Geeking Out at the Calgary Expo 2013

The 2013 Calgary Expo has come and gone. It was my first year as a volunteer. All I can tell you is that volunteering was a wonderful experience and I'm definitely up for volunteering again. I was unable to attend any of the discussion panels, so I am grateful hat FlipOn.TV and the Comic Expo made Virtual Passes available. I look forward to watching the panels at a leisurely pace.

Here are some moments of the 2013 Comic and Entertainment Expo that I was able to capture when I completed my shifts. Enjoy!

Nathan Fillion and Tim Daly have got it right. Flying around in a cape is too much fun:

You can check out the rest of my 2013 Calgary Expo album here. I will try to upload my video of the LEGO Endor set later this week.

This is a fantastic moment captured by a Calgary Expo attendee. She asked actor/director/writer/gamer/professional nerd Wil Wheaton to tell her baby daughter why it's awesome to be a nerd:

A huge thank you to our guests, exhibitors, organizers and my fellow volunteers for making the 2013 Calgary Expo a huge success! I can't wait till next year! Well, perhaps my legs and feet need to rest a bit first.

Calgary Jazz Orchestra A Perfectly Frank Christmas 2010 Concert Review

Calgary music aficionados love Christmas music, Frank Sinatra and the Calgary Jazz Orchestra. Concertgoers lined up outside and around River Park Church in Calgary, Alberta on Sunday, December 19, 2010 for a chance to get tickets to CJO’s sold out jazz concert, "A Perfectly Frank Christmas".

The concert start time was delayed by 15 minutes to ensure that the audience could find seats and get settled. The programme featured big band jazz arrangements of Sinatra classics along with fresh arrangements of popular Christmas songs.

Hazel Proctor and Greg Baker Sparkle in the Opening Set of “A Perfectly Frank Christmas”

The CJO set a relaxed yet festive tone to the evening with Hark! arranged by Paul Ashwell. This moderate swing number featured easygoing solos by Dr. Jeremy Brown (saxophone) and Bob Erlendson (piano).

Director Johnny Summers traded his trumpet in for the microphone for three numbers: Sleigh Bells, I’ve Got You Under My Skin from “Songs for Swingin' Lovers” (1956) and Just the Way You Look Tonight from “Sinatra Sings Days Of Wine And Roses, Moon River, And Other Academy Award Winners” (1964). Sinatra’s music wonderfully showcases Summers’ wide vocal range and warm timbre, especially on the upbeat numbers.

The Calgary Jazz Orchestra welcomed jazz vocalist Hazel Proctor as a guest performer for the evening. Proctor comes from a rich musical heritage that set roots in Alberta in 1910. She has performed at Dixieland jazz festivals throughout Canada and the US. Proctor currently sings with the Dixie Boppers of Calgary, Alberta.

Proctor joined the CJO on two numbers: Please Come Home for Christmas and The Christmas Song. Her down-to-earth nature drew the audience in. Proctor’s rich, earthy tone wowed the audience, often drawing cheers and applause throughout her performance. The Christmas Song marked the first duet that Proctor and Summers have performed live together.

Another performer that elicited the same response was drummer Greg Baker. Summers did a special arrangement of Little Drummer Boy to display Baker’s talents. His playful nature, tempered with technical virtuosity brought the house down. His solos ranged from youthful reminiscings (pounding) to the “drum roll please” groove and from toe-tapping rock to mind-blowing funk.

The Calgary Jazz Orchestra rounded out the first half with two additional numbers. What Child is This? was a fast swing number that ended in an extremely Baroque fashion. It featured solos by Shane Statz (sax), Al Muirhead (trumpet), Carsten Rubeling (trombone) and Bob Erlendson (piano). I’m Walkin’ was a bold, lively number that featured strong solos by Johnny Summers (vocals), Richard Harding (sax), Andrew Wickenheiser (trumpet), Gerry Hebert (sax), Carsten Rubeling and Kodi Hutchinson (bass).

