Keyboard Geography Cheat Sheets

This year, I have seven students who have had a tough time with their keyboard geography at the piano. One of them is an ARK learner (aural, read/write, kinesthetic. Another one is a VR (visual, read/write. The others are VA (visual, aural) learners. We've tried landmark notes. We've tried colour-coding lines or notes (that worked pretty well, until I started to wean them from the colour-coding). We've tried the good old phrases that everyone knows (e.g., "Every Good Boy Deserves Fudge"). No matter what, they look at me and ask "Where do my hands go?" or they'll look at Bass C and play me Treble C, as if any C will do.

This new idea came to me as another student and I were checking with DaTuner Lite to see how well my acoustic piano was holding its pitch.

I pulled out my Piano Teacher's Resource Kit and photocopied the reproducible Keynote Reader worksheets. Next, I had those students write in the letter names and draw a line connecting the note on the keyboard to the corresponding position on the staff.

Next, the pièce de résistance: I introduced the keyboard number system. For instance, the lowest C on the piano is C1, with the notes below being A0 to B0. I labelled the first one for them and had them finish the rest.

Next, I had them apply this new knowledge to the pieces they have been working on. It didn't take them long at all once they labelled their starting notes as "C4" instead of just any old "C".

Thank you DaTuner Lite and Piano Teacher's Resource Kit!

look inside

Piano Teacher's Resource Kit Reproducible Worksheets, Games, Puzzles, and More!. Educational Piano Library. Teacher Resource. Softcover. 88 pages. Published by Hal Leonard (HL.296802).

Concert Review of CJO's Romance Concert

The Calgary Jazz Orchestra performed a selection of popular love songs on Sunday, February 10, 2013 at River Park Church. Calgary, Alberta. The programme featured t

he music of Nat King Cole, Tony Bennett, Michael Buble, Diana

Krall and more.

Special guests included Johanna Sillanpaa and members of the Calgary Philharmonic Orchestra.

The E.P. Scarlett Jazz Ensemble, under the direction of Jonathan Bell, kicked things off with a Duke Ellington classic, "Moon over Cuba." This lively number featured the clarinet, piano and trombone. This was followed by "Jitterbug Waltz" by Fats Waller, which featured the vibraphone, piano and drums.

Members of the Calgary Philharmonic Join the CJO for an Evening of Romance

"The music is all over the map," said Calgary Jazz Orchestra Director Johnny Summers at the start of the first set. This was the first CJO concert that included a string octet, comprised of members from the Calgary Philharmonic Orchestra.

The first song performed was the love theme from Superman, "Can You Read My Mind", composed by John Williams. A cymbal roll swelled dramatically until the rest of the ensemble came in. The strings played the head, while the piano, flutes and clarinets added flourishes here and there. Al Muirhead's trumpet solo was melodic and motivic.

Another highlight was "Let's Stay Together" by Al Green. Drummer Greg Baker sung this classic R & B hit. Dr. Jeremy Brown's saxophone solo looped and climbed, leading us higher and higher still, until Johnny Summers' trumpet solo came in, played in the high register. This gave way to Rich Harding's sax solo, which weaved around, leading us back to the final verse. This number garnered several whoops and cheers from the audience.

Before performing the final number in the first set, the CJO did a quick plug for the May concert, which will feature pop hits and favourites arranged by members of the Calgary Jazz Orchestra. Johnny Summers encouraged patrons to email, Facebook or Tweet the CJO with song requests.

Vocalist Johanna Sillanpaa joined Johnny Summers to sing "Exactly Like You" to close the set. This light-hearted number is one of the tracks on Johnny Summer's new CD, Piano Sessions Volume 1. The strings augmented the playful lines the duo weaved. This number featured impressive solos by Johnny Summers on trumpet and Egor Ukoloff on piano.

Two more songs were performed in the first set, including Paul McCartney's "My Valentine". Johanna Sillanpaa was featured in Gus Kahn's "Dream a Little Dream of Me".

The CJO Performs Classic Love Songs and Logs in Some FaceTime to Maui

Johnny Summers shared with the audience what a learning experience it was to write for strings at the concert's second half. He reminisced with CPO Concertmaster  Donovan Seidle about their student days at the University of Calgary.

Then, he tried to introduce the first number. However, various members of the CJO heckled him, describing it as "Great...slow...awful." On the other hand, Johnny described Jimmy McHugh's "It Had to Be You" as "one of the most romantic songs of all time."

The strings opened with a mysterious tremolos before the clarinets joined them. This number features solos by Kodi Hutchinson on bass and Shane Statz on sax. Despite Johnny's complaints over his cold, I'd have to say that it really injected more "oomph" to his lower vocal range.

One memorable moment from the second half was "You are So Beautiful", which featured Brian Walley on trombone. Several bars in, Johnny Summers stopped the performance to inquire where Brian's sweetheart was. When Brian replied, "In Maui," Johnny reached for an iPad and said, "Let's FaceTime her!"

