Virtual Choir 4.0 Announced

Last week, Grammy-winning composer/conductor Eric Whitacre announced the next Virtual Choir Project: "Bliss". This piece is from his 2010 West End musical entitled Paradise Lost. It is quite the departure from previous virtual choir projects. An exciting one. Some choristers may grumble, but I personally think that this will introduce a new group of singers to the beauty of choral music. "Bliss" is a fusion of classical, techno and something else that I'm still trying to put my finger one. Another difference between VC4 and previous projects is the need for a Kickstarter campaign. As Eric Whitacre's Virtual Choir continues to grow, so do the expenses. VC3: Water Night cost over $100,000 to create. Hence, the Kickstarter campaign. Since it's launch last weekend, the VC4 kickstarter project has raised over $18,000. Not too shabby. Without further ado, here's Eric Whitacre on the VC4 project: In light of the tragedies from last week, any opportunity to come together as a global community in the name of peace, is a welcome one.

Concert Review of the Calgary Wind Symphony's Hilarious Holidays

The Calgary Wind Symphony performed a selection of upbeat and amusing band music at its Christmas concert on Sunday, December 2, 2012 at the University of Calgary's Rozsa Centre. Cellphone soloist Wendy Freeman and pianist Julie Jacques drew the crowd in with their energetic performances.

The CWS Set the Stage for an Afternoon of Hilarity

Various members of the Calgary Wind Symphony glittered. Literally. There was a wide assortment of blinking and non-blinking elf caps, Santa Claus hats and reindeer antlers, which set the tone for a lighthearted musical afternoon.

“

It only gets more garish as the afternoon goes on,” quipped CWS Music Director, Dr. Jeremy Brown after walking on stage with his fire-truck red cummerbund beneath his tux.

Fanfare and Cell Phones Highlighted at the Calgary Wind Symphony Concert

The CWS its Christmas programme opened with Jim Colonna's “Fanfare on Adeste Fidelis”, a lively number that featured a witty fugal fanfare in the brass. This was followed up with Jan Van der Roost's “Flashing Winds”. This energetic number contained sweeping themes reminiscent of the classic TV show “Bonanza”.

One of the highlights from the first half was the “Concerto for Cell Phone” by James M. Stephenson. Yes, you read that correctly – cell phone. Soloist Wendy Freeman scoured the malls to record “the six most epic ring tones”. Each ring tone was “introduced” by the cellphone and then developed by the CWS. The fugal treatment of the infamous NOKIA® ring tone was beautifully done.

The first half ended with “Pequeña Suite para Banda” by Luis Serrano Alarcón. This suite featured some polytonality, instruments played in extreme registers and catchy rhythms. The flute solo in the “Rana” was simply exquisite, while the melodic themes in “Galop” weaved a twisting soundscape, punctuated with energetic, Batman-like “SPLATS”.

The CWS Presents the World Premiere of Le Tombeau de Liberace and More Season Favourites

The hilarity reached epic levels in the second half, beginning with the world premiere performance of Michael Daugherty's

“Le Tombeau deLiberace”

. This suite in four dances is scored for piano, flute, clarinet, French horn, violin and percussion. Julie Jacques of Calgary took on the role of Liberace at the piano.

It showcased everything you'd expect for a Liberace tribute – glittering rings, feather boas, candelabras and trademark Libarace piano riffs. The first dance, the “Rhinestone Kickstep”, featured a dialogue between the marimba and the piano, boogie woogie rhythms and crunchy harmonies.

“

How Do I Love Thee” is named after Elizabeth Barret Browning's sonnet of the same name. Liberace often recited this poem at performances. It featured a mournful melody on the French horn, glittering

arpeggii

on the piano and some lush Debussy-esque harmonies.

“

Sequin Music” is a classic example of

dodecaphonic

music. The 12-tone motive was presented and then developed through various permutations, such as transposition, inversion and retrograde. It became more embellished once the piano cadenza was reached.

The final dance in the suite is “Candelabra Rhumba”. The Spanish-flavoured theme weaved between the instruments against heavily syncopated rhythms played on the piano.

The stage lit up even more for the next piece, with a sudden increase in blinking Christmas hats and antlers. The CWS performed “Canadian Brass Christmas”, arranged by Luther Henderson and adapted for band by Howard Cable.

This upbeat number opened with the Big Ben clock theme before launching into a contrapuntal treatment of “Ding Dong Merrily on High”. The medley also included “Here We Come A Wassailing” as well as “Huron Carol”.

Another highlight from the second half was “A+: A Precise Prelude and an Excellent March” by Thomas C. Duffy. To set up this number, trombonist and band

teacher, Jim Kramer shared this quote by baseball legend Ted Williams:

"Baseball is the only field of endeavour where a man can succeed three times out of ten and be considered a good performer.”

