Using Progressives for Music Experiment - Day 1

My eye doctor says I need progressives. Every musician I know who has them (or has had them) have  basically told me that "progressives are useless for music". They have either reverted back to single-vision lenses or use a dedicated pair for reading music. I even found some discussion threads dedicated to progressives and musicians. However, my optometrist is convinced that I should be able to handle it - for ALL situations - including music.

What's the big deal, you may ask? Well here, see for yourself:

Photo from Master Eye Associates.

Now, look at the visual range for reading music. Note that this doesn't even include playing in an ensemble.

I am fighting a strong bias, so by documenting my journey, I hope to overcome that, as well as to give others an insight on the "progressives and music" experience.

The sides of on progressive lenses are essentially "dead" space, which does absolutely nothing for musicians who must rely on peripheral vision extensively and shift their focus very quickly. 

Without further ado, here's my report on Day 1:

I should preface this by saying that I am extremely near-sighted with astigmatism. I have "dry eye" syndrome and plugged up tear glands, which may factor into this experiment. However, for the past month, I've been taking lubricating eye drops every 2 - 3 hours, being more diligent about removing my eye make-up, using eye lid wipes daily and either doing an eye wash or hot compress two or more times a day. Let's just say that my tear lubrication hasn't been this good in years.

In true science fair form, I will post some "Control" videos, showing how I see with my current (single-vision) glasses.

Concert Review: Calgary Jazz Orchestra Plays Brubeck and the Adderley Brothers

Lively music and exciting solos were on the programme at the Calgary Jazz Orchestra's first concert for the 2012/13 season. This concert took place on Sunday, October 21, 2012  at the River Park Church in Calgary, Alberta. The William Aberhart Jazz Ensemble, directed by Kevin Willms took to the stage first, performing three numbers. The first was "Hay Burner" by composer and big band arranger, Sammy Nestico, a mid-tempo number.

This was followed up with Duke Ellington's "Pyramid", which is a medium, Latin-influenced number. This featured some lovely solos on trombone, clarinet, tenor sax, trumpet and bari sax.

The jazz band wrapped up with "Groovin' Hard" by Don Menza. This upbeat swing number featured solos on drums, tenor sax, piano and guitar.

The Calgary Jazz Orchestra Performs the Music of the Adderley Brothers

The first half of the CJO's program featured some hard bop by trumpeter and composer Nat Adderley and his brother, alto saxophonist Julian "Cannonball" Adderley.

The jazz ensemble opened the first set with "Hayseed". This lively number featured solos by Gerry Hebert on saxophone, Kim Beachum on trumpet, Egor Ukoloff on piano and Brian Walley on trombone. A highlight was when Jeremy Brown (saxophone) and Greg Baker (drums) were trading fours.

Another highlight wasn't listed on the programme. The late addition was "Tenderly", arranged by pianist Egor Ukoloff. It was performed by Egor Ukoloff, Jeremy Brown, Johnny Summers, Kodi Hutchinson and Greg Baker.

Egor Ukoloff opened with a Gershwin-esque introduction, complete with rolls and waves of blues chords and arpeggiated patterns. A sensitive presentation of the "head" was delivered by Johnny Summers on trumpet and Jeremy Brown. Jeremy's lines were quite varied, one moment, lyrical and wavy and the next, marcato as the melody grew.

In contrast, Johnny's lines were softer with tender motifs that mimicked the murmurings between lovers. This gradually ave way to a more rhythmic part as the rhythm section led the transition to the piano solo.

Egor's featured rhythmic motives and sequences. Truly, the architecture of their solos was simply sublime.

Five other songs were included in the first set. They were: “Work Song”, “Unit Seven”, “Sermonette”, “Jackleg” and “ Spectacular”.

The CJO Performs West Coast Jazz by Paul Desmond & Dave Brubeck

I must come clean, I am a huge Brubeck fan. I guess that makes me a West Coast jazz fan as well. The second half is what I had eagerly anticipated for months! Well, ever since the Calgary Jazz Orchestra announced its 2012/13 season.

The CJO performed the music of the Adderley brothers and Dave Brubeck. Photo by R-M Arca.

Director Johnny Summers shared the story behind his arrangement of “Take Five”. He asked a visiting musician for ideas on how to approach arranging this iconic tune. He was told “Don't bother.”

The result was an exciting arrangement. The punchy 5/4 rhythms prevail but the shaping was exquisite. Gerry Hebert's solo meandered, gradually leading the audience up to Shane Statz's solo on sax. It featured longer rhythms.

The middle section had a distinct “Get Smart” vibe. It also featured Rich Harding on alto sax. His solo started slowly and gradually built up the audience with trickier rhythms.

In contrast, Johnny Summers' solo built up in waves, punctuated by “splats”. Greg Baker's solo also built up in waves with punchy rhythms.

The final number on the programme was “Blue Rondo à la Turk”. Egor Ukoloff opened, followed by Greg Baker and Kodi Hutchinson. Next came the saxes, followed by the trumpets and trombones. The transitions between the swing theme and the Turkish theme was executed marvelously, gradually gaining momentum and energy.

Gerry Hebert marked the first transition to swing, followed by Rich Harding on sax in a lower register. Then, the pair traded fours, then twos, building up the excitement with faster rhythms.

Johnny Summers' solo during the “Turkish” part was slow and steady, at first, then got louder, higher and faster. This was punctuated by blasts of rapid descents to the lower register.

