SWING! CUBA! Calgary Jazz Orchestra Concert Review

The Calgary Jazz Orchestra performed a varied and entertaining programme to an enthusiastic audience on Sunday, September 25, 2011 at 7:00 p.m. At Calgary's River Park Church. The concert featured swing jazz as well as Cuban and Latin American music.

Opening Act University of Calgary Jazz Ensemble

The U of C Jazz Ensemble kicked off the evening with four numbers, starting with the Wayne Shorter number “Speak No Evil”. The band switched gears with Maria Schneider’s “Baytrail Shuffle”. “Don't Know Why” featured the sultry voice of Ellen Doty and the rhythm section. The UCJRE wrapped up the set with Gordon Goodwin's “There's the Rub”, which had audience members bopping in their seats.

Under the direction of Dr. Jeremy Brown, the UCJRE performs music that spans the entire time-line of jazz. The jazz band performs regularly throughout the year both on and off-campus.

With just three rehearsals together, the group performed extremely well together. The violin and guitar added a freshness to the numbers.

Nate Waters, Joanna Skrajny, Josh Burton, Steve McNeilly and Kayla Koshynsky make up the saxophone section in the jazz band. Andrew Rodrigues, Jonathan Craik, Jory Wutzke and Andrea Journault make up the trumpet section. Dylan Martin, Casey McLary, Scott Tkaczuk and Josh Kay comprise the trombone section. The rhythm section is comprised of Si Rim (bass), Hannah MacGillivray (bass), Krishan Power (piano), Ian Tullis (drums), Jamison Ko (drums) and Colin Adikary (drums).

Rounding out the ensemble are vocalist Ellen Doty and violinist Jeremy Gignoux. The group was joined by Calgary guitarist Ralf Buschmeyer as well as CJO members Greg Robertson, Kim Beacham and Johnny Summers.

Swing Jazz Featured in Calgary Jazz Orchestra's First Set

“We've downsized,” quipped CJO Director Johnny Summers while the UCJRE traded places with the CJO. The group, sporting matching icy blue ties, performed hits and hidden gems from the Big Band Swing era.

First up was “Harlem Airshaft” by Duke Ellington. This upbeat number showcased the technical and creative talents of Jeremy Brown (saxophone), Johnny Summers (trumpet) and Tim Embree (trombone), drawing the first of many cheers and whistles from the audience.

Glenn Miller's “Sun Valley Jump” featured strong solos by Kim Beachum on trumpet, Greg Baker on drums and Jeremy Brown. Brown's solo, packed with runs and trills that spanned the entire range of the saxophone, drew appreciative cheers from his fellow band mates.

“The Man with the Golden Arm” is an original composition by Johnny Summers for the upcoming film Burlesque Assassins. This musical preview gives the audience a taste of what the soundtrack will be like. This catchy number featured trumpets, trombones and the rhythm section. It is easy for the listener to be transported to the era of “Batman” and “Mission Impossible” when listening to this.

Three other numbers rounded out the first half. “Goodbye” is a ballad by Gordon Jenkins. “Black and Blue” by Fats Waller, which has been covered by another jazz great – Louis Armstrong. The group closed the first half with “Air Mail Special” by C. Christian. This upbeat number has been performed by the likes of Ella Fitzgerald and Glenn Miller.

Sizzling Solos, Afro Cuban and Latin Jazz in CJO's Second Set

The CJO set the mood for the second set by sporting hot red ties. The group was joined by drummer Brent Van Dusen on Latin percussion. “Cachao, Creador Del Mambo” is a mambo by Bebo Valdes. This featured dramatic solos, featuring cross-rhythms, syncopation and chromatic runs by Kim Beachum, Tim Embree, Gerry Hebert and Egor Ukoloff.

An exception to the theme was made with “Dulce Amor” by Poncho Sánchez of Mexico. This slow number featured dreamy fills and lyrical solos by Rich Harding and Al Muirhead.

The final number on the programme was “Párraga” by Orlando Valle. This bright number, like all the upbeat numbers on the programme, had members of the audience tapping their toes, bopping and swaying to the music. This featured solos by Egor Ukoloff, Brent Van Dusen, Greg Baker, Jeremy Brown, Kim Beachum, Brian Walley, Sarah Matheson and Johnny Summers.

Three more numbers rounded out the second half. “Ecuacion” is a guaracha/mambo) by Bebo Valdes. “Cuban Afro” is an original composition by Greg Baker. “Quierreme Mucho” is a sexy bolero, which featured the saxophone section performing on clarinet.

