Arpeggio Warm-Up Exercise

This has been my favourite warm-up exercises lately. After playing the piano for over 30 years, you have to come up with different practice drills to keep things fresh.

First, I start by playing a one-octave arpeggio (eighth notes). I start slowly and as soon as I hear that I'm playing evenly, then I branch out to two octaves (eighth notes), then three (eighth note triplets) and then finally four (sixteenth notes). Sometimes, I have to repeat a particular stage three or more times before I hear that I'm playing evenly.

For an added challenge, I change the articulation: staccato, legato, portato or slurred. Then, for a bonus, each hand will play a different articulation.

Beginner piano students can just stick with one-octave arpeggios. Junior intermediate students can branch out to two-octaves. Upper intermediate students can go up to three octaves, while advanced students should go up to four octaves.

Here's a video demonstration:

Making a Practice Schedule

Hi gang! Sorry for the lack of updates. My Wordpress upgrade went wonky and everything was down for a while, but we're back with new practice tips and tricks. The key to making progress with any activity is frequency. That's why dance, sports and martial arts groups train three or more times a week.

As a musician, a lot of that training has to be done at home, mostly on your own. You need to manage your practice routine - an not just because you don't want your parents or your music teacher nagging you about it. You have to want to get better, which means that you need a practice plan and a practice schedule.

Here are some websites I've tracked down with some tips on setting up a practice routine, as well as some sites that have practice logs:

Establishing Good Practice Habits (FYI: He's right - practice your arpeggios!)

Kids' Music Practice Charts

Making the Best Use of Limited Practice Time

Music Practice Schedule Template

The Power of a Practice Schedule

The Musician's Way - Downloads (I think I'm going to try out the Practice/Creativity Log)

Now if you're an aural learner, that is you learn by listening, then record your practices regularly and review them. If you're a visual learner, record a video of yourself. It's as easy as grabbing your smartphone, tablet, camera or iPod Touch.

Music Practice Advice from Barney the Dinosaur

I was never a huge fan of Barney the Dinosaur (he just wasn't as cool as Snuffy and Big Bird to me). However, I recently came across this two-part episode where Barney and his friends talk about how practice makes music.

Pianist Greg Murray shows the kids a few neat things that you can do with music once you've worked hard to learn a song. In this clip, Greg plays some different variations of Twinkle Twinkle Little Star:

Barney & Friends: Practice Makes Music (Part 1):

And Part 2 of Practice Makes Music:

The main point to take away is that Barney the Dinosaur's friend Greg practiced a lot to get to the point where he could have fun with any song, whether it was Mary Had a Little Lamb or Twinkle Twinkle Little Star. 

Professional Musicians Talk About Practicing

It's always neat to hear what advice other people have to share about something you do. I've tracked down a few short interviews with professional musicians discussing practicing music. Enjoy! Conrad Doucette, Musician and Music Journalist on Creative Ways to Practice Your Instrument:

Violinist Midori on Practicing:

Getting Those Fingers Back into Shape

I think it's safe to say that most music students take it easy during the summer. Most music teachers like to as well. However, with fall just around the corner, it's time to strengthen those fingers!

I recommended a few popular books with hand exercises a while back. Last year, I finally worked through the first book of Hanon exercises:

The New Hanon (link to my affiliate link)

This summer, I'm working my way through the Schmitt Five-Finger Exercises, op. 16 (affiliate link).

What I really like about the Schmitt exercises is that they are five-finger exercises. Sure, you're supposed to play them 15 times each, but it's really not that bad. I use the following pattern:

• Five times legato

• Five times staccato

• Five times something else

That "something else" could be portato, or jazz triplets or two-note slurs. I do notice that it takes at least five repetitions of the pattern before my tone evens out.

If you're looking for a way to get your fingers back into shape before the fall, you can't go wrong with Hanon or Schmitt. It beats playing your Conservatory scales, chords and arpeggios every day.