Redefining My Practicing Style

My brother and I have our first paid piano/cajón gig coming up. I don't know about him, but I've had to rewire my brain in my approach to this type of gig.

Typically, for solo background music gigs, I would put together a set list to cover the time that I was hired to play. I'd carefully select which songs to group with each other. However, in recent gigs, I've found that sometimes, I have to throw that list out the window and fake it because I what I prepared doesn't match the rhythm and flow of the crowd.

This time, we have picked a bunch of songs, hours more than required. We both have a tendency to gravitate to the ballads (easy to fake). This time, our set list is jam packed with faster tunes. This has presented me with Challenge #1: finding the time to get these faster songs into my fingers - in between teaching, writing and trying to keep up with my studio operations.

We've agreed to earmark a few starting songs and then we'll choose what's next based upon the energy in the room. No problemo.

We are taking turns on the piano and cajón. That's been fun. By far, it's a lot easier to prepare the percussion part: learn a pop groove: CHECK! Learn a rock groove: CHECK! Learn a polka/klezmer groove: CHECK! Learn a tango/Latin groove: CHECK! Listen carefully and have fun.

As a soloist, we subconsciously take more time or speed up in tricky spots. We cheat with our timing. Pianists are as guilty as everyone else. As much as we teachers would like to say that we don't, we do. We all do.

However, when playing in an ensemble, it's much more critical to play in time. Not only that, but to play in the style of the piece. Therein lies Challenge #2 & #3 for me. I get hesitant when I'm not confident in the chords and/or melody. It's human nature. Nor do I have all these styles firmly in my fingertips like my friends who gig regularly do (I'll get there, though!).

To beat that out of me, I've been playing along to Youtube recordings of some of the songs and just hammering out the chord changes. Once those are secure, I start to improvise. Once that's not too shabby, I look at the melody. That's different from the standard, "Learn Part A hands separately then hands together," line we tell our students.

The other approach I've taken is to work on specific musical styles. I heard from a fellow musician that another colleague achieved great success in mastering swing by just practicing swing - and only swing - every day for hours.

Now the gig is just around the corner, so I don't have the time to fully explore this approach. I'll keep the basic boogie, Latin, pop and rock grooves already under my fingers (more or less). I did add a tango groove and klezmer rhythms as the client has asked specifically for these styles.

Once the gig is behind me though, I will explore this in full force. My plan is to spend X weeks on one style - for all the instruments I play (piano, cajón, voice, melodica and conducting). Once that's coming along, I'll add another, and another.

It's a different practice approach for one who is classically trained. It is something that my friends who gig regularly have already mastered. It's going to be a fun project.

A Look at Alfred's Basic Keyboard Chart

Alfred's Basic Keyboard Chart can help music students learn how to play the piano when they are unable to be near their instrument.

I picked up one of these for the fun of it. However, it has proven to be a handy practice aid not just for my piano students, but for me as well. If you're going away on a trip, or need extra work on your keyboard geography, this music aid is worth checking out.

What is Alfred's Basic Keyboard Chart?

It's a simple fold-out piano keyboard made out of card-stock. One side has Alfred's Basic Keyboard Chart. If you're struggling a bit with note reading or keyboard geography, this really breaks it down for you: The note on the staff is printed right on the matching note on the keyboard.

Flip it over and you get Alfred's Basic Practice Keyboard. It's just the piano keys, all 88 of them. Full-sized too.

Ideas on How to Use Alfred's Basic Keyboard Chart

The first time I used this keyboard chart was when I was on a trip. I wasn't sure if I would have access to a piano and couldn't afford to not practice.

It was a true test to how well I knew my pieces by taking away one of my senses (hearing). I had to rely more on muscle memory and analytical memory.

Since then, I've picked up two or three "cardboard keyboards" for my students to borrow when they are away. Their biggest complaint is that they can't hear anything. I usually respond by telling them about some of the great Russian pianists who practiced mostly on a cardboard keyboard. If they can do it, then they can too.

This year, I started using it with my students who need to work on their keyboard geography. On the keyboard chart side, I labeled the notes by their keyboard number, e.g. Low C is C2. Middle C is C4.

The Good, the Bad and the Ugly About Alfred's Keyboard Chart

The good: Alfred's Keyboard Chart is compact. The four panels fold up so that it's approximately 5-1/2 inches by 12 inches. Perfect to stuff in a binder or a suitcase.

The bad: It doesn't show how notes are notated two lines above or below the staff. Nor does it show bass clef ledger line notes above Middle C or treble clef ledger line notes below middle C.

The ugly: Why are the note names and notes on the staff written upside down on the keys? Wouldn't be easier for visual learners if they were printed facing the same direction?

Alternatives to Alfred's Basic Keyboard Chart

Alfred's Basic Keyboard Chart is not the only cardboard keyboard on the block. You could also buy Hal Leonard's Keyboard Chart (approx. $1.99 USD), which tops the Amazon Best Seller List for keyboard charts. There is also Willis Music Reference and Keyboard Chart (approx. $1.76 USD). At $3.95 USD, Alfred's is the most expensive in the market.

If you want to go more high-tech, there are roll-up rubber practice keyboards, like this one:

Some are battery operated and/or come with a power adaptor. Others plug into your computer or tablet via USB.

Where to Buy Alfred's Basic Keyboard Chart

You can buy Alfred's Basic Keyboard Chart online from Amazon or Sheet Music Plus (below):

look inside

Alfred's Basic Keyboard Chart Composed by Willard A. Palmer and Bill Hughes. Piano - Teaching Supplement; Posters/Charts; Resources. Other. Alfred Music #00-196. Published by Alfred Music (AP.196).

Most local music stores carry this keyboard chart as well. In Canada, music students can check out Long & McQuade, Empire Music and Tom Lee Music.

Alfred's Basic Keyboard Chart - The Verdict

It's simple. It's compact. It's relatively inexpensive. In short, it does the trick when you are away and need to practice piano. It can help you study your note-reading and keyboard geography, if you're OK with having the keyboard upside down in relation to the note names and staff.

Every Other Bar Drill Demonstration for Piano and Melodica

The Every Other Bar Drill has proved to be a successful drill with my students this month. Some need to clean things up, especially their notes, rhythm and fingering. Others need to make their music flow more smoothly. This drill addresses these issues. The student plays the odd numbered bars in a troublespot, while I play the even numbered bars on the melodica. Then we switch.Afterwards, when I get them to play the entire passage, the difference from their first runthrough at the lesson and the latest is like night and day.

It really doesn't matter what that second instrument is - voice, French horn, percussion. What I have been finding is that this drill really forces my students to count and "feel" the pulse. For me, this is proving to be a great way to practice "Instrument #5" - the melodica. This wind piano is a fun little instrument. It looks like I'll need to work on breath technique a bit more, though.

Special thanks to my student "S" for giving me permission to share this clip from last week's lesson.

Using the Circle of Fifths to Practice Technique

This popped into my head while I was teaching a lesson  last week. I asked my student to play her Grade 8 piano technique by going through the Circle of Fifths. Not only was it quickly evident that my student needs to review her key signatures, but it also was clear that she was used to practicing her technique in a certain order. However, during a music examination, you have no clue which of the required technical elements you will be asked to play. It is important to mix things up regularly.

In this piano lesson tutorial, I demonstrate what how my student practiced her piano technique using the Circle of Fifths approach.

Music Practicing 101 - Alternating Hand/Bar Drill

My students and I started playing around with this practice drill last week. It's an accuracy drill to clean up notes, fingering and wonky timing. Try playing the left hand alone in bar 1 and then right hand alone in bar 2, etc. Check out this video for a demonstration.