World Music Exploration - Traditional Brazilian Dance

This month, my students and I are exploring the music of Brazil. Traditional Brazilian music music reflects the cultures that existed in the formation of this South American country: Africa, Europe and the indigenous people of the region.

So far, my students have said that this music resembles the music of our First Nations peoples. Others have commented that it sounds rather African:

World Music Exploration 2010/11 Week 20 - Traditional Japanese Music

It's definitely cold and flu season. This last bout of colds means that it's time to beef up on those vitamins and regularly clean off the piano keys!Our musical exploration resumes with Japan, a country I hope to visit someday. Some traditional Japanese musical instruments include the taiko drums, the koto (stringed instrument), the shakuhachi (flute) and the shamisen.

This week's clip features the shamisen, which is a long necked banjo-like instrument with three strings. The two musicians display their virtuosity and showmanship in this clip, which reminds me of fight scenes from the PS2 game "Samurai Warriors".

Here's a clip from "Samurai Warriors" that includes the shamisen:

(c) 2011 by Musespeak(TM), Calgary, AB, Canada. All rights reserved.

World Music Exploration 2010/11 Week 13 - Traditional French Dances

There are some nasty bugs going around. Our musical journey was postponed because I fell ill last week. We move onto France this month. This week, we are exploring three traditional French dances (with corresponding music): the Rigaudon - a lively dance in duple meter, the Minuet - a graceful dance in triple meter and the energetic Bourrée (in duple meter). Music students are familiar with these dances as they form the core of their early music training.

The performers are the Compagnie Fantaisies Baroques. They performed in the Musée et à la Ville de Paris.

(c) 2010 by Musespeak(tm), Calgary, Alberta, Canada. All rights reserved.

Choir Music Musings

This semester, I'm filling in for the pianist of Okotoks Alliance Church Choir. They are busy preparing for the Christmas concerts. Yes, I know, we're not even past Thanksgiving yet but these things take time to prepare!I haven't sung in a choir since university and it's been a few years since I've "accompanied" (or shall I say, worked as a "collaborative pianist") in this capacity.

I forgot how much fun it was.

There is such a rush when you hear all the voices blending in and filling the room. It's somewhat similar to the rush I got playing in the jazz combos at jazz camp this summer, especialy when we fed off each other's energy and ideas.

I find myself itching to practice Michael W. Smith's setting of Gloria/Lux Venit, because if some of the youtube videos are any indication, the build-up in Gloria is going to give one huge rush to performers and listeners alike.

[Note to those who've heard this - yes, I'm drilling that transition from Lux Venit to Gloria like crazy!]

This is serving as a reminder of how important it is for pianists - who play mostly solo repertoire - to engage in group music activities.

It provides balance, works on our teamwork skills but most of all - it's just plain fun to do.

Addendum

Here's our performance of Gloria with Lux Venit:

(c) 2009 by Musespeak(tm), Calgary, AB, Canada. All rights reserved.

The Rules of Ensemble Playing (according to students)

Thanks to my Giggle Trio (AKA Tess, Gabriel & Danielle) for sharing these rules of ensemble playing and rehearsing. It's quite the work of art, which I think applies to ALL ensembles:

1. No knee pinching.

2. No story telling until the end of the rehearsal.

3. Try not to giggle so much.

4. Listen to everybody's ideas.

5. Pay attention.

6. Try new stuff.

7. If the group is getting too giggly, tell them to stop.

8. Listen/look for each other's cues.

9. No body checking.

10. Have a plan.

11. Have fun!!!!!

Personally, I think rule #9 is a classic!

(c) 2009 by The Giggle Trio, Calgary, AB, Canada. Posted with permission.