Richard Taylor on the Passion of Making Things

Last month, I volunteered at the Calgary Expo. There were many exciting panels offered, which sadly, I was unable to attend since I was volunteering in another building.

However, thanks to Flipon.TV and the Calgary Expo, most, if not all discussion panels were filmed and archived. They are available with a Calgary Expo Archive Pass for only $14.95 CAD.

I recently watched the Middle Earth panel that included LOTR/Hobbit actors Craig Parker and Mark Ferguson, along with Sir Richard Taylor and Dave Tremont from WETA Workshop. Not only was it informative but a lot of what WETA co-founder Richard Taylor said really ties nicely with any of the creative arts, including music.

One patron asked what advice they could give to those aspiring to break into the industry. Taylor listed WETA's hiring criteria in order of importance:

1. Passion

2. Enthusiasm

3. Tenacity

4. Talent

He said that you can't expect to ride on talent alone. Your passion to create fuels your enthusiasm, which helps propel you into action. Tenacity is what  helps keeps you going when the going gets tough.

Any creative endeavor, to be good at it and to be recognized for it, takes hard work. The going gets tough. A lot.  Your favourite actors, writers and musicians will tell you the exact same thing.

If you invert that list, Richard Taylor said that you'll just be creating "hollow opportunities". A cheap plastic creation.

"You're weaving a tapestry," he said. "No matter how pale or how thin the thread that you're given in your needle to weave into that tapestry — if you don't weave it with care and thoughtfulness, creativity and passion — in some way, the tapestry will be threadbare."

Have you listened to someone perform a song who hates the song? Or doesn't know it well? Now compare that with someone who performs a piece they know extremely well and are giving it their all. There's a huge difference.

As a musician, you are weaving a tapestry with sound. The notes, rhythm, dynamics and phrasing are just some of your threads. Whether you are in the practice room or on stage, at a school talent show or a music exam, weave your sound pictures with care.

Weave with not just your fingers and your feet. Create with your ears and your brain. Listen!

THWOMP Interview: On Video Games and Characters

In Part Seven of this interview series, Brad Stanton and Dave Marshall of the Nintendo® cover band THWOMP chat about video games. This interview was originally published on Suite101.com on July 2010.

Nintendo® cover band THWOMP share their music with gaming enthusiasts young and old. Inspired by the music of video game composers Nobuo Uematsu (Final Fantasy), Koji Kondo (Super Mario Bros) and more music from retro video games will appear in the band’s debut CD coming out in the fall of 2010.

Brad Stanton (lead guitar) and Dave Marshall (keyboards/percussion) from THWOMP take a break from their Animethon 17 and CD release preparations to chat with me. 

THWOMP on Favorite Video Games

Dave: "That’s a really difficult question. The list of games that I’ve played for more hours than I care to admit IS longer than I care to admit...I would say “Super Mario World” is in my Top 15, but the Mario games, aside from that one, they’re OK.

We’re all big RPG fans. We all love “Final Fantasy VI”. “Chrono Trigger” is in there too...“Secret of Mana”... other favorite games...“Super Mario Kart” and then completely different stuff, like “Ultima Online” and “Quake 1”...“Mass Effect”, really was absolutely amazing. Maybe my favorite game ever."

Brad: "It’s like you’re asking me to pick a child...[Super Mario] – that doesn’t even make my Top Ten. Not even close...“Master of Orion II”. Write that down. Put that in the article somewhere. That game is so amazing."

THWOMP on the Final Fantasy Franchise

Dave & Brad: "The only game that we actually stray outside of our format for is “Final Fantasy VII” for PlayStation because it had to be done."

Having said this, FFVII isn't one of the group's favorites. "It's one of the most popular games of all time; but in terms of Final Fantasy, that’s my least favorite," said Dave. "I didn’t really like that one very much. I think that’s where they got away from everything I loved about the Final Fantasy’s of the Super Nintendo® and started to go in this new direction they’re on now. It’s more like a TV show."

If you could be a video game character, who would it be?

Brad: "I’ve never ever thought about that. Who’d I want to be? Man, I don’t know, the guy from “Excitebike”?"

This idea got shot down by Dave, "C’mon. You can do better than that."

Dave: "I’ll go with Commander Shepard from “Mass Effect”. I’m a huge science-fiction fan. Massive. I really love that concept of that universe. I think that’s really brilliant. Rich and believable. The weird thing about that character is that you can make him who you want to. You really get to pick what he’s like.

Brad: "How about Minsc from “Baldur’s Gate”? You get to carry around a huge broadsword and a little hamster you talk to."

THWOMP is a Nintendo® band comprised of Calgarians Brad Stanton (lead guitar), Colin Mitchel (lead guitar), Scott Munro (bass), Scott Moffat (drums), David Marshall (keyboards/percussion) and Kirk McVean (keyboards). The bandmates hope that their musical trip down memory lane inspires listeners to dust off their old gaming consoles and video games. Or lead them buy or rent video games they loved to play while growing up.

For more information about THWOMP, the band or to listen to audio clips, visit their website and Myspace page.

