Using Waveforms in Music Lessons

Summer lessons give me a chance to try out new ideas with students. One of my students doesn't pay attention to the rhythm and tempo as carefully as he should. I wanted to find a different way to show him that "steady" and "unsteady" are two different things. Last week, I decided to show him what "steady playing" and "unsteady playing" looks like. Not with the webcams but with the waveforms.

Using Audacity, I recorded both of us playing the same passage. I synchronized them and first asked him to study how well our waveforms lined up. Then, I hit Play.

When I asked him to repeat the passage, he was much steadier!

6 Steps to Self-Regulated Practicing

Last month, I attended a national music teachers' convention. It was my first time as an attendee (versus when I was  a organizing committee member). One session that really resonated with me was Dr. John Picone's Steps to Parnassus: Guiding Young Musicians to Self-Regulated Practicing.

He was such a dynamic presenter and had wonderful ideas. I hope that one day, the Alberta Registered Music Teachers' Association or the Alberta Piano Teachers' Association could bring him out here to do a session for music teachers AND music students.

He shared a lot of information and examples with us. I will just highlight six main points for you try to incorporate into your at-home practicing. They are, what Dr. Picone referred to as "Six Dimensions of Self-Regulated Learning":

1. Take charge of your environment: Is your pet pestering you when you practice? Does your little sister come and bash on the keys while you are at your instrument? Or is your practice area in the same room as the television? You need to, perhaps with some help from your parents, create a practice space in which you can actually get some quality practice time in. Get rid of those distractions!

2. Manage your Time and Setting Goals: This past year, I introduced my students to the concept of "speed learning". To force them to think about time management, I used the countdown timer. If you only have 10 minutes, then you need to have a solid plan of attack. Pick a chunk of music that's do-able in 10 minutes. How much can you learn in 10 minutes? Or fix? The clearer you are with your plan, the more productive your practice will be.

3. Record and Review: Record and Review is something I encourage my students to do regularly. I think some do but not all. There's a lot going on when we play a piece or technical exercise. How else are you going to know if you're making any progress at home unless you listen to what you just did? If your iPod records, then use it. Or a tablet, computer, phone or other recording device.

4. Seek out resources on your own: Can't remember what "subito" means? You know technology more than your parents and teachers do. Google it! Or get a music dictionary app.

5. You have a repertoire of strategies and you know how to use them: One drill I grew up on was "Drill this 10 times". I'd get tired by five. My students have some more creative practice drills in their arsenal (e.g. Smarties Drill, the Every Other Bar Drill and the Fill in the Blanks Drill for starters). Regardless of what practice drills you have been taught, you have to know when to use them and how to use them. Now that would require you to read your music notebook, wouldn't it?

6. Motivation: There's external motivation (e.g. you have a music exam next week and you don't want to fail) and internal motivation (you simply want to do well). It doesn't matter how often your teacher asks you to practice more or how often your parents yell at you to practice - if you don't want to do it, it's not going to happen as well as it should. However, you need to really think hard about whether you don't want to practice because you've hit a snag or because you really hate music, but that's a separate topic.

The video that Dr. Picone showed us was of a seven-year old boy. He didn't really play much in the practice clip, but he didn't need to. He spent about a minute asking his mother to take the family dog into another room. Then, he spent a couple of minutes planning out what he was going to practice.

Once he selected a piece, he took another minute to skim through it. His finger traced over the notes. He stopped and looked at a tricky rhythm. After a moment's thought, he pulled out his music notebook to read his teacher's practice suggestions for that rhythm. Then, he remembered that he had a recording of that part of his lesson, so he listened to it. He checked his clock. Then, the clapped out the rhythm a few times. Checked his time again and then did a run-through at the piano - slowly. He tried it a few times before running through the whole piece.

If a seven-year old can master self-regulated, or organized practicing, you can too.

Exploring Online Discussion Forums for Music Teachers

Online discussion forums and groups are a great way for solopreneurs to brainstorm and troubleshoot with colleagues. Think of them as virtual coffee rooms or water cooler areas.

My first introduction to online music teacher groups was the Canadian Piano Pedagogy Group. Shortly thereafter, I joined a couple of music teacher groups on LinkedIn.

These days, I've been more active in two groups. The first is the Alberta Piano Teachers' Association's Facebook Group (APTA). The second is worldwide - The Art of Piano Pedagogy. 

What I like about these groups is that they aren't limited to where I teach. APTA's FB group has over 70 members from across Alberta, while The Art of Pedagogy has over 3,100 members worldwide. There are variances to how each city state or town, province or state, country or continent tackles the art of music teaching.

By plugging into these groups and into this "world brain" of music education knowledge, music teachers young and old can draw upon this highly dynamic library. Not only that, just like another famous online community that I am part of, these groups also provide encouragement and support when teachers are going through challenging times or life transitions.