Strong Jazz Solos, Swing Dancers and Comedic Moments Mark the Second Set

The jazz band launched the second set with Ol’ Santa Claus, a quick march-like call and response number. A 3-2 clave pattern wound its way into the drums, keeping it extremely rhythmic and lively.

Silent Night showcased Richard Harding on sax. His improvisation was quite varied and yet always maintained the soulfulness of the original melody. Harding’s final improv was done against an ostinato of the first two bars of the melody, played by the rest of the saxophone section.

Summers invited Matthew Isenor and Nicole Tomes of Toe Tapping Swing to show off their graceful choreography for his next vocal number, Come Fly with Me. Another memorable number was What a Wonderful World in which Baker and Summers exchanged places. Baker surprised the audience with his rousing tribute to Louis Armstrong, successfully imitating Satchmo’s rumbly timbre.

One of the fun things about playing jazz music is being able to put a completely new spin on old classics. Deck the Halls was good example of this. Baker’s arrangement moved this traditional carol into a minor key and threw in a sultry Latin groove (Besame Mucho, anyone?). This featured solos by Johnny Summers (trumpet) and Gerry Hebert (soprano sax).

One audience member learned what happens if you have the misfortune of arriving late to a CJO performance. She was on the receiving end of some good-natured ribbing throughout the evening. Molly will undoubtedly show up on time to next year’s performance and without her “winterscape” sweater that Summers admired. Others Sinatra hits performed in the second set included Love Me or Leave Me, Star Dust and All or Nothing at All.

The CJO closed the programme with Oh Holy Night. This arrangement was an interesting blend of styles – part gospel, part classical, and part country. The music soon gave way to an upbeat, double-time groove and featured solos by Sarah Matheson (baritone sax), Carsten Rubeling and Greg Baker.

The audience quickly rose to their feet to give the CJO a standing ovation and called out for an encore. The jazz band complied with one final Frank Sinatra hit, I’ve Got the World on a String. Isenor and Tomes returned to the stage, complementing the music with their toe-tapping swing.

About the Calgary Jazz Orchestra

The Calgary Jazz Orchestra is a sixteen-member jazz band that was founded in 2004 and is directed by Johnny Summers. "A Perfectly Frank Christmas" featured Johnny Summers, Hazel Proctor and Greg Baker on vocals, Gerry Hebert, Richard Harding, Jeremy Brown, Shane Statz and Sarah Matheson on saxophones, Johnny Summers, Kim Beachum, Gordon Wilhelm, Andrew Wickenheiser and Al Muirhead on trumpets and Tim Embree, Carsten Rubeling, Shawn Hamilton and Greg Robertson on trombones. Bob Erlendson (piano), Kodi Hutchinson (bass) and Greg Baker (drums) complete the jazz band. The band arrangements for this concert were by Paul Ashwell, Johnny Summers and Greg Baker.

The CJO delivered a lively programme with strong performances at "A Perfectly Frank Christmas", held Sunday, December 19, 2010. The band launched its 2010/11 season in September, featuring music by Charlie Mingus and Oscar Peterson. Upcoming jazz concerts include “ENTERTAINMENT!” on January 30, 2011, featuring music from pop culture (pop, movies and video games) and on April 10, 2011, the music Duke Ellington and Harry Connick Jr. For more information about the CJO, visit their website.

Originially published Suite101.com on December 20, 2010. Updated on April 13, 2013. All rights reserved by Rhona-Mae Arca.

Video Game Jazz Music at The Runaway Five's First All Ages Show

Driving, funky jazz versions of video game music were on tap when The Runaway Five performed in concert in Calgary, Alberta at the National Musical Centre Saturday, April 6, 2013. It was the jazz group's first "all ages" show.

This concert featured Johnny Summers on trumpet and flugelhorn, Shane Statz on tenor sax, Sheldon Zandboer on piano, Brendan McElroy on bass and Karl Schwonik on drums. It was the group's first performance in a quintet configuration.