With “A+”, Duffy wanted to demonstrate the difference between a performance in which everyone is trying to play as proficiently and expressively as possible (A+) and a performance akin to Williams' 3/10 game stats. Suffice it to say that Duffy and the Calgary Wind Symphony proved that getting 3/10 notes right in music is unacceptable.

The final number on the programme was Leroy Anderson's “Sleigh Ride”. As an encore, the CWS performed Karl L. King's “Circus Days – Galop”, featuring Monica Leong on bicycle honker horns.

About the Calgary Wind Symphony

The Calgary Wind Symphony is a 60-member ensemble, directed by Dr. Jeremy Brown of the

University of Calgary

. Formerly known as the Calgary Concert Band, the ensemble has been active in Calgary's musical community since 1947. The band went on a European tour in 2011, performing to enthusiastic audiences in Italy and Austria.

In the summer of 2012, the CCC changed its name to the “Calgary Wind Symphony”, operating under the Calgary Concert Band Society.

Music aficionados can check out the Calgary Wind Symphony's upcoming concerts for the 2012/13 season. On Sunday, March 3, 2013 at 2:30 p.m., the CWS presents “Music of Mysteries, Legends and Ritual”. On Sunday, June 2 at 2:30 p.m., the Calgary Wind Symphony presents “Apollo Sings! Music that Soars”. Both concerts will take place at the Rozsa Centre on the U of C campus. For more information and to buy concert tickets, please visit the

CWS's website

.

The Calgary Wind Symphony's “Hilarious Holidays!” concert in Calgary on December 2, 2012 boasted a lively and amusing programme guaranteed to elicit giggles and chuckles from the audience. From the downbeat, the CWS had audience members tapping their toes, chuckling and cheering in appreciation for not only a proficient performance, but a highly entertaining one.

Concert Review: Calgary Jazz Orchestra Plays Brubeck and the Adderley Brothers

Lively music and exciting solos were on the programme at the Calgary Jazz Orchestra's first concert for the 2012/13 season. This concert took place on Sunday, October 21, 2012  at the River Park Church in Calgary, Alberta. The William Aberhart Jazz Ensemble, directed by Kevin Willms took to the stage first, performing three numbers. The first was "Hay Burner" by composer and big band arranger, Sammy Nestico, a mid-tempo number.

This was followed up with Duke Ellington's "Pyramid", which is a medium, Latin-influenced number. This featured some lovely solos on trombone, clarinet, tenor sax, trumpet and bari sax.

The jazz band wrapped up with "Groovin' Hard" by Don Menza. This upbeat swing number featured solos on drums, tenor sax, piano and guitar.

The Calgary Jazz Orchestra Performs the Music of the Adderley Brothers

The first half of the CJO's program featured some hard bop by trumpeter and composer Nat Adderley and his brother, alto saxophonist Julian "Cannonball" Adderley.

The jazz ensemble opened the first set with "Hayseed". This lively number featured solos by Gerry Hebert on saxophone, Kim Beachum on trumpet, Egor Ukoloff on piano and Brian Walley on trombone. A highlight was when Jeremy Brown (saxophone) and Greg Baker (drums) were trading fours.

Another highlight wasn't listed on the programme. The late addition was "Tenderly", arranged by pianist Egor Ukoloff. It was performed by Egor Ukoloff, Jeremy Brown, Johnny Summers, Kodi Hutchinson and Greg Baker.

Egor Ukoloff opened with a Gershwin-esque introduction, complete with rolls and waves of blues chords and arpeggiated patterns. A sensitive presentation of the "head" was delivered by Johnny Summers on trumpet and Jeremy Brown. Jeremy's lines were quite varied, one moment, lyrical and wavy and the next, marcato as the melody grew.

In contrast, Johnny's lines were softer with tender motifs that mimicked the murmurings between lovers. This gradually ave way to a more rhythmic part as the rhythm section led the transition to the piano solo.

Egor's featured rhythmic motives and sequences. Truly, the architecture of their solos was simply sublime.

Five other songs were included in the first set. They were: “Work Song”, “Unit Seven”, “Sermonette”, “Jackleg” and “ Spectacular”.

The CJO Performs West Coast Jazz by Paul Desmond & Dave Brubeck

I must come clean, I am a huge Brubeck fan. I guess that makes me a West Coast jazz fan as well. The second half is what I had eagerly anticipated for months! Well, ever since the Calgary Jazz Orchestra announced its 2012/13 season.

The CJO performed the music of the Adderley brothers and Dave Brubeck. Photo by R-M Arca.

Director Johnny Summers shared the story behind his arrangement of “Take Five”. He asked a visiting musician for ideas on how to approach arranging this iconic tune. He was told “Don't bother.”

The result was an exciting arrangement. The punchy 5/4 rhythms prevail but the shaping was exquisite. Gerry Hebert's solo meandered, gradually leading the audience up to Shane Statz's solo on sax. It featured longer rhythms.