Yours truly held the iPad in the front row so that Brian's fiancée could be serenaded. Special thanks to the gentleman who sat beside me who assisted me in positioning the iPad to give Karen a good view of Brian and the stage.

The CJO's Chet Baker cover of "My Funny Valentine" was dedicated to a couple in the audience who recently got engaged. This year's arrangement opened with a solo piano introduction. The rest of the ensemble came in layers. This lovely arrangement featured Johnny on vocals and trumpet as well as Egor Ukoloff on piano:

The second half of CJO's concert featured three more romantic songs, including Victor Young's "Beautiful Love" and Michael Buble's "Everything" (an audience member's request). Johanna Sillanpaa returned to the stage to sing Whiting & Moret's "He's Funny that Way".

About the Calgary Jazz Orchestra

The Calgary Jazz Orchestra is a 17 piece big band founded by Johnny Summers in 2004. This performance included Rich Harding, Keith O'Rourke, Dr. Jeremy Brown, Shane Statz and Sarah Matheson on saxophone. Johnny Summers, Jay Michalak, Gord Wilhelm and Al Muirhead comprise the trumpet section. Brian Walley, Dean Yeats, Tim Embree and Dave Reid from the trombone section.

The string section was comprised of Donovan Seidle, Diane Lane, Jeremy Gabbery and Melanie Leonard on violin; Carl Boychuk and Megan Singer on viola; while Andrea Case and David Morrisey filled out the octet on cello. Arrangements for "Romance" were written by Greg Baker and Johnny Summers.

The Calgary Jazz Orchestra and guests presented a delightful jazz concert on Sunday, February 10, 2013 at the River Park Church in Calgary, Alberta. The supportive audience began applauding even before the final song drew to a close and quickly stood up to give a standing ovation as soon as the last note was played. The addition of a string section welcome addition for audience members and CJO members, adding a refreshing spin on these classic love songs. All in all, a successful Calgary event.

Sherry Kennedy's Little Secret CD Release Concert

Calgary singer-songwriter Sherry Kennedy and friends delivered captivating and electric performances on February 7 and 8, 2013 at the Engineered Air Theatre in the EPCOR Centre for Performing Arts. The event was a CD Release Party to introduce Kennedy's latest album, Little Secret. The CD marks Kennedy's tenth and is her first country album to be released in Canada. Little Secret was recorded at Sound Control Studio in Nashville, TN and she worked with "Magic Man" Mark Moseley.

The CD Release Party also featured Calgary musicians Derek Stoll (bass/musical director), Dave Hamilton (electric guitar/acoustic guitar), Keith Day (keyboards), Gavin Sorochan (drums), Denis Dufresne (acoustic guitar/mandolin) and Barbara Olorenshaw (fiddle). Lisa Ryan, Gemira McClary, Maureen MacDonald and Chris Herard lent their talents as back up vocalists, while Artists Elite lit up the stage with some fancy footwork.

Healing Art of Music Foundation Bursary Recipient Irene Sommerville Performs at Little Secret CD Release Party

CBC Daybreak host Russell Bowers introduced a very special opening act to an appreciative audience, Irene Sommerville. She is the first recipient of a bursary offered by The Healing Art of Music Foundation.

Irene has been diagnosed with Rieger's Syndrome, which has presented her with several health challenges. It doesn't hold her back from pursuing her dreams. She delivered a confident performance of Big Deal and God Bless the Child, which was not only delightful to hear but also an inspiration to everyone in the theatre.

Sherry Kennedy Performs Country, Rock and Ballads at Little Secret's CD Release Party

One highlight of the evening was "Wild Night". This R & B number showed off how tight the ensemble was. Derek Stoll laid down some cool licks, while Gavin Sorochan got into the driving grooves on drums. On stage left, some really neat call and response action was happening between David Hamilton and CCMA Award winner Denis Dufresne. That gave Sherry Kennedy and her back up vocalists free rein to really cut loose with the driving melodies.

Written by renowned country songwriter Richard Fagan, "Here After" is a catchy two-step. It topped the country music charts in Denmark on New Year's. I wouldn't be surprised if it makes the country music charts here in Canada.

Sherry shared with the audience how incredible she found the experience of working with some of the people in Nashville to record Little Secret. She then expressed her appreciation of the musicians who shared the stage with her at the CD release. "I am honoured to be with these players tonight," she said. "They are my 'Sweet Inspiration' ." At the song title, the band launched into this 1968 soul hit single, which featured a funky mandolin solo from Denis.

The ensemble performed another three songs in the first half of the show. "Think of Me" is a toe-tapping two-step. "The Legend of Rainbow Powers", is a ballad inspired by one of the "characters" from Sherry's hometown or Fort Macleod. They closed Part 1 with "Sugar in My Bowl".