About the Calgary Jazz Orchestra

CJO Director Johnny Summers founded the Calgary Jazz Orchestra in 2004. This particular concert showcased 15 of the jazz band's members: Gerry Hebert, Rich Harding, Jeremy Brown, Shane Statz and Sarah Matheson on saxophone/flute/clarinet. Johnny Summers, Kim Beachum, Gordon Wilhelm and Al Muirhead formed the trumpet section. Brian Walley, Tim Embree and Greg Robertson performed on the trombone. The rhythm section was comprised of Egor Ukoloff on piano, Kodi Hutchinson on bass and Greg Baker on drums. Music for this performance was arranged by Johnny Summers and Greg Baker.

Jazz lovers will have four more opportunities to enjoy some high-calibre performances by the Calgary Jazz Orchestra this season. On October 29, the CJO will perform at The Al Capone Charade, a gangster Halloween party. Upcoming season concerts include A Perfectly Frank Christmas, the music of Billie Holliday and Chet Baker and finally a concert featuring blues tunes and numbers written by members of the Calgary Jazz Orchestra.

The Calgary Jazz Orchestra's 2011/12 season got off to a lively start on September 25, 2011 with SWING! CUBA!. This concert featured impressive solos, as well as a diverse mix of swing jazz hits, Latin American music and Cuban grooves that had members of the audience tapping and bopping long after the performance ended.

Originally published on Suite101.com on September 28, 2011. Updated July 13, 2013.

Calgary Wind Symphony Apollo Sings Concert Review

Sweeping melodies, dramatic contrasts and lush imagery were on tap at the Calgary Wind Symphony's June 2, 2013 performance at the Rozsa Centre. Billed as "Apollo Sings! Music that Soars", this live concert featured a diverse mix of program and absolute music to work the listener's imagination.

Picking up the conductor's baton for this wind symphony concert were Artistic Director Dr. Jeremy Brown and Associate Conductor Wendy Freeman. CWS members Mary Hamm and Noel Jones were featured in Mendelssohn's Concertpiece No. 2 for Two Clarinets with Band.

Programme and Aleatoric Music Performed by the Calgary Wind Symphony 

The concert opened with Alfred Reed's The Hounds of Spring. The work is based on Algernon Charles Swinburne's poem Atlanta in Calydon. The sweeping melodic lines, depicted romance in the springtime. This was a number that showcased just how wonderful the acoustics are in the Rozsa Centre. It also demonstrated how tight the ensemble is. The balance was superb, while the tone was rich and warm..

Yasuhide Ito's Gloriosa was one of the many hidden gems on the programme. This work for symphonic band featured Christian hymns that were "Japanified" by Crypto-Christians who continued to practice their religion in secret after it was banned in Japan (1643 - 1848).

Gloriosa  contains three movements. "Oratio" was dripping with melancholy. The chimes in the opening, followed by the CWS singing a Gregorian chant, filled the hall with sorrow. In contrast, the middle section featured the flutes and clarinets playing a sweeping Japanese melody, punctuated by accents and harmonies in the brass, depicting the persecution of the Crypto-Christians. The movement ends as it began, with distant chimes. It was an utter delight to listen to the Calgary Wind Symphony sing the Gregorian chants.

"Cantus" showcased the flute and piccolo playing a melody sounding very much like a traditional Japanese song on the shakuhachi. Another Gregorian chant was buried deep within the score, nearly hidden by the flute melody, the taiko-like percussion and the blues-like harmonies..

From the shrill opening to the taiko-like rhythms, "Dies Festus" sounded more like a battle than a festival. This movement contained a Nagasaki folk song that was popular where many Crypto-Christians lived.

Christiaan Ventner's Dancing Lights of the North earned positive comments in the lobby during intermission from various concert patrons. To introduce it, Dr. Brown spoke of how the process is just as important as the melody. The piece is comprised of unfolding segments that contain a high element of improvisation.

It opened with a solo water glass passage (yes, you read that correctly), The twinkling percussion undoubtedly represented stars, while the woodwinds represented the shimmering aurora borealis. To me, the rumbling brass depicted night descending upon the listener. Later, the woodwinds sounded like birds and crickets in the night:

Associate Conductor Wendy Freeman conducted Illyrian Dances by Guy Woolfenden. This three-part work would fit perfectly in a fantasy tale such as the Chronicles of Narnia series. "Rondeau" was a lively modal dance peppered with syncopation and hemiolas. In contrast, "Aubade" was a slow and dreamier movement. "Gigue" is extremely playful, as depicted by the dancing flute melody and light percussion. The horns interjected with a hunting-like theme.