Jazz Arrangements of Classic Video Game Themes Played by the Runaway Five

The quintet opened the first half with two songs from the SNES game Earthbound (AKA "MOTHER 1+2"):"Sound Stone" and "Threed". This particular arrangement of the "Sound Stone" melody was quite lively, complete with stride piano. It featured solos by Shane, Johnny and and Sheldon.

In contrast, "Threed" was a laid back bossa nova. One of the neat moments in this arrangement was the transition between the flugelhorn and tenor sax solos. There was a lovely dialogue between the two instruments, which weaved and bobbed like someone floating aimlessly in the pool or ocean. I could have sworn I heard a "quote" from "Rainy Days and Mondays" by The Carpenters for a fraction of a second.

Next game on the set list was SimCity 3000, which is known for its jazz and new age soundtrack. "Updown Town" was a toe-tapping medium upswing. The trumpet solo began in the lower registered with shots that gradually led the listeners higher and higher. This was followed by an extremely chromatic piano solo, complete with rapid-fire blues riffs and shakes. After a very catchy vamp, the tenor sax solo gradually built up higher and higher, like a skyscraper.

"Into the Darkness" from Final Fantasy IVwas a lazy jazz waltz. The ensemble played upon the rhythmic ostinato from the introduction, working it into their solos. The flugelhorn solo was soft and mournful. In contrast, the tenor sax rose and fell like waves. The piano solo had punchy riffs and crunchy chords, while the bass solo played upon the theme, leading the audience deeper and deeper, lower and lower into blackness.

Another highlight from the first set was "Love Song" from BioWare's Dragon Age. This slow jazz waltz featured a beautiful duet between the flugelhorn and tenor sax. The sax solo began simply, who lush long tones, but the rhythm grew in complexity, building the tension. In contrast, the piano solo featured tender chords that rose and fell like a sigh. It too gradually grew in intensity with crunchier harmonies. The gradual deconstruction of the theme was a neat effect, just before leading the audience back to the head.

Three more video game themes were performed in the first set. "Buy Something Will Ya" (Earthbound) was a moderate swing number. "Zelda's Lullaby" (Zelda), which showcased the flugelhorn and piano. The Runaway Five closed the first set with the "Overworld Theme" from Super Mario Bros 2.

Soul Jazz, Ragtime and Swing Video Game Music in The Runaway Five's All Ages Concert

The Runaway Five did their best to make the audience forget the miserable weather outside with "Koopa Troopa Beach" from Super Mario Kart 64. Was I the only one pretending to drive my Mario Kart around the beach during the performance? I hope not.

The tenor sax solo was wavy, with splashes up into the higher register. The  flugelhorn solo kept the mood high and bright, not just with playing in the higher register, but with the introduction of a different rhythm. The piano took that rhythm and changed it even more. When the head returned to lead us back to the finish line, it was a nostalgic moment.

Another highlight from the second half of the show was "Muscle Soul" from Battlefield Bad Company 2 Vietnam (Hill 137). This isn't a game I'd normally play, so hearing this theme was my introduction to the music of Anders Lewen.

This number opened with the bass and drums vamping on that opening riff until one by one, the rest of the company stepped in. The trumpet solo traversed a wide range, like a unit marching to their next mission. The sax solo was as soulful as the original recording. The piano solo had a little Motown, a little funk and a hint of disco.

The Runaway Five closed the show with "Air Platform - The Athletic Rag" from Super Mario World. The quintet had fun playing around with the two main themes from this classic video game. The trumpet solo used the A theme as a springboard to new riffs.

The tenor sax took the last rhythms played by the trumpet and then improvised on the B theme, then back to the A theme before tossing it to the piano, where we heard a chromatic treatment of the B theme, complete with zippy runs. The drum solo was playful, exploring different rhythmic and timbre combinations.

Three more VG themes were featured in the second set, including the "Figaro Castle Theme" from Final Fantasy III (VI), "Green Hill Zone" from Sonic the Hedgehog 2 opened with the drums and music from Street Fighter.