Egor Ukoloff's solo was blues-infused, featuring a soulful melodic line and crunchy chords. The music gained speed and continued to push towards a very energetic ending.

Other songs featured in the second set include “Charles Matthew Hallelujah”, “In Your Own Sweet Way” and “Unsquare Dance”. The CJO performed Cannonball Adderley's “Mercy, Mercy, Mercy” as an encore.

Upcoming Events with the CJO

The CJO's next performance is the annual Al Capone Charade. This cabaret features an evening of big band swing and dancing.The Calgary Jazz Orchestra is launching a new series called “CJO Small Group Series”. The opening performance, “From the Plantation to the Penitentiary” is on Thursday, November 22, 2012, and will feature the music of Wynton Marsalis.

To find out more about CJO and the jazz ensemble's upcoming events, visit the Calgary Jazz Orchestra website.

The Music of David Brubeck & the Adderley Brothers was presented by the Calgary Jazz Orchestra on Sunday, October 21, 2012 at Riverpark Church. It featured big band arrangements by Greg Baker, Shane Statz, Johnny Summers and Egor Ukoloff. This enjoyable programme showcased several pieces that had heads bopping to the music throughout the evening.

With Music Software, Timing is Everything

I'd like to say that I know my way around a computer. At my last full-time job (for someone else), I was called one of the "super-users". However, I  have been experiencing several challenges with my Studio Lab computer. It's operating on Linux Ubuntu and it's not as easy as Mac or as familiar to me as Windows or even Unix or DOS. Linux has some fabulous apps available for education and more specifically, music education and music. For example:

• music notation software (e.g. MuseScore)

• audio recording and editing (e.g. Audacity)

• drum machine (e.g. Hydrogen Drum Machine)

• note reader trainers and more

Music and technology has never been so tempting. "Sudo apt-get install" is just so gosh-darn easy to do. Getting the sound set up and audio controls cooperating with all one another? Now there's my technical challenge. Thankfully, some super Linux users have posted some helpful tutorials. The Linux Community Forums have been good too, but having the visuals and working through the steps along with the video helped. It's just been challenging getting the time in to focus on it. The process has made me rethink my roll-out strategy for these music software programs. Rather than having them all available for my students to explore at once, I am going to just roll out a few programs at a time. I have learned that it's important to have Jack Control and those connections set up properly. 

After three weeks of on and off fiddling and re-installs, I can say with confidence that Hydrogen Drum Machine, Virtual Midi Piano Keyboard and Score Reading Trainer are playing nicely together in my computer lab.

Life was so much easier when dealing with physical midi and audio cables. Trying to set audio up in a virtual environment has really challenged my learning style.

Calgary August Music Festivals 2012

There are quite a few summer music festivals coming up in August, here in Calgary. Here is just a sampling of what's ahead:

Inglewood Sunfest (August 4): This annual event in Calgary's historic Inglewood is free. You can listen and watch various street performers, check out the local vendors and enjoy some great food.

Afrikadey (August 5 - 11): This annual festival celebrates the culture, traditions and music of Africa. This year's event features performances by Alpha Yaya Diallo, Emmanuel Jal, MFive and more. Tickets are available on the Afrikadey website.

Calgary ReggaeFest (August 15 - 18): In addition to live music by international Reggae musicians, attendees can enjoy food, arts and crafts and the beer garden. There are also plenty activities for children and youth, including basketball, sand magic and face painting. Featured artists include Amoy, Bryan Art, Cherine Anderson, Chester Miller, Hawkeye, Jermaine Cowan, J.k. & the Relays, Makeshift Innocence, New Kingston, Redeye Empire, Roots Syndicate, Souljah Fyah, and Ultimate Crew. Tickets are available for purchase from the event website.

Other festivals worth checking out include the Marda Gras (August 12), GlobalFest (August 16 - 26), and ExpoLatino (Aug. 24 - 26) . You can be sure there will be some live music to enjoy!

Special Note from Maestro: Fellow canines, be sure to check out Marda Gras! I scored lots of swag the last time I went. I also listened to some great jazz.

© 2012 by Musespeak™. All rights reserved.

Calgary Summer Music Festivals 2012

One of the many great things about summer is that it's festival season. There are countless opportunities to explore different styles of music while relaxing with family, friends and pets.

Here are some music festivals worth checking out this month:

Fiestaval Latin Festival (July 21 & 22):Come out and listen to Quinteto Alegria (International Latin Jazz), Colombia Ramiro Padilla y su Tropa Vallenata, Orquesta "The Latin Combo" and more at this free multicultural arts and entertainment festival.

Calgary Folk Music Festival(July 26 - 29): "Folk" music encompasses such a wide range of music. Check out the Latin jazz of Renato Borghetti, the "alternative indie pop rock" strains of Jeff Stuart & the Hearts and the "electric, indie, pop" sound of Little Scream. Headliners include Chris Isaak and Mary Chapin Carpenter.

Calgary International Blues Festival (July 30 - August 5): Enjoy the exciting Afro-Cuban rhythms by Eddie 'Devil Boy' Turner, the rock-jazz-classical fusion of Lighthouse, award-winning artist Shirley Jackson & the Good Rockin' Daddys and many more.

Maestro's one piece of advice for four-legged music aficionados: Most festivals don't allow pets on-site. However, the nice thing about music is that sound carries, so he joins other furries in listening from the other side of the fence.

© 2012 by Musespeak™. All rights reserved.