Full interview series: Part 1 – THWOMP’s Origins | Part 2 – Band Names & Niches | Part 3 – Songwriting | Part 4 - Hey! Listen! CD Release | Part 5 - On Gigs | Part 6 - Convention Gigs | Part 7 - Video Games | Part 8 - Fun & Food

Calgary Jazz Orchestra's 2013 Pop! Concert Review

The Calgary Jazz Orchestra wrapped up its 2012/13 season on Sunday, May 5, 2013 at Riverpark Church. Pop! featured big band jazz arrangements of pop and rock classics, as well as two world premieres.

Directed by Judy Wishloff, Churchill's Blue Jazz Band opened for the CJO by performing two numbers. The jazz band first performed A Blues for Dave by Doug Beach, which featured trombone and guitar solos.

Mike Tomaro's arrangement of I Mean You (Thelonious Monk) opened with an upbeat piano solo. It showcased the trombone, trumpet, soprano sax, piano and drums.

The Beatles, Jesus Jones and the World Premiere of Calgary Suite at the CJO

The first half of the programme featured big band arrangements and compositions by Greg Baker, while the second half showcased Johnny Summers' arrangements. Jammin' (Bob Marley) began brightly in the trumpets, while the saxophones painted a groovin' night scene. The trombones cruised steadily towards the solos. Jammin' featured solos by Gerry Hebert on alto saxophone, Dave Reid on trombone and André Wickenheiser on trumpet.

The CJO presented the world premiere performance of Greg Baker's Calgary Suite ("Ten Days in July", "Rockies" and "Waiting for the Chinook"). Due to time constraints, "Rockies" was omitted.

Ten Days in July" conjured up sound pictures of Cowtown. The trombones played a recurring accented hoedown-eque motif. The saxophones and trumpets circled around like a chuckwagon race.

The solos maintained the festive mood. Johnny Summers' trumpet danced and bounced like carnival lights and bells. In contrast, Shane Statz's tenor sax looped around like a sheepdog herding sheep. Egor Ukoloff (piano) and Greg steadily built up the intensity, punctuated by shots from the band. Sarah Matheson's bari sax solo spun like the Tornado ride, while Gerry's solo rang out like casino slot machines.

"Waiting for the Chinook" began as a ballad, later becoming bright swing. The varied layers were a delight to listen to, for example, flugelhorns with trombones and muted trumpets with piano. It featured solos by Rich Harding on alto sax, Egor, Kodi, Shane, Paul Ashwell on trombone and Greg on drums. There was a lovely dialogue between Johnny on the flugelhorn and Dean Yeats on trombone.

The CJO performed two more numbers in the first set. There was an easy swing version of Right Here Right Now (Mike Edwards) and a medium swing arrangement of Help (John Lennon & Paul McCartney).

CJO Premieres The Wonderment Suiteby Johnny Summers

CJO Director Johnny Summers recounted a conversation he had with a patron during intermission. She inquired about what the band plays and the arrangements. Johnny responded by describing the elements of music as a musician's palette of colours, which is used to paint a picture musically, while the form of the piece provides a road map to follow. Jazz musicians must stay within the confines of the form while improvising.

Johnny Summers' The Wonderment Suite was premiered in the second set. Each movement captured a mood: "Awakening", "Stability", "Thrill", "Confidence", "Adventure", "Sweetness" and "Wonderment". The final number was cut from the programme due to time constraints.

"Awakening" eased the audience in, opening with a sleepy melody on soprano sax by Gerry Hebert, while the trombones played sustained tones. The rest of the sections joined in one by one. It featured solos by Gerry, as well as Gordon Wilhelm on trumpet.

"Thrill" opened with a tremendous amount of energy. Like a child searching for hidden Christmas presents before Christmas, the solos captured a building sense of excitement and the thrill of discovery using meandering lines and playful rhythms. It featured solos by Sean Craig on tenor sax and Paul on euphonium, along with Egor and Sarah. There were chatty tenor sax exchanges between Shane and Sean.

The trombone section oozed with "Confidence", with a swaggering recurring motif and later, by taking over the stage. Shane's solo featured driving lines that traversed up and down the musical road. Meanwhile, members of the trombone section provided comic relief by standing and sitting like Whac-a-Moles because one of them rose up to play early.

Brian Walley's trombone solo soared and leaped playfully, while Johnny's trumpet spun and shot out a brilliant spray of notes.

The music faded away, at which point, the trombone section stood up one by one, delighting everyone onstage and in the house with a cutting contest. Who could play the slowest? Lowest? Loudest?

Adele's Skyfall closed the second set. This gritty ballad opened with a unison chord that waxed and waned into the night. Then the piano came in, joined by the bass, trombones, clarinets and flugelhorns. Johnny successfully handled that challenging, disjunct vocal melody.

The CJO also performed Michael Jackson's The Way You Make Me Feel, a crowd favourite from a couple of seasons back. For an encore, the band played Johnny Cash's Folsom Blues. Everyone went all out for their final solo of the season. Of special note, André's soft solo whispered and fluttered like a hummingbird. The audience was rapt with attention. Folsom Blues brought the house down and the audience to its feet for the second time that night.

For more information about the Calgary Jazz Orchestra's upcoming summer jazz concert, young jazz musician's competition and to buy 2013/14 concert season tickets, please visit the CJO's website.

The Calgary Jazz Orchestra entertained and delighted with its Pop! Concert in Calgary, Alberta on May 5, 2013. The jazz group was successful at painting a vivid soundscape colourful playing. This jazz concert was a fabulous way to end the 2012/13 concert season.