About The Runaway Five

Founded by Brendan McElroy, the Runaway Five performs jazz music arrangements of classic video games, including Super Mario Bros., Final Fantasy and Zelda. In 2008 and 2009, the group performed at Massey Hall in Toronto during the Video Games Live tour. The ensemble members change, increasing or decreasing depending upon the needs of the show.

The Runaway Five performed an intimate concert open to all ages on Saturday, April 6, 2013 at the National Music Centre. The interplay between the musicians was a delight to hear, while the themes left the audience feeling nostalgic about games past and present.

If you missed the show, you can check out some of group's earlier performances on their Youtube Channel. The Runaway Five will perform later this year. Details to follow.

Highlights from Otafest 2010

Running on the May long weekend, Calgary's annual anime convention featured a record number of special events and popular classics for anime and comic fans from Alberta.

Otafest is considered one of the premier anime conventions in Alberta, only rivaled by Animethon in Edmonton. With 103 special events, there were plenty of activities for otaku of anime, comics, manga and video games to enjoy at Otafest 2010.

Artists, Voice Actors, Bands, Improv and Cultural Demonstrations on Otafest's Special Guest List

This year, Otafest featured three headliner guests: voice actors Todd Haberkorn and Michelle Ruff and cartoonist Scott Ramsoomair. Haberkorn is known for portraying Hikaru Hitachiin (Ouran High School), Watanuki (xxxHolic) and Death the Kid (Soul Eater). Ruff was awarded Best Voice Actress (English) at the 2009 SPJA Industry Awards. She has voiced over 100 different characters, including Rukia (Bleach), Yoko (Gurren Lagann), Chi (Chobits) and Princess Euphemia (Code Geass). Canadian cartoonist Ramsoomair is the creator, writer and artist of VGCats, a popular video game humor-based web comic.

Other special guests included Synaptic Chaos Theatre, Midnight Taiko, the Shin Ken Kai Nobara Iaido Club, the 404's improv group, the band THWOMP and the band Pinku Polkadotsu.

Special Events Galore at Otafest 2010

Otafest increased its special event line-up from 90 to 103. This year, a wide variety of interactive game shows were added, such as AMV Mortal Combat - where anime music videos selected by the audience are pitted against each other, Otafest Tactics - a game that tests players' strategic and battle skills and Anime Talkabout - where players have only 20 seconds to show off how much they know about an anime-related topic.

Other new events included the Otafest Much Music Video Dance, Lolita Fashion Show, the Maid Café, the Pokémon League, Speed Dating and live-action Anime Chess.

Popular Classics Return and Old Standbys Continue to Draw Crowds at Otafest

The AMV Game show returned, in which contestants watch selected AMV's and then answer questions. In Anime EDGE, 15 different games and game shows were combined into one big game.

An anime con would be incomplete without anime showings, cosplay contests, karaoke and gaming rooms. Otafest is no exception. The vendor room and Artist Alley were popular with shoppers seeking to buy Bleach manga, Inuyasha DVD's and other popular otaku merchandise.

The History of Otafest

Otafest is the brainchild of the the University of Calgary's Dedicated Otaku Anime Club. The first festival was held in 1999 as a one-day film festival. Throughout the years, Otafest organizers added educational panels, including Japanese 101, computer tips to enhance music videos and CG art, cosplay , writing fan fiction, convention etiquette and flirting. Cultural demonstrations on how to wear a kimono, the Japanese tea ceremony, Taiko drumming and Iaido have been included over the years. Otafest is now a three-day annual festival held during the Victoria Day weekend at the University of Calgary. A one-day "lite" festival was added in November 2009.