Don't Touch Me, Please - Music Video World PremiereFeatured at Little Secret CD Release Party

The second half of the show opened with the "Don't Touch Me, Please" music video world premiere. Shot in Turner Valley, Alberta, the video showcases the breathtaking beauty of rural Alberta in the winter as well as the velvety warmth of Sherry's tone. The refrain contains a beautiful earworm that stuck in mind's of several audience members for hours after the show.

For the second half of the show, Sherry and her back-up singers changed from svelte black to fiery red outfits. This marked a switch to more songs about love and passion.

Dancers from Artists Elite two-stepped, teased and twirled on-stage to "Mama He Treats Your Daughter Mean". Keith Day set the keys on fire during his keyboard solo.

Another highlight was "Do You Love Him". This steamy blues number was written by Sherry Kennedy. The back up vocalists crooned beautifully in support of Sherry's passionate melody.

Part Two featured four more songs, including a rousing' performance of "Sisters Are Doing it for Themselves", "If Only" and the title track, "Little Secret". For an encore, Sherry performed "Don't Touch Me, Please". This featured some wonderfully melancholy strains from Dave and Denis on guitar.

Staging and synchronization was top notch for the show. What you didn't see were the looks of pleasure on the musicians' faces as they enjoyed the music they made together - the little smiles, the nods and looks of appreciation after a well-played lick. You missed how Barbara Olorenshaw improvised beautifully in more than the four songs that called for fiddle and how electrifying the synergy was amongst all the musicians. It was a great show.

About Sherry Kennedy

Sherry Kennedy is a Calgary-based songwriter, recording artist, entertainer, actress and vocal coach with over 20 years in the music business. She's a versatile performer. From musical theatre to jazz, and from R & B to country, Sherry enjoys performing in these diverse musical styles and more.

Her music has been played in over 15 countries and she has been on music charts in Europe for over 15 years. Sherry has toured 12 countries, including Australia, Norway, Japan and the USA.

About The Healing Art of Music Foundation Calgary

An avid painter, Sherry Kennedy has merged her two passions in 2011 with the establishment of The Healing Art of Music Foundation. She has worked with musicians from all walks of life, some, like Irene Sommerville, have blossomed against adversity due to the impact of music. "My intention is to use the knowledge, passion and the skills that I have to assist anyone with the desire to experience the "magic" of music," says Sherry on her website.

Sherry Kennedy's paintings have garnered commercial success. Proceeds from her artwork go towards running the HAMF.

Sherry Kennedy's newest CD, Little Secret is available on CD Baby and iTunes:

Tips on Project Management and Learning Music

For those of you doing a music exam or playing at the music festival, you're probably feeling the pressure from your music teacher and parents. After all, we're in exam and music festival season and the clock is ticking!

To help keep my students on track, I've helped them come up with a Project Management Timeline for the areas that need work. When I first used this backwards project timeline, it was during my co-op term at CPO. I had to plan out when I needed to write my press releases for upcoming concerts at the Calgary Philharmonic Orchestra. Working backwards from the radio, TV and print media's submission deadlines, I was able to figure out when I needed to write the press releases for the spring concerts. It works well for music too:

D-day in this case is the week leading up to the APTA Festival. I had my students count out how many weeks they had till D-day. Then, I informed them that they needed to give themselves at least one month to let their memory settle and to polish their pieces. This is represented by the first two numbers on the LH side of the page.

From there, we calculated just how many weeks they had left to memorize "Piece X" and how many weeks they had to finish learning the piece.

Next, we looked at the RH side of the page; at the total number of lines in the piece, the number of lines learned already and finally, the number of lines left to learn. Then it was time to put the math hat on:

• 9 lines to learn DIVIDED by 3 weeks learning time = 3 lines to learn per week

• 18 lines to memorize DIVIDED by 7 weeks = 2.6 lines to memorize per week, give or take a bar or two, depending on phrasing

In this example, the student needs to spend some practices learning the rest of the piece and some practice time on memorizing a section.

With the formula, the music memorization deadline thus becomes the week of March 27. You can also use this formula to help figure out your practice milestones for the week.

Give it a try with your current pieces - good luck!

P.S. Now, the milestones will change, depending upon the level of difficulty of the piece and the student's work habits

Practicing Conversational Japanese

As with learning any language, if you want to learn how to speak it, you actually have to practice speaking it, ne? Below are a few groups you could join to practice speaking Japanese:

1. University clubs: Check to see if you have a "Japanese Conversation and Culture Club" on campus.

2. Form a study group with your classmates. You can meet up in person, or try a "virtual" study group via Skype, Google Hangouts, FaceTime, etc.

3. Meetup.com: Check out "Japanese Language and Culture Meetup Groups"

4. Become involved with your local Japanese community association. The Calgary Japanese Community Association is pretty active and many of the older members are helpful when you try to speak Japanese.

5. Youths can check out the Japanese Youth Association of Calgary.

Although many of the links are Calgary-specific, you can check online to see if there is a similar group in your area.