THE MUSICAL MUSE
Blog dedicated to music education, practice tips, health
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Ready for FallCon 26?
Looking forward to my very first FallCon experience. Although I can't spend the entire weekend playing tabletop games, I'm just glad that I will be able to try out some new games. Online registration has closed, but you can still register for available sessions at the door. For more information, visit FallCon's website.
You can also check out the promo piece that appeared in FFWD earlier this week. FallCon was also featured on the Breakfast Show this morning.
Calgary Japanese Festival 2013 Blooper Reel
Some of you asked for it and the ChibiSamuai delivers. Here's my blooper reel of the Calgary Japanese Festival.
Some of you on Facebook liked the idea of seeing a blooper reel of my Calgary Omatsuri footage. Well, here you go. Technical issues and sliding guitars make for an interesting time:
The 2013 Calgary Japanese Festival was a grand success. There were more displays, more tents, more food and more cultural programming. It was too bad that some of the indoor programming was cancelled, and that some sessions happened out of sequence. I was really disappointed that the sword making session was cancelled.
If I have one suggestion, it's that the indoor programming repeats. Then attendees wouldn't have to choose between indoor and outdoor events.
Organizers are looking at larger venues for next year. Sugoi, desu ne?
Interview with Calgary Omatsuri Talent Show Performers
I have a great chat with Bryan and Colton, who performed at the Calgary Japanese Festival's Anime and Talent Show last month.
Minna-san, gomennasai! All of my sites were down for the week because of a glitch with my WordPress 3.6 upgrade (wasn't playing nicely with WP MU and my primary WP theme). At last, here is my interview with Colton and Bryan from the Calgary Omatsuri:
Omatsuri J-Pop and Anime Talent Show Highlights
A break from programme order to show off clips from the J-pop and Anime Talent Show at the 2013 Calgary Japanese Festival.
I'm going a little out of sequence from the Calgary Omatsuri programming schedule, simply because I feel the need to stir things up a little. A new addition to the Calgary Japanese Festival programming was the addition of a J-pop and Anime Talent Show. This part of the show featured young singers from across Alberta. They each had a chance to sing one number earlier in the day. The talent show itself was the second last event on the programme. Here is a video compilation of some of the performers:
The performers featured are: Sierra, Rachelle, Bryan, Colton, Yan (YT: Blue Reminiscence) and Kathleen (YT: Irulanne). They performed "Tsukiakari no Dearest" - Camus and Mikaze Ai, "Hikari" (AKA "Simple and Clean") from Kingdom Hearts and "Sora wa Takaku Kaze wa Utau" from Luna Haruna and Fate/Zero.
I also had the opportunity to interview Bryan and Colton, two of the performers. I'll upload that one once I'm done editing it.
Interested in checking out the featured songs? Here they are:
Hikaru Utada
The Evolution of an Anime Otaku
When I was tidying up my anime collection, I mused over my changing tastes through the years.
Just like the ever-changing landscape, our tastes change. Nothing makes that clearer than when I look at my anime list.
For the purpose of this reflection, I'll leave out the anime that I watched as a child. That was, after all, before anime became big in North America. My otaku story really began with Pokémon and Card Captor Sakura. Thus began my stint watching shonen and magical girl anime. Mostly coming of age stories with a hint of supernatural, like Fruits Basketand Magic Knight Rayearth. I even started buying Furuba messenger bags and plushies!
At the time, anime provided a nice way to escape the stresses of the day and reconnect with my inner child.
Next came more shonen like, Bleach, Kekkaishi, History's Strongest Disciple Kenichi and Samurai X. This led to me finally picking up the martial art Iaido. I joined the Calgary Iaido Club (now "Ka Muso Kai") and worked my way up to Ikkyu and publishing three articles in The Iaido Journal.
My next big shift was towards "spirited away" tales, such as 12 Kingdoms, Spirited Away, Magic Knight Rayearth. Escapism once again.
Actually, one of the reasons I started to study the Japanese language is because there are some light novels that haven't been translated into English. Or, they are being translated at an extremely slow pace. 12 Kingdoms is one of them.
I think mecha came next: Neon Genesis Evangelion(because everyone has to at least once, right?), RahXephon, Bubblegum Crisis Tokyo 2040. One of my favourite shows as a child was Battle of the Planets (AKA "Gatchaman"). Between G-Force and the Transformers, I guess I've always been a mecha fan. There's something fantastical about these humungous machines.
I even delved into a bit of horror (to my own horror). However, it was the story that drew me in. However to this day, I still wish they told us who the murderer was in Umineko no Naku Koro Ni.
After that, the shifts came in terms of storyline. Sure, there were still elements of shonen or magical girl, mecha or being spirited away, but the stories were getting deeper.
One season, I watched only post-apocalyptic shows, such as Shinsekai Yori. Another season featured strong female leads (Soul Eater, Moribito). Anime with a bit of mystery and intrigue, as well as samurai ones remain a hit with me.
One thing that remains constant is that this otaku seeks a balance, a balance between light and dark, funny and serious, fantasy and reality. My otaku bookcase spreads across my home (anime and manga in one area, plushies and figurines in my office - because I want a cool workspace).
And wow, have I ever watched a lot of anime through the years! すごい です ね?
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