Some Glitches But Still a Fun Weekend at Otafest 2010

The most controversial issue at Otafest 2010 was over weapons and props. During an incident at Otafest Lite 2009, a cardboard prop was mistaken for a real weapon by university staff when viewed from a distance. Otafest organizers initially banned all props of weapons, but fan backlash was strong. The revised policy on the website is a workable compromise, banning any weapons, any props resembling weapons and any props made predominantly of metal. Acceptable prop weapons were tagged so that university campus security could easily identify these items as props from a distance.

Two band-related glitches detracted from fans' musical experience. The band Pinku Polkadotsu had to withdraw from the line-up when the drummer was injured in an accident. Partway through the THWOMP concert, a fuse was blown.

Some changes were good, others not as successful. The vendor room saw an increase in vendors from 20 to 30, thanks to a streamlined floor plan. Programming was rather light on Sunday, with the bulk of the activities scheduled on Saturday. Otafest Idol was smaller than previous years, with 25 pre-registrations accepted (down from 30) and eight finalists (down from 10) to give more time for feedback from the judges. Campus construction resulted in various detours and restricted areas.

Bumps aside, attendees still enjoyed a fun-filled weekend. Cosplayers were in abundance; the youngest was a mere toddler, while the oldest cosplayers were well into their 40's. The Maid Café drew such a crowd that advance tickets had to be issued. The Cosplay Contest was as popular as ever, with over 60 entrants and audience line ups spanning one kilometer.

Attendees got into the spirit of giving by donating over $5,300 for breast cancer research. With the fundraising goal well met, three festival organizers had their heads, while one shaved his chest at the Closing Ceremonies.

Final attendance figures for Otafest are not yet available. However, attendance has been steadily increasing over the past two years. If these historical figures are any indication, 2010 numbers should be over 4,000. With 103 special events, healthy attendance and over $5,000 raised for cancer research, the Otafest 2010 anime convention can be dubbed a success.

Originally published May 28, 2010 on Suite101.com. All rights reserved by Rhona-Mae Arca.

Review of Johnny Summers – Piano Sessions Vol. 1 CD Release Concert

Calgary multi-instrumentalist Johnny Summers and friends delivered an intimate and passionate performance on Saturday, March 16, 2013 at the University of Calgary's Rozsa Centre. The event was a CD Release Party to introduce Summers’ third jazz album, Piano Sessions Vol. 1.

The Calgary event also featured Chris Andrew on piano, Al Muirhead on trumpet, Jason Valleau on bass and vocals, Sheldon Valleau on ukulele and vocals and finally, Shane Statz on tenor sax. Johnny Summers performed on vocals, trumpet and flugelhorn.

Swing, Ballads and Blues Featured in Johnny Summers' Piano Sessions Vol. 1

The concert opened with "She Thinks that I Still Care". Unlike with George Jones' original country stylings, this interpretation was injected with a "hot summer's day in New Orleans" feel.

The dramatic pauses at the ends of key phrases set a playful tone to the number. The trumpet and piano solos were longer than they were on the album, giving Johnny Summers and Chris Andrew an opportunity to really expand on their ideas.

Between numbers, Johnny explained some of his inspirations for recording this jazz album.  Listening to great crooners such as Harry Connick Jr. and Tony Bennett, as well as instrumentalists Bill Evans, Chet Baker and Paul Blaine instilled the idea of an album featuring piano and voice. "That's beautiful to me," he said.

"You're extremely exposed," he divulged. Johnny added, "You have to have a good sense of time."

During the recording sessions, four additional songs were recorded, which didn't make it onto the album: "I'll Be Home for Christmas" and "Winter Wonderland", "Look for the Silver Lining" and "Mood Indigo." The classic Christmas songs were bundled together in Winter Wonderland.  The other two made it onto Saturday's programme.

Jerome Kern & B.G. DeSylva's "Look for the Silver Lining" was made famous by Chet Baker. This medium swing song had a light, breezy feel to it.

Chris' solo was peppered with syncopated rhythms and impressive runs. In contrast, Johnny's solo on his brand new Yamaha flugelhorn was tender and warm, gradually blossoming into each a high point. Partway through, the groove became more animated and the two traded 4's.