The CWS Presented Dramatic Contrasts and Meltdown by Marco Pütz

Calgary Wind Symphony members Mary Hamm and Noel Jones took to centrestage for Mendelssohn's Concertpiece No. 2 for Two Solo Clarinets with Band. The Romantic composer penned the work for the sons of clarinetist Heinrich Barmann.

This three-movement work is highly technical. It opened with a dramatic swell from the ensemble before Hamm and Jones' lines weaved and danced around like birds exploring the landscape from above.The second movement unfoled slowly. The running sixteenths were reminiscent of Schubert's Ave Maria. The third movement was rather operatic, like the love duet between the main characters in an opera. It finishes off with a highly virtuosic cadenza between the soloists.

Hamm and Jones were superb throughout. Their tone was well-matched and their technique complemented each other beautifully. They negotiated through those rapid-fire runs gracefully.

The highlight of the second half was Meltdown by Marco Pütz. This symphonic poem could easily fit into a dramatic film score. Even without knowing the programme - the meltdown of a nuclear reactor - one can easily hear it working for movies involving dinosaurs, gigantic monsters or space battles.

Meldown began ominously with the bass clarinet, followed by the other woodwinds, one layer at a time. The dance of the nuclear particles was extremely tense and frenetic, achieved by instruments playing in the extreme high register, an uneven waltz pattern and dissonant harmonies.

The brass and percussion drove the listeners towards the actual meltdown, with an increase of aural explosions. Rhythm and harmony continued to play a role in weaving a tale of instability, drama and fear. The lone beeping and hum from the synthesizer was akin to a lone machine beeping in the aftermath before fading into nothingness. The closing theme presented by a solo trumpet before being joined by the rest of the wind ensemble, seemed to describe the survivors surveying the landscape after the explosion.

To clear the air, Meltdown was followed up with two lighter works, Leonard Bernstein's Overture to Candide Karl King's The Purple Pageant March. These two are well known and oft-performed.

Smart Programming, Balance and Variety by the Calgary Wind Symphony 

One thing that continues to impress me with the Calgary Wind Symphony is the programme choices. The group isn't afraid to step out of the box of standard concert band repertoire. Each concert has included lesser-known works, as well as pieces that may challenge some listeners.

That's just fine. The edgier works are introduced clearly in the concert programmes as well as by the conductors on stage. What's even smarter is how these works are programmed. There is always a balance between these newer works with a good dose of familiar composers or styles.

About the Calgary Wind Symphony

The CWS (formerly the Calgary Concert Band) is a 60-member wind ensemble that has been around since 1947. It is directed by directed by Dr. Jeremy Brown of the University of Calgary and Associate Conductors Wendy Freeman and Gareth Jones.

Subscriptions for the 2013/14 season are already available.The lobby was abuzz with the news of Carmina Burana on the December programme. For more information, visit the Calgary Wind Symphony's website.

The Calgary Wind Symphony presented an engaging and varied programme for the ensemble's final concert of the 2012/13 season. Like the Greek god, Apollo, the June 2, 2013 concert brought sunlight into the concert hall and lit up the stage with soaring melodies and rich harmonies.

Honens ProAm Piano Competition for Amateurs 2011 Review

This unique piano competition held Saturday, October 15, 2011 in Calgary, Alberta raised over $100,000 for the 2012 Honens International Piano Competition.

Four amateur pianists went head-to-head on Saturday, October 15, 2011, 7:30 p.m. at Theatre Junction GRAND at this unique music competition. Nearly every seat was full when Daniel Yang, Andrew Hoffmanns, Colin Edie and David Dixon performed their solo recitals.

Amateur Musicians Perform for a Good Cause at Honens ProAm

The Honens ProAm Piano Competition is the brainchild of Calgary-based philanthropist Jenny Belzberg. This unique event is a fundraiser for the Honens International Piano Competition. The first year the ProAm was held was in 2008.

This music competition is open to recreational pianists who play at a high-calibre. In other words, all competitors must have careers outside of music. Each of these amateur musicians performed a 15-minute recital from memory.

In addition to their recital preparations, they strove to raise a minimum of $25,000 each. Prior to the event, they collected pledges from family, friends, employers, colleagues and music aficionados.