The middle section had a distinct “Get Smart” vibe. It also featured Rich Harding on alto sax. His solo started slowly and gradually built up the audience with trickier rhythms.

In contrast, Johnny Summers' solo built up in waves, punctuated by “splats”. Greg Baker's solo also built up in waves with punchy rhythms.

The final number on the programme was “Blue Rondo à la Turk”. Egor Ukoloff opened, followed by Greg Baker and Kodi Hutchinson. Next came the saxes, followed by the trumpets and trombones. The transitions between the swing theme and the Turkish theme was executed marvelously, gradually gaining momentum and energy.

Gerry Hebert marked the first transition to swing, followed by Rich Harding on sax in a lower register. Then, the pair traded fours, then twos, building up the excitement with faster rhythms.

Johnny Summers' solo during the “Turkish” part was slow and steady, at first, then got louder, higher and faster. This was punctuated by blasts of rapid descents to the lower register.

Egor Ukoloff's solo was blues-infused, featuring a soulful melodic line and crunchy chords. The music gained speed and continued to push towards a very energetic ending.

Other songs featured in the second set include “Charles Matthew Hallelujah”, “In Your Own Sweet Way” and “Unsquare Dance”. The CJO performed Cannonball Adderley's “Mercy, Mercy, Mercy” as an encore.

Upcoming Events with the CJO

The CJO's next performance is the annual Al Capone Charade. This cabaret features an evening of big band swing and dancing.The Calgary Jazz Orchestra is launching a new series called “CJO Small Group Series”. The opening performance, “From the Plantation to the Penitentiary” is on Thursday, November 22, 2012, and will feature the music of Wynton Marsalis.

To find out more about CJO and the jazz ensemble's upcoming events, visit the Calgary Jazz Orchestra website.

The Music of David Brubeck & the Adderley Brothers was presented by the Calgary Jazz Orchestra on Sunday, October 21, 2012 at Riverpark Church. It featured big band arrangements by Greg Baker, Shane Statz, Johnny Summers and Egor Ukoloff. This enjoyable programme showcased several pieces that had heads bopping to the music throughout the evening.

Calgary August Music Festivals 2012

There are quite a few summer music festivals coming up in August, here in Calgary. Here is just a sampling of what's ahead:

Inglewood Sunfest (August 4): This annual event in Calgary's historic Inglewood is free. You can listen and watch various street performers, check out the local vendors and enjoy some great food.

Afrikadey (August 5 - 11): This annual festival celebrates the culture, traditions and music of Africa. This year's event features performances by Alpha Yaya Diallo, Emmanuel Jal, MFive and more. Tickets are available on the Afrikadey website.

Calgary ReggaeFest (August 15 - 18): In addition to live music by international Reggae musicians, attendees can enjoy food, arts and crafts and the beer garden. There are also plenty activities for children and youth, including basketball, sand magic and face painting. Featured artists include Amoy, Bryan Art, Cherine Anderson, Chester Miller, Hawkeye, Jermaine Cowan, J.k. & the Relays, Makeshift Innocence, New Kingston, Redeye Empire, Roots Syndicate, Souljah Fyah, and Ultimate Crew. Tickets are available for purchase from the event website.

Other festivals worth checking out include the Marda Gras (August 12), GlobalFest (August 16 - 26), and ExpoLatino (Aug. 24 - 26) . You can be sure there will be some live music to enjoy!

Special Note from Maestro: Fellow canines, be sure to check out Marda Gras! I scored lots of swag the last time I went. I also listened to some great jazz.

© 2012 by Musespeak™. All rights reserved.

Calgary Summer Music Festivals 2012

One of the many great things about summer is that it's festival season. There are countless opportunities to explore different styles of music while relaxing with family, friends and pets.

Here are some music festivals worth checking out this month:

Fiestaval Latin Festival (July 21 & 22):Come out and listen to Quinteto Alegria (International Latin Jazz), Colombia Ramiro Padilla y su Tropa Vallenata, Orquesta "The Latin Combo" and more at this free multicultural arts and entertainment festival.

Calgary Folk Music Festival(July 26 - 29): "Folk" music encompasses such a wide range of music. Check out the Latin jazz of Renato Borghetti, the "alternative indie pop rock" strains of Jeff Stuart & the Hearts and the "electric, indie, pop" sound of Little Scream. Headliners include Chris Isaak and Mary Chapin Carpenter.

Calgary International Blues Festival (July 30 - August 5): Enjoy the exciting Afro-Cuban rhythms by Eddie 'Devil Boy' Turner, the rock-jazz-classical fusion of Lighthouse, award-winning artist Shirley Jackson & the Good Rockin' Daddys and many more.

Maestro's one piece of advice for four-legged music aficionados: Most festivals don't allow pets on-site. However, the nice thing about music is that sound carries, so he joins other furries in listening from the other side of the fence.

© 2012 by Musespeak™. All rights reserved.