The ballad "Maybe This Time" has been recorded by many artists, including crooner Tony Bennett. Johnny shared some of his memories of hearing Bennett sing live in concert. "He walks on stage...and you feel the electricity...When he sings, he fills you."

Johnny's interpretation was soulful and wistful, with an unhurried tempo throughout. That made the climax more impassioned. The piano shakes were performed in a dreamy fashion.

Jason and Sheldon Valleau of the band, The Polyjesters, lent their talents to "My Baby Just Cares for Me". This jazz standard by Walter Donaldson and Gus Kahn has been considered the signature piece of Nina Simone.

This medium swing number featured a soft, easygoing piano solo by Chris. The crescendo towards a soft, fermata in Johnny's trumpet solo was a short reprieve before the melody shot up to the instrument's upper register. The lyrics were delivered with a cheeky and humourous flair. The impromptu "doo-doo-doo" at the end of the tag was by Sheldon was a nice touch.

Variety, Extended Solos and Delightful Surprises at Johnny Summers CD Release Concert

One of the highlights in the second set was Nat King Cole's "I'm an Errand Boy for Rhythm". After a slow introduction on voice and piano, the mood shifted to a lively upswing. The interlude featured a rhythmic piano solo, followed by Al's elegantly shaped phrases. In contrast, Johnny's trumpet solo weaved and raced to the top with rapid runs. The trumpet dialogue between Al and Johnny was playful. At times, it sounded just like scatting. Other times, it sounded like a car race.

This interpretation of Duke Ellington's "Mood Indigo" had shades of Nina Simone. It featured solos by Shane Statz on tenor sax, Johnny on trumpet and Chris on piano.

The final song of the evening was a rousing performance of Johnny Cash's "Folsom Prison Blues". One of the most delightful things about music is that you never hear the same performance twice. This was especially true in this case.

The piano intro was extended for the live performance, gathering momentum just as a train does when it pulls out. The sax solo was grittier, exploring the lower range of the instrument. In contrast, Al's solo was lighter and higher, much like birds chirping. Chris' solo featured a  healthy dose of "crunchy" chords and driving rhythms, while Johnny's trumpet solo spun and shot up - higher - and higher.

Jason performed a percussion solo on his bass before Johnny and Jason scatted. Jason's surprise trumpet-like squeal led to various instruments being imitated.

The entire audience rose quickly to give everyone a standing ovation. The ensemble performed one encore, "St. James Infirmary."

Six more songs were performed at the Piano Sessions Vol. 1 CD Release. Four more other songs were performed in the first set: "Dream a Little Dream of Me", "You Don't Know Me", "Going Home" and "Exactly Like You". The second half also featured "I Wonder, I Wonder" and "Simple Song".

Piano Sessions Vol. 1 Concert Review

From the opening line, the balance between the voice and piano and later, the remaining instruments, was nothing short of perfect. The ensemble made full use of the acoustics that the Rozsa Centre offers, delivering a crisp and clear sound. They definitively demonstrated that the album's Global Music Awards for Best Listener Impact and Best Male Vocalist are well deserved.

Technical proficiency, when coupled with artistry, is a winning combination. What more could a performer or listener ask for? Well, perhaps for the lead vocalist to not have strep throat, perhaps.

The live performance offered listeners different type of performance. Feeding off the energy from the audience and the ensemble can push a musician to new heights of artistry. This manifested on Saturday into spontaneous moments of brilliance that lead to new directions for improvisation. Yes, live was slightly different from the album, but just as beautiful in its own right.

About Johnny Summers

Johnny Summers is a Calgary-based multi-instrumentalist who performs jazz, soul, gospel, blues and almost everything in between. He's a singer and songwriter, as well as a trumpet and flugelhorn player. As the director of the Calgary Jazz Orchestra, he serves as composer, arranger and band leader.

Piano Sessions Vol. 1 is currently available on CD Baby and iTunes on March 16, 2013. Click here to read my album review.