The competitors were judged by three music experts: Bob Clark, Charles Foreman and Mélanie Léonard. Clark is a performing arts writer for the Calgary Herald. Foreman, a Professor Emeritus at the University of Calgary, has performed around the world as a solo pianist and chamber musician. Maestra Léonard is currently the resident conductor for the Calgary Philharmonic Orchestra.

The Honens International Piano Competition Searches for the "Complete Artist"

Out of the many prestigious piano competitions throughout the world, the Honens is unparalleled in two areas. First, competitors must perform solo and chamber recital programmes in addition to a movement of a piano concerto. Jurors are tasked with finding the “complete artist”.

Secondly, Honens Laureates participate in an extensive artistic and career development program. This is above and beyond the prize money they receive. Some of the benefits include assistance in booking engagements, recording CD's and developing press kits.

The Honens was the brainchild of the late Esther Honens. She was a Calgary-based philanthropist who endowed $5 million dollars in 1991 to launch an international piano competition in Calgary.

All proceeds from the Honens ProAm goes towards the Seventh Honens International Piano Competition. The next Honens will take place in Calgary from October 17 to 26, 2012.

ProAm Competition 2011 Contenders Deliver Four Exciting Performances

The 2011 ProAm got off to a colourful and romantic start with Daniel “Marathon Man” Yang's performance. Yang, sporting a purple tux, opened with Prelude in b-flat minor, op. 28, no. 4 by Polish composer Fréderic Chopin. He then delivered a sensitive interpretation of Edvard Grieg's Notturno. This was followed by another popular Chopin piece, Nocturne in E-flat Major, op. 9, no. 2. Wolfgang Amadeus Mozart's “Rondo alla Turca” from his Sonata no. 11 in A Major, K. 331 rounded out the programme.

Yang is a Reservoir Specialist for Canadian Natural Resources and the CEO of Borealis Geopower. He holds a Ph.D. In Natural Sciences and studies with Calgary-based piano instructor Ann Davidson.

The second ProAm contender, Andrew “Dutchie” Hoffmanns, hails from the Netherlands. He moved to Calgary last year and works as a financial analyst for Shell Canada Limited. He studies piano with pianist, teacher and clinician Gabriella Jonas of Calgary.

Hoffmans performed two contrasting works which showcased his warm, rich tone. He began with Sergei Rachmaninov's Prelude in c-sharp minor, op. 3, no. 2. He concluded his programme with selections from Kinderszenen (Scenes from Childhood) by Robert Schumann.

Colin “Jock” Edie drew loud cheers when he strode confidently on stage in his light grey-blue tux and matching hat. That confidence rang through throughout his entire recital programme, in which he demonstrated a strong tone, good phrasing and balance.

He first performed “Allegro moderato” from Sonata in E-flat Major, No. 62 Hob. XVI52 by Franz Joseph Haydn. This was followed by La Cathédral engloutie by Claude Debussy. For his final work, Edie performed Chopin's Revolutionary Etude.

Edie works for Encana Corporation as a Petroleum Engineer. He has his Grade 10 certificate from the Royal Conservatory of Music and studies with Allen Reiser, a Calgary-based piano teacher, writer, performer, adjudicator and clinician.

The evening drove towards a dramatic climax with David “Big Band” Dixon's performance. This jazz fan performed two challenging works: La Danse de Puck by Impressionist composer Claude Debussy and Frederic Chopin's Scherzo in E Major, op. 54, no. 4.

Dixon, a Reservoir Engineer at Nexen Inc., displayed a strong command of the piano. His technique was solid, while his phrasing and dynamics were well balanced. He elicited a standing ovation from the audience.

David recently earned his ARCT Diploma from the Royal Conservatory of Music. He studies with pianist, teacher, adjudicator and clinician Linda Kundert-Stoll in Calgary.

Honens ProAm Competition 2011 Declared a Resounding Success

The fundraising goal for this year's Honens ProAm was $100,000, which as exceeded. This year's Top Fundraiser Award went to Daniel Yang, who raised $43,000.

The audience was concurred with the event's jurors. David Dixon was declared the Audience Choice Prize winner and the 2011 Honens ProAm Champion. He won a gift certificate to the seafood restaurant Catch, the entire Honens CD library and a weekend residency at the Banff Centre for the Performing Arts.

The 2011 Honens ProAm Competition for Amateurs was held at Theatre Junction GRAND on Saturday, October 15, 2011. With four dynamic performances delivered to nearly a full-house and the fundraising goal surpassed, this original fundraiser for the 2012 Honens International Piano Competition is a resounding success.