If you are feeling a little isolated (which is common for any solopreneur), or you feel like you need to re-energize your teaching without having to travel far, online discussion groups are a great way to go. The solopreneur does not have to be alone!

On Music and Technology, Teaching Awards and Future Collaborations

Last month, I was named the Tech Teacher of the Year. Last week, I got to pick up the hardware on the other side of the country:

The Tech Teacher of the Year Award is the brainchild of Roland Canada, Music for Young Children and Conservatory Canada. It is the first time that this award has been given out. The representatives involved decided to present the award at the Canadian Federation of Music Teachers' Associations (CFMTA) national convention in Halfiax, Nova Scotia, Canada.

The magnitude of the award didn't hit me until I stepped into the ballroom at the World Trade and Convention Centre. The mere thought of standing in front of music teachers from all over North America, many of whom have been teaching for far longer than I, was overwhelming. The realization that I had to come up with a decent acceptance speech was frightening.

Thanks to my previous "lives" - arts marketing and fund development, special events and communications - experience and Divine inspiration kicked in. Ergo, I am familiar with the "lead sheet" of an acceptance speech. All that was left was to decide upon a few salient points while my shaking hands tried to direct my meal into my mouth.

Now I can't remember everything I said. I do remember thanking the sponsors for coming up with the idea and for paying my transportation and accommodation to the convention. I vaguely remember mentioning how difficult it was to put the submission together (my first take was over 10 minutes long!). As well, I mentioned how my students are equally fascinated with old technology, tasking me with finding an old magnetic tape recorder.

My last point is one that I've made several times here: technology doesn't have to be scary. It took me years to get my studio to where it is today. Even then, it wasn't until my involvement with Eric Whitacre's Virtual Choir last year that I upped my game on the music and technology front.

Roland Canada hosted a dinner for the participants who were in attendance at the convention. It was inspirational to just meet and chat with this bright individuals and to express the desire to work together.

When I was able to tell the world that I had won the award, I shared my news on Eric Whitacre's Facebook Wall. I know I shouldn't be surprised that he replied. After all, Eric has nurtured a great relationship with his fans and members of Virtual Choir - to the point that he drops into the odd Virtual Choir Google Hangout and has dinner with 10 VC members who decide to go to Vancouver to catch him in concert:

However, knowing how busy he must be, it's still a bit shocking to get a reply from him.

What's next on the horizon? Who knows? I just know that now that I'm back from Halifax, I have to fight the urge to incorporate all the neat ideas I picked up - all at once.

Looking Back on My Music Student Incentive Program

This past school year, I made some changes to my student incentive program. Then, to wrap up the year, I decided to throw a Top Dog Party which was open to all students. It's a busy time of year, so there was a small turnout. However, everyone who came had a great time.

Over snacks, four of my students and I chatted about the recent flooding in Southern Alberta. The three who had never been to the Calgary Stampede were concerned that the event would be cancelled due to the flooding.

My other student and I took turns telling them about what they can see at the Stampede. I also showed them some photos and video clips.

Then, it was time to get to business. Maestro and I proceeded to award the Top Dog prizes for the following:

• Most Gigs: Winning student performed 43 times (at least, that's the number of recorded performances)

• Technique Savvy: Two sisters tied at knowing and mastering 43 technical elements (e.g. scales, chords, arpeggios, progressions)

• Music Mastery & Music Maestro: One student mastered 40 songs and completed 18 extra projects and tasks (e.g. recital helper, worked ahead, improvised and/or composed)

Each student received a jumbo cute cat or dog mug.

We wrapped up by playing several rounds of Scattergories. Now, you may ask why we didn't play Music Bingo, charades or another music game. My students were curious about the game, plain and simple.

In the end, it wound up being the perfect choice. By showing them to think outside the box with vocabulary,  perhaps that showed them that they can do that in other areas too, like music.

How successful was the 2013 incentive program? Overall, I'd say fairly successful - for those that used it. Not everyone participated and several forgot or misplaced their Gig Card and/or Progress Card.

In fact, I nearly had a five way tie for Music Maestro! Yes, I had that many students who showed initiative by doing something a little extra with their music.

Several of my students performed between 20 - 40 times. I don't recall performing that often when I was their age, so kudos to them!

Ditto with my Technique Savvy Sisters. Not surprisingly, these two were also the most prepared for their piano examination earlier this month.

My last Top Dog is a beginner student. With him snagging two titles, I'd say that he's got a pretty solid foundation of practicing. His progress has been steady, which I attribute to to the discipline he gets through homeschooling and martial arts.

If anything, I'll make some minor tweaks to the program. I'll ask for some feedback when the students come for their summer flex and/or group class.