Originally published on Suite101.com on October 18, 2011. Updated May 13, 2013. All rights reserved by Rhona-Mae Arca.

Calgary Jazz Orchestra's 2013 Pop! Concert Review

The Calgary Jazz Orchestra wrapped up its 2012/13 season on Sunday, May 5, 2013 at Riverpark Church. Pop! featured big band jazz arrangements of pop and rock classics, as well as two world premieres.

Directed by Judy Wishloff, Churchill's Blue Jazz Band opened for the CJO by performing two numbers. The jazz band first performed A Blues for Dave by Doug Beach, which featured trombone and guitar solos.

Mike Tomaro's arrangement of I Mean You (Thelonious Monk) opened with an upbeat piano solo. It showcased the trombone, trumpet, soprano sax, piano and drums.

The Beatles, Jesus Jones and the World Premiere of Calgary Suite at the CJO

The first half of the programme featured big band arrangements and compositions by Greg Baker, while the second half showcased Johnny Summers' arrangements. Jammin' (Bob Marley) began brightly in the trumpets, while the saxophones painted a groovin' night scene. The trombones cruised steadily towards the solos. Jammin' featured solos by Gerry Hebert on alto saxophone, Dave Reid on trombone and André Wickenheiser on trumpet.

The CJO presented the world premiere performance of Greg Baker's Calgary Suite ("Ten Days in July", "Rockies" and "Waiting for the Chinook"). Due to time constraints, "Rockies" was omitted.

Ten Days in July" conjured up sound pictures of Cowtown. The trombones played a recurring accented hoedown-eque motif. The saxophones and trumpets circled around like a chuckwagon race.

The solos maintained the festive mood. Johnny Summers' trumpet danced and bounced like carnival lights and bells. In contrast, Shane Statz's tenor sax looped around like a sheepdog herding sheep. Egor Ukoloff (piano) and Greg steadily built up the intensity, punctuated by shots from the band. Sarah Matheson's bari sax solo spun like the Tornado ride, while Gerry's solo rang out like casino slot machines.

"Waiting for the Chinook" began as a ballad, later becoming bright swing. The varied layers were a delight to listen to, for example, flugelhorns with trombones and muted trumpets with piano. It featured solos by Rich Harding on alto sax, Egor, Kodi, Shane, Paul Ashwell on trombone and Greg on drums. There was a lovely dialogue between Johnny on the flugelhorn and Dean Yeats on trombone.

The CJO performed two more numbers in the first set. There was an easy swing version of Right Here Right Now (Mike Edwards) and a medium swing arrangement of Help (John Lennon & Paul McCartney).

CJO Premieres The Wonderment Suiteby Johnny Summers

CJO Director Johnny Summers recounted a conversation he had with a patron during intermission. She inquired about what the band plays and the arrangements. Johnny responded by describing the elements of music as a musician's palette of colours, which is used to paint a picture musically, while the form of the piece provides a road map to follow. Jazz musicians must stay within the confines of the form while improvising.

Johnny Summers' The Wonderment Suite was premiered in the second set. Each movement captured a mood: "Awakening", "Stability", "Thrill", "Confidence", "Adventure", "Sweetness" and "Wonderment". The final number was cut from the programme due to time constraints.

"Awakening" eased the audience in, opening with a sleepy melody on soprano sax by Gerry Hebert, while the trombones played sustained tones. The rest of the sections joined in one by one. It featured solos by Gerry, as well as Gordon Wilhelm on trumpet.

"Thrill" opened with a tremendous amount of energy. Like a child searching for hidden Christmas presents before Christmas, the solos captured a building sense of excitement and the thrill of discovery using meandering lines and playful rhythms. It featured solos by Sean Craig on tenor sax and Paul on euphonium, along with Egor and Sarah. There were chatty tenor sax exchanges between Shane and Sean.

The trombone section oozed with "Confidence", with a swaggering recurring motif and later, by taking over the stage. Shane's solo featured driving lines that traversed up and down the musical road. Meanwhile, members of the trombone section provided comic relief by standing and sitting like Whac-a-Moles because one of them rose up to play early.

Brian Walley's trombone solo soared and leaped playfully, while Johnny's trumpet spun and shot out a brilliant spray of notes.

The music faded away, at which point, the trombone section stood up one by one, delighting everyone onstage and in the house with a cutting contest. Who could play the slowest? Lowest? Loudest?

Adele's Skyfall closed the second set. This gritty ballad opened with a unison chord that waxed and waned into the night. Then the piano came in, joined by the bass, trombones, clarinets and flugelhorns. Johnny successfully handled that challenging, disjunct vocal melody.

The CJO also performed Michael Jackson's The Way You Make Me Feel, a crowd favourite from a couple of seasons back. For an encore, the band played Johnny Cash's Folsom Blues. Everyone went all out for their final solo of the season. Of special note, André's soft solo whispered and fluttered like a hummingbird. The audience was rapt with attention. Folsom Blues brought the house down and the audience to its feet for the second time that night.

For more information about the Calgary Jazz Orchestra's upcoming summer jazz concert, young jazz musician's competition and to buy 2013/14 concert season tickets, please visit the CJO's website.

The Calgary Jazz Orchestra entertained and delighted with its Pop! Concert in Calgary, Alberta on May 5, 2013. The jazz group was successful at painting a vivid soundscape colourful playing. This jazz concert was a fabulous way to end the 2012/13 concert season.

Red & White Club Comic & Toy Expo 2011 Review

Fans of comic books, figurines, collectibles and geeky toys gathered at this year's Red & White Club Comic & Toy Expo in Calgary, AB on October 16, 2011.

Comic fans of all ages flocked to the Red & White Club in Calgary for the 17th annual Comic & Toy Expo, held Sunday, October 16, 2011 from 1:00 – 4:00 p.m. This year's event boasted more vendors, more special guests and more costumes than last year.

Comic Artists and TV Celebrities Among Special Guests

Cary Nord (Star Trek: The Next Generation and Conan the Barbarian) and Riley Rossmo (Cowboy Ninja Vikings) made a return appearance as special guests. One fresh face on the scene was Scott Kowalchuck, a Calgary-based artist who co-created the series The Intrepids (Image Comics).

Also making an appearance at this year's comic con was the Quickdraw Animation Society. Quickdraw is a production and education facility in Calgary, Alberta. Quickdraw showcased some of their colourful 8-bit animations.

TV hosts Sheldon Smithers and Scott Cozens also met with fans. The duo love vintage items. Their show, “Canadian Pickers” (History Channel) follows them on their cross-country hunt in search of folk art, vintage collectibles and other gems.

Costume Contest Attracts a Huge Crowd

Various eras in comic history were represented at this year's costume contest. Supergirl, Batgirl and Shazam were among the classic comic superheroes. X-Men, Iron Man and Halo were among some of the more contemporary entries. People also saw triple with at least three Dr. Who's wandering the hall. With 28 entries, cosplay is a huge draw at the Comic & Toy Expo.

Third place went to a team featuring “Harlequin” and a young “Batgirl”. “Mystique” took second place. Her unique costume featured a likeness to several X-Men characters. First place went to “Iron Man Mark 1”. It took Jeremy Nordstom three months to make his winning costume. He used plastic, metal and wood for his suit, which weighed a hefty 75 pounds.

Tables and Tables of Old Comics, Vintage Toys, Face-painting and More

The vendors tables sold out well before the event. There were some familiar tables, including Olivier Antiques & Collectibles, Treasure Cove and Out of Chaos. “Isn't the atmosphere here today great?” asked Sid Olivier with a smile. One Star Wars fan was ecstatic when he checked out Treasure Cove's table: “I'm your dream for the vintage Star Wars and you're mine,” he told owner John Quong.

Attendees were introduced to some “fresh faces”. Jiggly Pig Comics from Victoria, BC, brought an extensive selection of comics. Amazing Stories Comics from Saskatoon, SK showcased printed t shirts, hoodies, “Goomba” toques and “+15 Frost Resistance” hats.

Some artists were on double duty. Cartoonist, film director, costume designer Rik Van Dyke sketched the faces of young fans onto their own comic book covers – when he wasn't selling geeky t shirts. He also was generating buzz for his upcoming movie “Bloodbeast”.

For those who didn't come to this comicon in costume, there was a fresh option. Amandamazing Art & Face Painting's table was busy with girls young and young at heart lining up to be painted.

This year's comic convention was more energetic than last year's event. The Red and White Club Comic & Toy Expo 2011 drew 727 attendees and close to 100 tables, featuring vendors, artists and clubs. Organizers are calling the 17th event, held October 16, 2011 at the Red & White Club beside McMahon Stadium, a huge success.

Originally published on Suite101.com on October 19, 2011. Updated May 3, 2013. All rights reserved by Rhona-Mae Arca.